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Journal Article
On Robert Fitterman's “Replacing References to Photography with References to the Web in Vilém Flusser's ‘Towards a Philosophy of Photography’ (1983)”
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English Language Notes (2012) 50 (1): 217–222.
Published: 01 March 2012
... or repurposed his own text. But, he has also changed the photography references to Internet references. By doing so, he hopes this essay re-enacts Flusser's own articulation of how tools function in a post-industrial society. The category basic to industrial society is work: tools and machines work by tearing...
View articletitled, On Robert Fitterman's “Replacing References to <span class="search-highlight">Photography</span> with References to the Web in Vilém Flusser's ‘Towards a Philosophy of <span class="search-highlight">Photography</span>’ (1983)”
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for article titled, On Robert Fitterman's “Replacing References to <span class="search-highlight">Photography</span> with References to the Web in Vilém Flusser's ‘Towards a Philosophy of <span class="search-highlight">Photography</span>’ (1983)”
Journal Article
Replacing References to Photography with References to the Web in Vilém Flusser's “Towards a Philosophy of Photography” (1983)
Available to Purchase
English Language Notes (2011) 49 (2): 161–163.
Published: 01 September 2011
...Robert Fitterman Copyright © 2011 Regents of the University of Colorado 2011 R e p l a c in g R e f e r e n c e s to P hotography w ith R eferences to t h e W eb in V il é m F l u s s e r s Towards a P h il o s o p h y of Photography (1983) R o b e r t F it t e r m a n oughly speaking, tw...
View articletitled, Replacing References to <span class="search-highlight">Photography</span> with References to the Web in Vilém Flusser's “Towards a Philosophy of <span class="search-highlight">Photography</span>” (1983)
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for article titled, Replacing References to <span class="search-highlight">Photography</span> with References to the Web in Vilém Flusser's “Towards a Philosophy of <span class="search-highlight">Photography</span>” (1983)
Journal Article
“Already the past”: The Backward Glance of Victorian Photography
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English Language Notes (2006) 44 (2): 25–43.
Published: 01 September 2006
... g s in to n o sta lg ic c o l lision a num ber o f th in g s th a t are, in fact, m ost eloq u en tly expressed in photography's prac tice. First, th e re is the p o s itio n in g o f th e agent, in th is case M rs. Ramsay, w h o se ve ry awareness o f the scene as a scene causes it to be recorded...
Journal Article
Marianne Moore, Photography, and the Self-in-Flux
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English Language Notes (2006) 44 (2): 275–282.
Published: 01 September 2006
... from George Platt Lynes. M oore's prose w ritin g s reiterate over the years her a ffin ity fo r photography and also con v e y an a p p re cia tio n o f its technical challenges. As e d ito r o f The D ia l in 1925, she hailed S tieglitz's "S even A m e ric a n s " show , w h ich in clu d e d w o rk...
Journal Article
Photography and Race Forum Works Cited
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English Language Notes (2006) 44 (2): 223–225.
Published: 01 September 2006
... Copyright © 2006 Regents of the University of Colorado 2006 Pho tog raphy and Race Forum 223 PHOTOGRAPHY A N D RACE FORUM WORKS CITED Barnes, Mabel. "Peeps at the Pan American Exposition: An account o f personal visits in the sum m er of 1901 from notes jotted down on the spot and put...
Journal Article
Episodes in the History of Photography
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English Language Notes (2006) 44 (2): 283–290.
Published: 01 September 2006
...Jean Gallagher Copyright © 2006 Regents of the University of Colorado 2006 E p is o d e s in t h e H ist o ry of P h o t o g r a p h y J ean G a lla g h e r The Early History o f Photography The firs t photographer's sister spent the sum m er watching the leaf-im prints disappear. Just like...
Journal Article
On “Psycho-Photography”: the “Case” of Abu Ghraib
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English Language Notes (2006) 44 (2): 231–242.
Published: 01 September 2006
... photography." But sh ouldn't a photographer w ho cannot read his o w n pictures be no less co u n te d as an illite ra te? W o n 't in scrip tio n become the m ost im portant part o f the photograph? W alter Benjam in, "L ittle History o f Photography" I. Reading the photographic event On A p ril 28, 2004...
Journal Article
Introduction: Photography and Race
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English Language Notes (2006) 44 (2): 159–167.
Published: 01 September 2006
...Elizabeth Abel; Leigh Raiford Copyright © 2006 Regents of the University of Colorado 2006 In t r o d u c t i o n : Photography and Race E l iz a b e t h A b e l / L e ig h r a if o r d In G lenn Ligon's 1998 silkscreen on canvas title d "S e lf-P o rtra it Exaggerating M y Black Features / S...
Journal Article
“Cannon and Camera”—Photography and Colonialism in the Américas
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English Language Notes (2006) 44 (2): 45–64.
Published: 01 September 2006
... and w ords m eant to explain the im perial right o f the United States also reveals a crisis o f authority. Profound anxieties about photography and the photographic text pervade this attem pt to produce an entirely com plete, im perial narrative, even as the authors and editors o f O ur Islands so ug...
Journal Article
The Cut: Instantaneity and the Limits of Photography
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English Language Notes (2006) 44 (2): 9–24.
Published: 01 September 2006
... o f the problem s w hich photography w ill later have to confront, and in particular the problem o f instantaneity. Instantaneity is a necessary pre-requisite o f naturalism , o f the req u ire m e n t th a t the im age be the re-enactm ent o f a real-life scene. Yet it also introduces the problem o...
Journal Article
The Art of Fixing a Shadow : Talbot's Polar Epistemology of Early Photography
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English Language Notes (2006) 44 (2): 73–86.
Published: 01 September 2006
... iu m he had invented, W illiam Henry Fox Talbot calls photography "n e w proof o f the value o f the inductive m eth o d s o f m o d e rn science" ("A c c o u n t" 25). S u b se q u e nt critica l discu ssio n s have emphasized th a t photography, in itia lly heralded as a triu m p h o f the em...
Journal Article
Family Folktales: Carrie Mae Weems, Allan Sekula, and the Critique of Documentary Photography
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English Language Notes (2011) 49 (2): 41–52.
Published: 01 September 2011
...Erina Duganne Copyright © 2011 Regents of the University of Colorado 2011 Fa m il y Fo lk ta le s : C a r r ie Mae W e e m s , A lla n S eku la, and the C r itiq u e of Documentary Photography E r in a D u g a n n e eginning in the 1970s, Allan Sekula, along w ith a group o f other artists...
View articletitled, Family Folktales: Carrie Mae Weems, Allan Sekula, and the Critique of Documentary <span class="search-highlight">Photography</span>
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for article titled, Family Folktales: Carrie Mae Weems, Allan Sekula, and the Critique of Documentary <span class="search-highlight">Photography</span>
Journal Article
Skin, Flesh, and the Affective Wrinkles of Civil Rights Photography
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English Language Notes (2013) 51 (1): 147–172.
Published: 01 March 2013
... that brought its local confrontations to a national audience, For A ll the WorldTo See: Visual Culture and the Struggle fo r Civil Rights,1a sum mer 2010 exhibit at the International Center for Photography, provides a vivid example. Drawing its title from Mam ie Till's heroic insistence on an open coffin...
Journal Article
Eye to Eye with the Trilobite: Time's Texture and the Matter of Early Photography
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English Language Notes (2013) 51 (1): 105–127.
Published: 01 March 2013
..., that it is not teleological. W oolf's choice o f word has interesting im plications not just fo r "painting & w ritin g " but for photography, too, which may be said to have its ow n "structure," or plot, in the form of genre and content. Although W oolf doesn't mention what conclusions were arrived at regarding "the meaning...
Journal Article
What Shape?
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English Language Notes (2012) 50 (1): 223–225.
Published: 01 March 2012
... or repurposed his own text. But, he has also changed the photography references to Internet references. By doing so, he hopes this essay re-enacts Flusser's own articulation of how tools function in a post-industrial society. The category basic to industrial society is work: tools and machines work by tearing...
Journal Article
Next to Nothing: Poetic Information in Robert Fitterman and Vilém Flusser
Available to Purchase
English Language Notes (2012) 50 (1): 227–230.
Published: 01 March 2012
... or repurposed his own text. But, he has also changed the photography references to Internet references. By doing so, he hopes this essay re-enacts Flusser's own articulation of how tools function in a post-industrial society. The category basic to industrial society is work: tools and machines work by tearing...
Journal Article
Everything you Read and See Just Might be a Lie AKA Don't Believe a Word I Say (A Series of Proofs)
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English Language Notes (2012) 50 (1): 67–75.
Published: 01 March 2012
...Christina Battle Abstract Beginning in the 1970s, Allan Sekula initiated a trenchant critique of the subjectivism of documentary photography. For Sekula, this practice had been used mostly in an uncritical and even voyeuristic manner. To deal with this problem, Sekula sought, mostly through...
Journal Article
Flies in Amber: Documentary Objects as Subjects in Carrie Mae Weems
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English Language Notes (2012) 50 (1): 55–66.
Published: 01 March 2012
...Karen Jacobs Abstract Beginning in the 1970s, Allan Sekula initiated a trenchant critique of the subjectivism of documentary photography. For Sekula, this practice had been used mostly in an uncritical and even voyeuristic manner. To deal with this problem, Sekula sought, mostly through...
Journal Article
Alchemy of the Word and the lmage: Towards a New “Iconographics” of Postmodern Culture
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English Language Notes (2006) 44 (2): 313–321.
Published: 01 September 2006
...Laurence Petit Copyright © 2006 Regents of the University of Colorado 2006 Alchemy of the Word and the Image: Towards a New "Iconographies" of Postmodern Culture La u r e n c e P e t it "N o thing since the invention o f Photography has had a greater im pact on artis tic practice than...
Journal Article
English Language Notes (2006) 44 (2): 1–2.
Published: 01 September 2006
... o f m eaning. As m y fo re g ro un d in g o f photography's often clan destine te rm in o lo g y means to suggest, these intersections are politically-freighted ones, w here hybrid form s and epistem ologies m eet historically-saturated conventions and uses, and yield unlooked-for spatio-tem poral...
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