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Journal Article
English Language Notes (2015) 53 (2): 119–136.
Published: 01 September 2015
... of material studies as a "sh ift aw ay" from the visual to the m aterial, from "vision to touch, from the intellectual, im agined, o r ideal Image to the physical painting, print, or draw ing."4 Elkins claim ed this shift reveals certain anxieties art historians have tow ard m ateriality, especially...
Journal Article
English Language Notes (2019) 57 (2): 22–42.
Published: 01 October 2019
... and watercolors that she uses to paint each work, which she creates on amate , a special paper produced from the bark of fig and mulberry trees with origins in pre-Hispanic Mesoamerica. 2 Foregrounding native and precolonial materials in the making of her codex, Rodriguez reclaims and redraws the rich history...
FIGURES
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Journal Article
English Language Notes (2024) 62 (2): 96–100.
Published: 01 November 2024
...Selah Saterstrom [email protected] Copyright © 2024 Regents of the University of Colorado 2024 In memory of Walter DeJarnette Coleman Matthias Grünewald (1470–1528) was a German painter. Only ten of his paintings and thirty-five drawings survive, though...
Journal Article
English Language Notes (2012) 50 (1): 29–32.
Published: 01 March 2012
...Karla Kelsey Abstract Brian Teare meditates on the body in pain, on pain as a way to “mark” or “shape” the I. “I am made an object by pain” he writes, but then “who is the subject of pain”? Engaging Elaine Scarry, Maurice Blanchot, and the paintings of Agnes Martin, Teare asks how the “I” who feels...
Journal Article
English Language Notes (2012) 50 (1): 33–38.
Published: 01 March 2012
...Michael Snediker Abstract Brian Teare meditates on the body in pain, on pain as a way to “mark” or “shape” the I. “I am made an object by pain” he writes, but then “who is the subject of pain”? Engaging Elaine Scarry, Maurice Blanchot, and the paintings of Agnes Martin, Teare asks how the “I” who...
Journal Article
English Language Notes (2003) 40 (3): 49–58.
Published: 01 March 2003
... that surround it in the translation and edition of Mary Philadel phia M errifield, which was published in London in 1844 u n d er the title A Treatise on Painting, Written by Cennino Cennini in the Year 1437; and First Published in Italian in 1821, with an Introduc tion and Notes by Signor Tambroni...
Journal Article
English Language Notes (2013) 51 (1): 129–135.
Published: 01 March 2013
... the scene that unfolded at 27, rue de Fleurus, Paris. Stein's salon is the subject o f Faith Ringgold's painting Dinner at Gertrude Stein's (1991), but Ring gold's relationship to the m ythology of modernism is more complex than most. f i g u r e 1 : Faith Ringgold, Dinner at Gertrude Stein's, French...
Journal Article
English Language Notes (2015) 53 (2): 103–117.
Published: 01 September 2015
... is physically painted into the ora to ry where Arcite prays, so his prayer is received im m ediately, doing away w ith the m aterial em bodim ent of Arcita's prayer altogether. Yet Chaucer retained the now subjectless and im m aterial /, which inflects the passage both noticeably and, to my mind, deliberately...
Journal Article
English Language Notes (2014) 52 (1): 81–90.
Published: 01 March 2014
... painting helps us to understand the way in which the narrative's diverse digressions hold together. Of particular interest is the barely visible, yet inherently im plied, dissecting table on which Aris Kindt's body lies, a site on which different modes o f representation are brought together, and which...
Journal Article
English Language Notes (2011) 49 (2): 23–33.
Published: 01 September 2011
... of this state, images or phrases arise the way they do when I'm w riting freely: unbid den yet significant, surrounded by an "aura" of inevitability and significance. "Agnes Martin was a little girl in Saskatchewan," my friend told me last week, "as horizon tal a place as her paintings are." "She would wake...
Journal Article
English Language Notes (2004) 42 (2): 59–68.
Published: 01 December 2004
... er s eyes, but does so with a series of complicated conceits and bizarre similes. W ithout going into detail, it can safely be said that the poet compares his loving gaze to the craft of painting.8 The painter s workshop is rendered as the poet s bosom; his (and his friend s) eyes are the glazed win...
Journal Article
English Language Notes (2024) 62 (2): 101–113.
Published: 01 November 2024
... Robbin. Robbin has spent a good part of his career attempting to realize in paint, and sometimes in sculptural materials such as glass, metal, and light, fourth-dimensional space. 4D, which cannot be perceived in the ordinary 3D world, is a mathematical extension of three-dimensional space...
FIGURES
Journal Article
English Language Notes (2013) 51 (1): 105–127.
Published: 01 March 2013
... 'texture.'Then we discussed the meaning o f structure & texture in painting & w rit ing."5 How structure m ight be "connected" to plot, W oolf doesn't say, but by opposing texture to plot she suggests that texture is not causal or narrative in nature, that it isn't lin ear, and, by extension...
Journal Article
English Language Notes (2005) 42 (4): 95–102.
Published: 01 June 2005
..., lawyers do analyze the letter of the law, even the letters making up the words that form the letter of the law. The weakest chapter is arguably Chapter Nine, The Depth of Meaning in Vermeer. White informs us, I will talk only about paintings I have seen and spent time with (258). If the reader...
Journal Article
English Language Notes (2003) 41 (2): 66–71.
Published: 01 December 2003
... of his son has been lost to the sea. Contemporary with the Golding translation of Ovid is the painting by Pieter Bruegel, the Elder, 1525-69, Landscape with the Fall of Icarus, versions of which are extant in Brussels and NewYork (plates 19 and 20 in Grossmann s edition of ThePaintings)P\t is the larger...
Journal Article
English Language Notes (2004) 42 (2): 35–40.
Published: 01 December 2004
... in Bleak House and would do so again in 36 English Language Notes Our Mutual Friend. Pillars, balustrades and a glimpse of landscape routinely featured in eighteenth-century portraits of noblemen and women and also in the history paintings of the time, as wit ness the props of Reynolds s St. Cecilia...
Journal Article
English Language Notes (2018) 56 (1): 43–52.
Published: 01 April 2018
..., aspirations, and techniques of the teacher who is exemplar. 2 Certeau, “Surin’s Melancholy,” 9 . 3 Felski, “Digging Down,” 7 . Copyright © 2018 Regents of the University of Colorado 2018 mysticism practice critique repetition In Salvador Dalí’s painting Explosion of Mystical...
FIGURES
Journal Article
English Language Notes (2002) 40 (2): 55–57.
Published: 01 December 2002
... paint, w om en can t write . . . whispers Charles Tansley to Lily Briscoe in To the Light house.3 Lily hears his words like a refrain and doubts h er talent, so that her painting takes years to finish. Clarissa Dalloway struggles with Peter W alsh s criticism m uch as Lily struggles with Tansley s...
Journal Article
English Language Notes (2014) 52 (1): 103–113.
Published: 01 March 2014
... cartographic phe nom enology in Representing Place: Landscape Paintings and M aps and in Earth-M apping.3 Although distinct, phenom enology and epistem ology share common ground. If phenome nology is the study o f how we experience, and experience is a potential source of kn o w l edge, then the phenom...
Journal Article
English Language Notes (2024) 62 (2): 49–54.
Published: 01 November 2024
... and ink pens and our plan for after when we’d eat decadent food and drink something with bubbles, and suddenly I found myself standing in front of Edward Hopper’s 1961 painting, A Woman in the Sun . The woman is in the sun, yes, but the sun isn’t visible. We know it’s there from the long rectangle...
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