Search Results for performance

... performance—performance that hinged on trading one set of addictions for another. As he abandoned his falsified persona as an opiate-addicted, sexually licentious Taiwanese aristocrat, Psalmanazar embraced a postimposture persona as a pious scholar of religion who, like the holy men he studied, was “addicted...

...Barbara Fuchs Abstract This essay discusses the challenges and opportunities of scholarly research during the pandemic, focusing on the author’s experience of researching and writing Theater of Lockdown: Digital and Distanced Performance in a Time of Pandemic (2021). In recent years, my research...

...Kate Crassons Copyright © 2006 Regents of the University of Colorado 2006 PERFORMANCE ÄNXIETY AND W a t s o n s V e r n a c u l a r T h e o l o g y Kate C rasso ns "This booke is begunne be Gods gift and His grace, but it is not yet performid. .. 1 So begins the final chapter of Julian o f...

...: Bloomsbury, 1996) 42, 117. MRS. DALLOWAY AND PERFORMANCE THEORY Late 20th-century performance theory contests the supposed distinction between life and theatre. Virginia Woolf posed the same challenge thro u g h o u t h er writing, m ost clearly in h er 1925 novel Mrs. Dalloway. H er interest in theatre...

...Miriam Chirico A History of African American Theatre . Edited by Errol G. Hill and James V. Hatch . Cambridge : Cambridge University Press , 2003 . Pp. 608. hc. $130.00 0-521-62443-6. African American Performance and Theater History: A Critical Reader . Edited by Harry...

...Diana E. Henderson Copyright © 2009 Regents of the University of Colorado 2009 R e-c o n t e x t u a l i z i n g L it e r a r y E d u c a t i o n : A M u l t i -v a r ia b l e E x p e r im e n t in L e a r n in g AND PERFORMANCE D ia n a E . H e n d e r s o n M ost literary education...

...Susan Chambers Copyright © 2008 Regents of the University of Colorado 2008 R eading Poetry W r o n g : Prosody and performance S usan C hambers T he sound of a poem is such an essential aspect of its artistry and beauty that stu­ dents of poetry are often encouraged to read aloud, to be aware...

...Lisa Shaw Copyright © 2011 Regents of the University of Colorado 2011 W h a t does t h e baiana h ave? Josephine Baker and the perform ance of A fro -B r a z ilia n Female S u b je c tiv ity on Stage L isa S h a w Introduction O n M a y 10, 1939, in th e e lite v e n u e o f th e U rea C...

...Richard Knowles Shakespeare Performed: Essays in Honor of R. A. Foakes . Edited by Grace Ioppolo . Newark : University of Delaware Press , 2000 . Pp. 315. 0-87413-732-2. Copyright © 2001 Regents of the University of Colorado 2001 82 English Language Notes Shakespeare Performed...

... these performances. How have they carved out agency for themselves amid Kashmir’s territorial conflict over its sovereignty? The article demonstrates how Kashmiri gendered futures are intimately tied to courageous and innovative performances in women’s spaces, even within pronounced systemic constraints. Shabu’s...

...Darren Tofts Abstract Mashing up the languages of conceptual writing, new media poetics, performance art, and remixology artist Mark Amerika's “Remixing the I” flips the script on conventional forms of writing about subjectivity. In this work of artist theory, the author conducts an experimental...

...David J. Gunkel Abstract Mashing up the languages of conceptual writing, new media poetics, performance art, and remixology artist Mark Amerika's “Remixing the I” flips the script on conventional forms of writing about subjectivity. In this work of artist theory, the author conducts an experimental...

... language in her book and Marguerite’s own refusal to speak should not be seen as an absolute rejection of text, body, and oral expression as vehicles of divine and human encounter. Instead, they reveal a theory of performance in which life and reading cannot be easily separated into different realms...

...Nicole Stamant Abstract Performing what Michele Elam calls “a refusal of historical amnesia,” Danzy Senna and Emily Raboteau expose how social justice and hospitality are constructed in and around what Pierre Nora calls lieux de mémoire . Engaging particular sites of memory in the American South...

... and the begetter of Chimbote’s industrialization), and the networks of rural-urban migrants (which assimilate the “gringo” Maxwell, performer of Andean folklore). As a model for Indigenous-inspired authorial figures, this article suggests the importance of Arguedas’s articles about the mestizo retablista Joaquín...

... hotspot as a site of sustained, unresolved transition, reading the affectivity of diaspora as a negative one in McKay’s work that places an unsustainable pressure on ritual and performative stylizations and renders them untenable as forms for cultivating a sovereign condition. Copyright © 2021 Regents...

... that while Aslima’s associations with Moorish-Iberian performance styles influence McKay’s modernist poetics and radical aspirations for a global pandiasporic Black alliance, Romance in Marseille ultimately forecloses the prospect of a pan-Mediterranean, Black Atlantic globalism because of contradictions...

.... The article suggests that despite the novel’s intense performance of self-reflexivity, it demonstrates a traumatic suppression of its own immediate historical conditions, particularly its temporal proximity to the events of the First Gulf War. This article thus reads the text’s telling silences and its...