Search Results for speak

...Elizabeth Robinson Copyright © 2006 Regents of the University of Colorado 2006 Speak E l iz a b e t h R o b in s o n Address is its own metaphysics. See: the hereafter In which I speak, now, solely in your voice. Certain tunes tune themselves this way. United, but how shall I ever know...

...Elizabeth Robinson Copyright © 2006 Regents of the University of Colorado 2006 Speaking P oems E l iz a b e t h R o b in s o n U tterance creates reality beyond itself because it implies the dialogic. That faith in language has always been my faith, w hile I have also remained acutely aware...

...R.B. Venables Lord Byron at Harrow School: Speaking Out, Talking Back, Acting Up, Bowing Out . By Paul Elledge . Baltimore : Johns Hopkins University Press , 2000 . Pp. xiii + 221. hc. $41.95 . 0-080186-343-0. Copyright © 2002 Regents of the University of Colorado 2002 96...

.... It was in this context that in the late 1790s, a group of radical reformers turned to the growing w orld of print publication and public debate to "w rite la w " and "speak justice." W hile im portant w ork continues to trace the engagement of models o f governance and law in late century fictions by reform -m inded...

...Marianne Constable Copyright © 2010 Regents of the University of Colorado 2010 S peaking the La n g u a g e of La w : A J u r i s -d ic t io n a l P r im e r MARIANNE CONSTABLE U I uris-diction" concerns the speaking of la w by law and about law in a place 11 where legal speech is warranted...

...Ivana Ancic Abstract The article reads The Stone Virgins as a text underlined by an Indigenous poetics that situates the land as a speaking subject and an archive of memory. Its critical foci are African feminist conceptions of the entanglement of human and nonhuman matter and their implications...

... of Water . Whereas in The Handmaid’s Tale the river is configured doubly as a site of bodily violation wherein violence against queer characters is palpable but also as a space that informs nostalgic reunion for queer female community, in The Shape of Water hydro-eroticism speaks to the fraught and layered...

...Andrea Haslanger Abstract This short piece reads two of Phillis Wheatley’s elegies to children to reflect on how they represent the dead as speaking rather than silent. It considers how the deceased’s speech invokes different categories of the child, overlaying political and theological ideas about...

... of the nation: through her fiction, she tells how original Argentine peoples adopted Sarmiento’s proposal. In speaking of her inspiration for the film, Martel refers to both her work and Sarmiento’s as bold texts that fall within the genre of science fiction. The present essay considers the reasons...

... of “homelands” to highlight the experiences of communities whose homelands remain occupied by settler-colonial and imperial nation-states, like the United States, India, Israel, and China. Participants speak to the struggles of sovereignty of their communities and communities they work with, unsettling...

.... The rendering of fascism as monstrous is less interesting than the connection of insensitivity to the Pacto del Olvido (Pact of Forgetting) and its suppression of painful memory. The fact that the children speak Catalan is a significant overlooked aspect, because Catalonia was the last region to succumb...

... as an “emerging Woman-I,” and comes to a new understanding of her own fictional character, Sistah Vaughn, as honoring that agency: “I&I is a Rastawoman,” says Vaughn in “House of Zion.” For “when [she] speaks these words the narrative breaks from conventional first person point of view, and enters the psyche...

... to trace how acts of poetry-making situate themselves in community building and experimentalism. How can poetry-ing speak to experiments at the level of sociality? How can we find accessible forms of being open to one another? How to create art in the presence of pain and alienation, without causing...

... how acts of poetry-making situate themselves in community building and experimentalism. How can poetry-ing speak to experiments at the level of sociality? How can we find accessible forms of being open to one another? How to create art in the presence of pain and alienation, without causing it? How...

...Warren Motte Abstract This essay attempts to do two things which is really one thing. Flusser speaks eloquently about the use apparatuses and our own roles as users who “process and repurpose images and text.” In this essay, Robert Fitterman has taken Flusser at his word and plagiarized...

...Patrick Greaney Abstract This essay attempts to do two things which is really one thing. Flusser speaks eloquently about the use apparatuses and our own roles as users who “process and repurpose images and text.” In this essay, Robert Fitterman has taken Flusser at his word and plagiarized...

... relationship to its repudiation of authorial voice given that, as an African American woman, she had historically been denied agency or a voice from which to speak. Copyright © 2012 Regents of the University of Colorado 2012 R e s p o n s e s to E r in a D u g a n n e , Fa m il y Fo l k t a l e s : C a r...

...Vanessa Place Abstract This essay attempts to do two things which is really one thing. Flusser speaks eloquently about the use apparatuses and our own roles as users who “process and repurpose images and text.” In this essay, Robert Fitterman has taken Flusser at his word and plagiarized...

... relationship to its repudiation of authorial voice given that, as an African American woman, she had historically been denied agency or a voice from which to speak. Copyright © 2012 Regents of the University of Colorado 2012 C hristina B attle 67 Everything you Read and See Just M ight be a Lie AKA Don't...

... to trace how acts of poetry-making situate themselves in community building and experimentalism. How can poetry-ing speak to experiments at the level of sociality? How can we find accessible forms of being open to one another? How to create art in the presence of pain and alienation, without causing...