..., supports the view that all of human beings should have the same rights and opportunities to develop fully their cognitive and emotive selves, to realize their causal and counterfactual potentials in the form of science, narrative fiction or anything yet to be imagined. Lyric Subjectivity and the Feel-Good...

... "To bear witness to God is precisely not to state this extraordinary word." Emmanuel Levinas, OtherwiseThan Being 1. If it is to speak at all of spirit, to w hat m ust lyric address itself?To what bear witness? Spirit falls, a catastrophe. First, In its unlooked-for coming; still m ore in its harrow­ ing...

...Bridget Keegan Lyric and Labour in the Romantic Tradition . By Anne Janowitz . Cambridge Studies in Romanticism 30. Cambridge : Cambridge University Press , 1998 . Pp. xii + 278. $59.95 . 0521-57529A-2. Copyright © 2000 Regents of the University of Colorado 2000 90 English...

.... H igginbotham , Infanticide, Victorian Britain: A n Encyclopedia [New York an d London: G arland, 1988], 395. Em phasis ad d ed ). C oncealm ent of b irth was a crim e in itself. NOTES TOWARD A SUPREME FICTION : THE LYRIC POET AS A CONFIGURER OF TWENTIETH-CENTURY CONSCIOUSNESS Prior...

...” does not depend on a specific owner. Instead, we get the sense that resistance has a real, sanguinary cost. Copyright © 2021 Regents of the University of Colorado 2021 lyric urban sonnet Morocco modernism What is Africa to me: Copper sun or scarlet sea, Jungle star or jungle track...

.... W HO WAS PAPINIAN?: THE MEANING(S) OF THE LYRICAL BALLADS EPIGRAPH T he two-volume Lyrical Ballads o f 1800 (and the revised edi­ tions of 1802 and 1805) bore a Latin epigraph Q uam nihil ad genium, Papiniane, tuum ! which is generally overlooked in critical discussions of the work...

... Africa during the Reconquista and Spanish Inquisition. Beyond the novel McKay’s lyric odes to Moroccan cities betray an attraction for urban centers settled by Moorish and Sephardic immigrants. His poems “Xauen,” “Tetuan,” “Tanger,” and “Fez” 17 celebrate urban centers whose cultural identity...

... to argue against a strict separation between epic and lyric. Rather than aligning the form er only w ith the macro and the latter only with the m icro, I w ould like to see these dimensional planes as up-and-down scalar variations that can be switched into and switched out o f quite routinely, w ith ou t...

... argued for most forc­ ibly in their lyric compositions. It introduces metaphors such as Fancy as a bird that Viewjs] the little world below while it de­ scribes the personification as roving a landscape that is char­ acterized by solitude, beauty and the aweful majesty of sub­ lime nature...

... found in blues lyrics from the 1920s and 30s. Much o f this w ork has focused on the extent to which the blues offered a forum from which variously marginalized black men and wom en could challenge heteronorm ative expectations and restrictions. Equally im portant, however, is the degree to which sexual...

... ean­ ing."5 Scholars o f lyric have lately asked us to question the relationship between poetry and voice, and to recall the fact that the fundam ental dissim ilarities between w ritten and spoken language are necessarily among the challenges to be overcome (or, it may be, among the resources...

... REGISTER IN BEHN S LOVE-LETTERS BETWEEN A NOBLEMANAND HIS SISTER G. Gabrielle Starr in Rereading Prose Fiction: Lyric Con­ vention in Aphra Behn and Eliza Haywood (ECF12 (1999), 218) describes how Behn s Love-Letters between a Nobleman and his Sister alternates recognizably poetic language with equally...

.... Here is my earliest exposure to the power o f the lyric. W hat I w ant to suggest is that scripture, being constituted as I assert, of repetition, turns on the idea of recognition and builds slow ly from lyric or sensual elements to its ultimate value as a purveyor of theological meaning or reflection...

... the language and sen­ 30 English Language Notes tim ents of H em ans Bring Flowers, a deceptively simple and m elancholy lyric from volum e seven, 1824, of the New Monthly Magazine. B arrett s second poem to Landon, an elegy entitled L.E.L. s Last Q uestion, was suggested by the sad refrain, Do you think...

... chose to open the section w ith Browne because her Ps(alms)speak directly to the desire that seems lively in all these poems: the desire to som ehow still or "reglaze," as Browne puts it, the moment. But even more interestingly, Browne's very brief lyrics acknowledge that the m editative act we call...

... o f ruins and fragments, as it is o f a single, intentional, purposively integrated architecture or design.Though Freud soon abandons the metaphor, it provides a useful way to express a sense of the significance o f Baudelaire's celebrated lyric poem, Le Cygne, and more specifically, of w hat...

... of Motion, Practices of Reading," Stud­ ies in Romanticism 49, no. 2 (Summer 2010): 1 9 7 -2 2 7 ; Paul Youngquist, "Lyrical Bodies: W ordsw orth's Physiological A esthetics," European Romantic Review 10 (1 -4 ): 15 2 -6 2 ; and Noel Jackson, The Science o f Sensation in Romantic Poetry (Cambridge...

... Review criticisms of 1802-20. Jeffrey s repeated tactic had been to praise Lyrical Ballads (1798, 1800), the first volume of which had included We are Seven (as well as Tintern Abbey before deploring Wordsworth s later work as the product of corrupted genius. It was thus perfectly pos­ sible for early...

.... Truman State University A rnold W. Preussner Lyric and Labour in the Romantic Tradition. ByAnneJanowitz. Cam­ bridge Studies in Romanticism 30. Cambridge: Cam bridge U ni­ versity Press, 1998. Pp. xii + 278. $59.95. 0521-57529A-2. A nne Janow itz s Lyric and Labour in the Romantic Tradition has several...

...Hollis Robbins Copyright © 2010 Regents of the University of Colorado 2010 W e A re s e v e n and the F irst B ritish C e n s u s HOLLIS ROBBINS W illiam Wordsworth's "We Are Seven," first published in W ordsworth and Samuel Taylor Coleridge's 1798 volume, Lyrical Ballads, features...