...James Walton Copyright © 2005 Regents of the University of Colorado 2005 Decem ber 2005 133 25 Plutarch, 192. 2ß Plutarch, 202-03. 27 William V. Spanos, The Errant Art of Moby-Dick, (Durham & London: Duke UP, 1995) 155. CRYSTAL MUSIC IN HOFFMANN AND STOKER A volume of critical essays...

...Samuel Lyndon Gladden Copyright © 2005 Regents of the University of Colorado 2005 62 English Language Notes 7 Spoto 153, 173. 8 Spoto 154. 9 Spoto 156-57. 10 Cium 170, 172. Spoto 165. DRACULA S EARNESTNESS: STOKER S DEBT TO WILDE Bram Stoker s relationship with and to his fellow Irish­...

... Press, 1981) 217-56. 20 The Serapion Brethren 1:19. For a discussion o f H offm ann s relation to German Romantic thought, especially the influence of Schelling and Schubert, see Hewett-Thayer 113-21. 21 The Serapion Brethren 1:51. 22 Stoker, T he Crystal Cup, Best Ghost and Horror Stories, ed...

...Kevin A. Morrison Copyright © 2005 Regents of the University of Colorado 2005 Decem ber 2005 159 12 Ibid. is Ibid. 14 Stoker 130. 15 C hristopher Bentley, T he M onster in the Bedroom: Sexual Symbolism in Brani Stoker s Dracula. Literature and Psychology 22.1. 1972. 16 Stoker 156. 17 Stoker...

...-57. 10 Cium 170, 172. Spoto 165. DRACULA S EARNESTNESS: STOKER S DEBT TO WILDE Bram Stoker s relationship with and to his fellow Irish­ man and author, Oscar Wilde, has attracted the examination of a num ber of scholars, most of whom point to the m en s connec­ tions and commonalities...

.... Spanos, The Errant Art of Moby-Dick, (Durham & London: Duke UP, 1995) 155. CRYSTAL MUSIC IN HOFFMANN AND STOKER A volume of critical essays containing a section on Dracula and the Germans includes no m ention of E. T. A. H offm ann.1 Neither is he cited as a source in any annotated edition o r study...

... of the City University of NewYork. His most recent article, "Unnatural Predators: Queer Theory Meets Environmental Studies in Bram Stoker's Dracula is forthcoming in the volume Queering the Non/Human. Eileen B arrett is a professor of English at California State University, East Bay. She is the coeditor...

... York: N orton, 1988) 10. 15 See Sedgwick 65-67 on em erging late-Victorian notions of Germanness as code for what we m ight now think of as gay language, or hom osexual parl­ ance. 16 See also Schaffer, passim. In the absence o f a Stoker concordance, such a count is difficult to authorize, b u t I...

... o f the va m p iric old Count from centuries ago into late Victorian urban and to u ris t spaces in Bram Stoker's o rig in a l D racula (1897) is m ade p o ssib le o n ly by the m u lti­ p licity o f his shape-shifting into counterfeits o f counterfeits o f him self across several d iffe r­ ent...

..., 1993). 5Thomas Elsaesser, "Specularity and engulfment: Francis Ford Coppola and Bram Stoker's Dracula" in Contemporary Hollywood Cinema, eds. Steve Neale and Murray White (NewYork and London: Rout- F red B otting 18 9 ledge, 1998), 191-208; Dana Polan, "Brief encounters: mass culture and the evacuation...