...Tirza True Latimer Copyright © 2013 Regents of the University of Colorado 2013 We Can Make It Come T r u e : F a i t h R i n g g o l d s D inner at Gertrude S t e in s T irza T r u e L atim er In her weekly salon, Gertrude Stein introduced habitués to a private museum of modern art...

... permission to use archival material. Gertrude Stein's concern w ith authori­ al privacy in The M aking o f Am ericans (1925) is o f a different order. The narrator of this text is less concerned w ith concealing aspects of the author's identity than w ith elim inating all the distractions of identity.This...

... of “cursed hebona,” Ophelia’s liquid death, and the poisoned cup in the final scene—that stand out in recent performances and adaptations with alcoholic Claudiuses and Gertrudes. . . . It’s midnight at the start of the scene—the witching hour when ghosts appear. It would make sense for Shakespeare...

... a hellish warning: Abandon hope, all you who enter here. As Gertrude Stein w ould say, we've got to begin again at the beginning, which is where poetry always locates itself anyway. For poetry is more like music than it is like fiction. Remember, novels emerged out of traditions of moral instruction. You do...

... the Wars (Rutgers University Press, 2003) and the author of Women Together/ Women Apart: Portraits o f Lesbian Paris (Rutgers University Press, 2005). She co-organized, with the art his­ torian Wanda Corn, the 2011-2012 exhibition, "Seeing Gertrude Stein: Five Stories," hosted by the Contemporary Jewish...

...Elizabeth Robinson Copyright © 2009 Regents of the University of Colorado 2009 A n A esthetic of G lim pses E l iz a b e t h R o b in s o n In her "N arration" lectures, Gertrude Stein (in characteristically provocative style) de­ scribes poetry as "a calling an intensive calling upon...

... the South African governm ent's denialist rh e to ric a ro u n d AIDS. In te rv ie w fo o ta g e in fo rm s us th a t A ch m a t has decided to end his treatm ent strike and begin taking anti-retroviral drugs. Gertrude cannot suppress her disap­ p o in tm e n t: "T ra g ed y averted! C atharsis d e n ie d...

... opments" (2006, Playspace Gallery, CCA). She is currently collaborating on a major Gertrude Stein exhibition, organized by the Contemporary Jewish Museum of San Francisco. A lexis L o th ian is a doctoral student in English at the University of Southern California, spe­ cializing in queer and feminist...

... The Lesbian Body or w ork by Gertrude Stein, but also poems from Qwo-Li Driskill, a CherokeeTwo-Spirit poet. We discussed essays from collections like Laura Hinton and Cynthia Hogue's We Who Love to Be Astonished: Experimental Women's W riting and Performance Politics, from Christine Wertheim's Feminaissance...

.... Gertrude Stein, Virginia Woolf, Djuna Barnes.Their texts merge w ith one another in PictureTheory, parts of a multivocal endeavor.They evoke other places, other histories while sustaining a moving portrait. But this, too, is description. PictureTheory forces the critic to the side, forces the critic to see...

... incipience, as it pulls (or, like the angry man w ith the old father in the opening of Gertrude Stein's The M aking o fAmericans, drags) the nineteenth century into the twentieth. The first quote is from LeoTolstoi, in a diary entry o f 1897: If the com plex life o f m any peo­ ple takes place entirely...

...: Faiths and Folklore, I (London: Reeves and Turner, 1905), 471-75. Gertrud Schiller s Iconography ofChristian Art, trans. Janet Seligman, II (London: Lund Humphies, 1972) contains a photograph of a palmesel (fig. 48). Schiller (18) mentions that a num ber of fifteenth-century examples have survived...

... at Ger­ trude Stein's (1991).The painting remythologizes one o f m odernism 's m ost famous sites: 27, rue de Fleurus, Paris, where Gertrude Stein and Alice B.Toklas held their salon.This revisioning o f m odernism, Latimer writes, "is based on an Incontrovertible truth: African-American artists and w...

.... Emily Setina is a visitin g in stru cto r o f English at Davidson College and a doctoral candidate at Yale University. She is w ritin g a dissertation about ph o to g ra p hy and id e n tity in m odernist literature, w ith particular focus on the w ritin g o f Marcel Proust, Virginia W oolf, Gertrude...

... (Philadelphia: Temple UP, 2002) 114. 15Transcribed in A ngela Davis, Blues Legacies and Fem inism : Gertrude "M a " Rainey, Bessie Sm ith, and B illie H oliday (NewYork: Random House, 1998) 238. 16 Daphne Duval Harrison, Black Pearls: Blues Queens o f the 1920s (New Brunswick, NJ: Rutgers UP, 1988) 104. 17Davis...

... that applying Arensberg's m ethods to the same passages from the First Folio can as easily produce the signatures of Shakespeare, Gertrude Stein, Bob Ripley o f Rip­ ley's Believe It o r Not!, and even the Friedmans themselves as it can the signature of Francis Bacon. "This kind o f game could be played...

... I, Correspondence, Box 10, fold er 413. 8Bryher, in turn, sent Ellis w riting s by homosexual authors: André Gide's Corydon, Gertrude Stein's Three Lives, w orks by Raymond Radiguet, M ary Butts, Carl Van Vechten, and Noel Coward. Ellis's responses are discussed in letters to Bryher dated 1 August...

..., NT) Porcupines and China Dolls 4—Gerald Taiaiake Alfred (Mohawk, Kahnawake Res., QC) Being Indigenous 3—Anahareo (Gertrude Bernard) (Mohawk, ON) Devil in Deerskins 3—An Antane-Kapesh (Innu [Montagnais], QC) Je suis une maudit sauvagesse ; Qu’as tu fait du mon pays? 3—*Anne...

... York : Macmillan , 1912 . Weber Max . The City , edited and translated by Martindale Don and Neuwirth Gertrud . New York : Free , 1958 . Wharton Edith . In Morocco . Oxford : Beaufoy , 2015 . ...

... Gertrude Stein, Waldo Frank, and Carl Van Vechten turned for inspiration to African Americans, in whom they identified a certain vitality and a vibrant, creative force lost to America’s white inhabitants. Consequently, as Wayne F. Cooper notes, “blacks became the repository of an elemental health...