Search Results for wilde

...Wendell V. Harris Cosmopolitan Criticism: Oscar Wilde's Philosophy of Art . By Julia Prewitt Brown . Charlottesville and London : University Press of Virginia , 1997 . Pp. xx + 137. $30 . 8139-1728-X. Wilde's Intentions: The Artist in His Criticism . By Lawrence Danson...

...Wendell V. Harris Oscar Wilde's Profession: Writing and the Culture Industry in the Late Nineteenth Century . By Josephine M. Guy and Ian Small . Oxford and New York : Oxford UP , 2000 . Pp. xviii + 314. $80 . hc. 0-19-818728-9. Oscar Wilde in the 1990s: The Critic...

...Samuel Lyndon Gladden Copyright © 2005 Regents of the University of Colorado 2005 62 English Language Notes 7 Spoto 153, 173. 8 Spoto 154. 9 Spoto 156-57. 10 Cium 170, 172. Spoto 165. DRACULA S EARNESTNESS: STOKER S DEBT TO WILDE Bram Stoker s relationship with and to his fellow Irish­...

... struggle th a t is not delim ited by national borders but extends across the experiences o f Filipino peasantry in the US-occupied Philippines and Filipino m igrant w orkers in the US. The literary form of collective autobiography lends itself, too, to telling the story of the wild m ovem ents, affects...

...-39. 8 Holy Bible, Douay Version (London: Catholic Truth Society, 1957). 9 Flannery O Connor, Greenleaf, Everything That Rises Must Converge (New York: Farrar, 1964) 41. 10 Giannone 168. OSCAR WILDE S DORIAN GRAY AND SHAKESPEARE S SONNETS The sources and analogues of Oscar Wilde s novel The Picture...

...-57. 10 Cium 170, 172. Spoto 165. DRACULA S EARNESTNESS: STOKER S DEBT TO WILDE Bram Stoker s relationship with and to his fellow Irish­ man and author, Oscar Wilde, has attracted the examination of a num ber of scholars, most of whom point to the m en s connec­ tions and commonalities...

... Cosmopolitan Criticism: Oscar Wilde s Philosophy o f Art. By Julia Prewitt Brown. Charlottesville and London: University Press of Virginia, 1997. Pp. xx + 137. $30. 8139-1728-X. Wilde s Intentions: The Artist in His Criticism. By Lawrence Danson. Oxford: Claren­ don Press, 1997. Pp. ix + 198. $49.95. 9-0-19...

... in regard to the depth of Hawthorne and Fuller s relationship. Scott R. Stalcup Ball State University/Indiana State University Oscar Wilde s Profession: Writing and the Culture Industry in the Late Nineteenth Century. ByJosephine M. Guy and Ian Small. Oxford and New York: Oxford UP, 2000. Pp. xviii + 314...

... and The Saint and the Goblin, and his early sketches involving the dandy protagonist Reginald, owe much to the bit­ tersweet morals and pointed epigrams of Oscar Wilde s fairy tales and plays. Jonathan Dollimore s Sexual Dissidence focuses on Wilde s life and work in order to posit certain notions about...

..., but when he ran downstairs and tried to apprehend the trespasser, all he ever saw was a single wild hare fleeing across his carefully tended yards (James 54). In a century rife with ex­ ecutions for even the mildest of accusations, this testimony from a leading citizen o f Suffolk County is m ore than...

... Georgia P, 1985) 38-39. 8 Holy Bible, Douay Version (London: Catholic Truth Society, 1957). 9 Flannery O Connor, Greenleaf, Everything That Rises Must Converge (New York: Farrar, 1964) 41. 10 Giannone 168. OSCAR WILDE S DORIAN GRAY AND SHAKESPEARE S SONNETS The sources and analogues of Oscar Wilde s...

... he describes the baying of hounds which floated upon the chill air, died into echoes that repeated the sound again until its source was lost and the very earth itself m ight have found voice, m ournful and sad and wild with all regret (380).3 It is n o t only this decrescendo o f natural music...

.... The performer, a man with a “wild expression of countenance and glaring eyes,” was also “infatuated” with bhang, “which he had consumed great quantities of during the three previous days to deaden the pain.” In Holms’s representation, this was “frightful,” and in urgent need of abolition. “Men who undergo...

... meaning throughout the book. With “salvage . . . phonetically close to savage,” and Bois Sauvage (which translates as Wild Woods and reveals that the Pit, too, is savage), Ward complicates the title of the novel, the setting, and our perception of the characters as vacillating among wild savages...

... that Victor will know the nam e of the town where he has landed soon enough, readers are left to conjecture over the precise location. O n the one hand, the wild and rocky appearance of the coast evokes contemporary descrip­ tions of Connacht.16According to one eighteenth-century travel­ er, The province...

... different figure than the wild eyes and stream ing hair of a M artha Ray ( The T h o rn the subject o f H er Eyes Are Wild, or the body and soul-crushing suffering of a Marga­ ret ( The Excursion16 Finally, Brontë captures the essential spirit of Elizabethan and Jacobean pastorals: a world artfully...

... from an association between wild boars and wild, rocky regions. The observation that the Miller is depicted as pig-like or boar­ like is not new, but in this context, Kathleen L. Scott s brief note on Sow-and-Bagpipe Imagery in the Miller s Portrait is especial­ ly relevant. Noting the relative...

... in sometimes obvious and sometimes almost imperceptible ways. The often ecophobic excesses that define horror frequently find expression in images of nature (or aspects of nature) gone wild, and this has spurred the growth of subsets within the horror genre. Ecohorror is one of these, and “plant horror...

... the poet feeling . . . like stout Cortez w hen with eagle eyes He stared at the Pacific and all his m en Looked at each other with a wild surmise Silent, upon a peak in Darien, (lines 11-14)2 To the question Why Cortez? the response it is n o t really an answer has always been, It should...

... A Way to Green the Mind. NYC: Vantage Press, Inc, 2000. Pp. 404. pb. $11.96. 0-533-12977-X. Guy, Josephine M. and Ian Small. Oscar Wilde s Profesion: Writing and the Cul­ ture Industry in the Late Nineteenth Century. Oxford: Oxford UP: 2000. Pp. x + 314. he. $74.00. 0-19-818728-9. Hall, James C. Mercy...