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Journal Article

The Photograph as History: Richard Wright, Black Power , and Narratives of the Nation

Sara Blair
English Language Notes (2006) 44 (2): 65–72.
DOI: https://doi.org/10.1215/00138282-44.2.65
Published: 01 September 2006
... a revealing likeness. The relation o f th e e m e rg e n tly p o stco lo n ia l state to history, I w a n t to argue, approxim ates the relation to history o f the photograph, that q u in tesse n tia l^ m odern arti­ fact w ith its distinctive o n tolog y and historical effects. I take m y cue fro m Roland...
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Figure 1. Kalo growing in Hanalei, Kaua‘i, 2022. Photograph by Justine Parkin.

Kalo growing in Hanalei, Kaua‘i, 2022. Photograph by Justine Parkin.

in Toward an Oceanic “Becoming With” > English Language Notes
Published: 01 April 2024
Figure 1. Kalo growing in Hanalei, Kaua‘i, 2022. Photograph by Justine Parkin. More
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Figure 2. Nadia Huggins, Transformations No. 4 (2015). Digital photograph printed on Chromaluxe, 76.2 × 118.1 cm (both panels + 3.8 cm separation). Courtesy of Nadia Huggins.

Nadia Huggins, Transformations No. 4 (2015). Digital photograph printed o...

in Toward an Oceanic “Becoming With” > English Language Notes
Published: 01 April 2024
Figure 2. Nadia Huggins, Transformations No. 4 (2015). Digital photograph printed on Chromaluxe, 76.2 × 118.1 cm (both panels + 3.8 cm separation). Courtesy of Nadia Huggins. More
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Figure 3. Nadia Huggins, Transformations No. 3 (2015). Digital photograph printed on Chromaluxe, 76.2 × 118.1 cm (both panels + 3.8 cm separation). Courtesy of Nadia Huggins.

Nadia Huggins, Transformations No. 3 (2015). Digital photograph printed o...

in Toward an Oceanic “Becoming With” > English Language Notes
Published: 01 April 2024
Figure 3. Nadia Huggins, Transformations No. 3 (2015). Digital photograph printed on Chromaluxe, 76.2 × 118.1 cm (both panels + 3.8 cm separation). Courtesy of Nadia Huggins. More
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Figure 4. Nadia Huggins, Transformations No. 11 (2015). Digital photograph printed on Chromaluxe, 76.2 × 118.1 cm (both panels + 3.8 cm separation). Courtesy of Nadia Huggins.

Nadia Huggins, Transformations No. 11 (2015). Digital photograph printed ...

in Toward an Oceanic “Becoming With” > English Language Notes
Published: 01 April 2024
Figure 4. Nadia Huggins, Transformations No. 11 (2015). Digital photograph printed on Chromaluxe, 76.2 × 118.1 cm (both panels + 3.8 cm separation). Courtesy of Nadia Huggins. More
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Figure 1. Family ranch in Barigåda, 2016. Photograph by Ojeya Cruz Banks.

Family ranch in Barigåda, 2016. Photograph by Ojeya Cruz Banks.

in A Black Pacific Memoir: Dancing the Interwoven Indigenous and Diaspora on the Island of Guåhan > English Language Notes
Published: 01 April 2024
Figure 1. Family ranch in Barigåda, 2016. Photograph by Ojeya Cruz Banks. More
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Figure 4. Awa and I in Maite village in Guåhan, 2022. Photograph by Ojeya Cruz Banks.

Awa and I in Maite village in Guåhan, 2022. Photograph by Ojeya Cruz Banks....

in A Black Pacific Memoir: Dancing the Interwoven Indigenous and Diaspora on the Island of Guåhan > English Language Notes
Published: 01 April 2024
Figure 4. Awa and I in Maite village in Guåhan, 2022. Photograph by Ojeya Cruz Banks. More
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Figure 5. Litekyan in Guåhan, 2010. Photograph by Ojeya Cruz Banks.

Litekyan in Guåhan, 2010. Photograph by Ojeya Cruz Banks.

in A Black Pacific Memoir: Dancing the Interwoven Indigenous and Diaspora on the Island of Guåhan > English Language Notes
Published: 01 April 2024
Figure 5. Litekyan in Guåhan, 2010. Photograph by Ojeya Cruz Banks. More
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Figure 6. Aunt Rosa Rupley in Barigåda, 2022. Photograph by Marquita (Micki) Davis.

Aunt Rosa Rupley in Barigåda, 2022. Photograph by Marquita (Micki) Davis.

in A Black Pacific Memoir: Dancing the Interwoven Indigenous and Diaspora on the Island of Guåhan > English Language Notes
Published: 01 April 2024
Figure 6. Aunt Rosa Rupley in Barigåda, 2022. Photograph by Marquita (Micki) Davis. More
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Figure 7. Family in the outdoor kitchen in Barigåda, 2016. Photograph by Ojeya Cruz Banks.

Family in the outdoor kitchen in Barigåda, 2016. Photograph by Ojeya Cruz B...

in A Black Pacific Memoir: Dancing the Interwoven Indigenous and Diaspora on the Island of Guåhan > English Language Notes
Published: 01 April 2024
Figure 7. Family in the outdoor kitchen in Barigåda, 2016. Photograph by Ojeya Cruz Banks. More
Image
Figure 8. Lemai/breadfruit tree in Barigåda, 2010. Photograph by Ojeya Cruz Banks.

Lemai/breadfruit tree in Barigåda, 2010. Photograph by Ojeya Cruz Banks.

in A Black Pacific Memoir: Dancing the Interwoven Indigenous and Diaspora on the Island of Guåhan > English Language Notes
Published: 01 April 2024
Figure 8. Lemai/breadfruit tree in Barigåda, 2010. Photograph by Ojeya Cruz Banks. More
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Figure 9. Kalachucha/plumeria, ixora, and cup of gold in Barigåda, 2010. Photograph by Ojeya Cruz Banks.

Kalachucha/plumeria, ixora, and cup of gold in Barigåda, 2010. Photograph b...

in A Black Pacific Memoir: Dancing the Interwoven Indigenous and Diaspora on the Island of Guåhan > English Language Notes
Published: 01 April 2024
Figure 9. Kalachucha/plumeria, ixora, and cup of gold in Barigåda, 2010. Photograph by Ojeya Cruz Banks. More
Image
Figure 10. Aunt Rosa and I in Barigåda, 2022. Photograph by Marquita (Micki) Davis.

Aunt Rosa and I in Barigåda, 2022. Photograph by Marquita (Micki) Davis.

in A Black Pacific Memoir: Dancing the Interwoven Indigenous and Diaspora on the Island of Guåhan > English Language Notes
Published: 01 April 2024
Figure 10. Aunt Rosa and I in Barigåda, 2022. Photograph by Marquita (Micki) Davis. More
Image
Figure 11. Screenshots from video archives of me dancing in Barigåda, 2010. Photograph by Ojeya Cruz Banks.

Screenshots from video archives of me dancing in Barigåda, 2010. Photograph...

in A Black Pacific Memoir: Dancing the Interwoven Indigenous and Diaspora on the Island of Guåhan > English Language Notes
Published: 01 April 2024
Figure 11. Screenshots from video archives of me dancing in Barigåda, 2010. Photograph by Ojeya Cruz Banks. More
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Figure 14. Niyok/coconut tree in Barigåda, 2010. Photograph by Ojeya Cruz Banks.

Niyok/coconut tree in Barigåda, 2010. Photograph by Ojeya Cruz Banks.

in A Black Pacific Memoir: Dancing the Interwoven Indigenous and Diaspora on the Island of Guåhan > English Language Notes
Published: 01 April 2024
Figure 14. Niyok/coconut tree in Barigåda, 2010. Photograph by Ojeya Cruz Banks. More
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Figure 1. Emily Dickinson’s shawl. Photograph by the author.

Emily Dickinson’s shawl. Photograph by the author.

in Emily Dickinson’s Shawl: Textiles across Borders > English Language Notes
Published: 01 October 2022
Figure 1. Emily Dickinson’s shawl. Photograph by the author. More
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Figure 2. Detail of shawl border, reverse side. Photograph by the author.

Detail of shawl border, reverse side. Photograph by the author.

in Emily Dickinson’s Shawl: Textiles across Borders > English Language Notes
Published: 01 October 2022
Figure 2. Detail of shawl border, reverse side. Photograph by the author. More
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Figure 3. Emily Dickinson’s paisley shawl, atop her bed, in noon light. Photograph by The Emily Dickinson Museum.

Emily Dickinson’s paisley shawl, atop her bed, in noon light. Photograph by...

in Emily Dickinson’s Shawl: Textiles across Borders > English Language Notes
Published: 01 October 2022
Figure 3. Emily Dickinson’s paisley shawl, atop her bed, in noon light. Photograph by The Emily Dickinson Museum. More
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Figure 3. Chintz skirt, 1980s–90s. Photograph courtesy of Bianca B. Almeida.

Chintz skirt, 1980s–90s. Photograph courtesy of Bianca B. Almeida.

in Fashion in Așǫs : Tradition and Modernity in the Dress of Candomblé Terreiros > English Language Notes
Published: 01 October 2022
Figure 3. Chintz skirt, 1980s–90s. Photograph courtesy of Bianca B. Almeida. More
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Figure 4. Cult of caboclo, 2019. Photograph courtesy of Eduardo Cancissú.

Cult of caboclo, 2019. Photograph courtesy of Eduardo Cancissú.

in Fashion in Așǫs : Tradition and Modernity in the Dress of Candomblé Terreiros > English Language Notes
Published: 01 October 2022
Figure 4. Cult of caboclo, 2019. Photograph courtesy of Eduardo Cancissú. More