Search Results for sham

... w ith each reproduction, the im ages becom e m ore d ifficu lt to read even as they continue to produce incalculable political and historical effects. II. Psycho-Photography: Abu Ghraib and Shame Sham e is a specific fo rm o f anxiety evoked by the im m in e n t danger o f unex­ pected exposure, hum...

... t sham e, a ccording to Elissa M arder, th a t helps us to a cco u nt fo r the rem arkable proliferation of m eanings, functions, and sites o f the Abu Ghraib photo­ graphs. W hile sharing form al properties w ith photography (both, indices of exposure), sham e can subvert the aim s o f photography...

... with the p o e t s own sham e and p ain (19-20). Similarly, in A Valediction: O f the Book, h o n o r is vain an d n o t substantial, only Chim e­ ras (45). In The D ream , love is weak If m ixture it of fear, shame, honor have (26). D onne perhaps best summarizes his attitude toward h o n o r...

...Irit Ruth Kleiman Copyright © 2015 Regents of the University of Colorado 2015 T h e S h i r t is C l o s e s t t o t h e B o d y : On J o i n v i l l e s M e m o ir s Ir it R u t h K l e im a n Sham poo In S eptem ber 2014, the N ew York Times pro file d a Swiss w om an w h o has devoted her...

... context of knowing bodies as a m atter o f erudition and scientific advance­ m ent. In the person of the triu m p h ant H elena, the two con­ texts are shown to inform rather than to conflict with each other. Bertram is quashed and sham ed in part because he does n o t unite and affirm the two senses o f...

... er ser­ vant, Boult, discuss how to handle her: Boult Bawd Boult take her hom e, mistress, take her hom e; these blushes of hers m ust be q u e n c h d with som e p resen t practice. T hou sayest true, i faith, so they must; for your bride goes to th at with sham e w hich is h e r way to go...

... Language N otes 50.1 Spring / S um m er 2012 2 E n g l is h L a n g u a g e N o t e s 50.1 S p r in g / S u m m e r 2 0 1 2 "W h a t appears in sham e is . . . precisely the fact o f being riveted to oneself, the radical im p ossibility o f ever fleeing oneself to hide from oneself, the unalterably binding...

... 'black' and 'queer' w ith o u t. . . interrogating sham e its beautiful, generative, sorrowful debasements that make bottom pleasures so dark and so strange." (8) W hile Stockton never loses sight of shame's beautiful and generative qualities, the empha­ sis is on its sorrowful qualities. This emphasis...

... loses all patience, before killing Desdemona: . . . Had it pleased heaven To try me with affliction, had then rained All kinds o f sores and sham es on my head S teak d m e in poverty to th e very lips, Given to captivity me and my utm ost hopes, I should have found in some place of my soul A drop o f...

... of Islam.” Works Cited Aflaki Shams al-din . The Feats of the Knowers of God (Manaqeb al-Arifin) . Translated by O’Kane John . Boston : Brill , 2002 . Ali Rozina . “ The Erasure of Islam from the Poetry of Rumi .” New Yorker , January 5 , 2017 . Ay Resul...

... the affects o f shame and debasement; yet, as Stockton writes, such "sham e (and shameful states) [may provide] an invaluable if also painful form of sociality, even when debasement seems lonely and interior."34 One can see the experience o f the 130 E n g l i s h l a n g u a g e N o t e s 4 5 . 2 Fa l l / W...

... speak to each o th e r of the sham e w hich she was bearin g with him, or o f the acts which had brought it down on them . His confession was silent, and h e r prom ise o f faithfulness was silent. O pen-m inded as she was, she nev­ ertheless shrank from the words which would have expressed their mutual...

.... W hen Jazzy discovers his occupation, a secret from the family, he offers her hush money, $3,000 for the purchase of h er hair. Sham e flows bo th ways: H e was buying my silence for his shame, and I felt the sham e as well (136). Ready money, however, perm its self-agency. T h rough...

... with counterfeit gold. (After all, the executioner is approaching; the clock is ticking.) He will literally make do, and quickly, by mak­ ing sham grace with color magic. First this speaker dons a black mantle, the appropriate cos­ tume for the nigredo. Oh make thy selfe with holy m ourning blacke, A nd red...

... is not dead. Charles Lamb thought this ploy was thoroughly ineffective: The beauty and force of this scene are much diminished to the reader of the entire play, when he comes to find that this solemn preparation is but a sham contrivance of the father s, and the potion which Caelestina swallows noth­ ing more...

.... Unlike his mythological namesake, this N estor isn t Decem ber 2002 19 wise: he is simply the smith who forges iron (or steel) into weap­ ons: A Sham -Pretender to a Name, / T he surer to have b red a Flame, / Kept blowing with his Books and Bellows (11. 289-291). Indeed, Steele seems perfectly adept...

... omission as it purports to be? Do snakes, in o th er words, actu­ ally seek out th eir dead mates to coil aro u n d them? O r is this herpetological fact n o t a fact at all bu t rath e r a fiction, an instance of shamming or narrative sucker-baiting included for the purpose o f ensuring, on the read e r...

... to ruin, sham e, and death! (Richard III V. iii. 147-48). T he ghosts of Edward, Clarence, and Edw ard s sons all speak o f heaviness, which recalls how in his dream , Clarence sank into the sea. W hen Richard awakes, he loses his Mercurial eloquence. In an incoherent soliloquy that corre­ sponds...

... Notes B rutus will start a spirit as soon as Caesar. Now, in the nam es of all the gods at once, U pon what m eat doth this our Caesar feed, T h at he is grown so great? Age, thou a rt sham ed! (I.ii.141-150) Though this speech begins directed to Brutus, by its conclu­ sion, Brutus has becom e...

... license for tolerance of sexual desire, in ourselves and others, since our sexual natures are not, from a theological viewpoint, accidental. [I]f we should get some enjoyment out of the situ­ ation, Brissenden imagines Yorick saying, let us . . . be honest and not sham efaced about it. 8 Thus...