... N emerov 83 Judy Garland's Face A lexander N emerov For the painter Jake Attree R esponding to Kent Puckett's fine essay, I do not w ish to dispute his account. Long an a d m ire r o f Celia Johnson and B rie f Encounter, I can hardly ask fo r a m ore subtle and pow erful reading o f the film 's w...

... a different conception of disabled experience. Here the experience of disability is viewed as intrinsic to the human condition, no more a “deficit” than is mortality, even though disability is more unevenly distributed. Three recent essays, Rosemarie Garland-Thomson’s “How We Got to CRISPR: The Dilemma...

..., and the social world. Both Grue and Mitchell turn their attention to three recent articles at the intersection of disability studies and literary studies: Rosemarie Garland-Thomson’s “How We Got to CRISPR: The Dilemma of Being Human” ( Perspectives in Biology and Medicine , Winter 2020), Emily Violet Maddox’s...

... a Queer of Color Critique . Minneapolis : University of Minnesota Press , 2003 . Garland-Thomson Rosemarie . “ How We Got to CRISPR: The Dilemma of Being Human .” Perspectives in Biology and Medicine 63 , no. 1 ( 2020 ): 28 – 43 . Johnson Merri Lisa , and McRuer Robert...

...., the thirteenth-century Integumenta Ovidii by John of Garland). Generation after gen­ eration, meanwhile, everyday classroom teachers kept right on making pupils memorize what they themselves had been made to memorize: distichs attributed to Cato, fables attributed to Aesop, and works of Terence, Cicero, Ovid...

... a conclusion, akin to Rosemarie Garland-Thomson’s, that “disability is the most human of experiences.” 19 But in 1714 this is a message he is not quite ready to name. For now, he simply substitutes for Arabella’s embodied experience one closer to his own. This substitution, however, does not operate...

..., 1969), that red hair is a sign of lechery. See his reading at III.ii.44n. Edward J. Esche, in his edition of The Witch (New York: Garland, 1993) also reads the reference to red hair as symbolic of lechery (26455). September 2002 43 2John Gross, Shylock: A Legend and Its Legacy (New York: Simon...

... of Itdrdar Saga; for an edition/translation of the saga see Jon Skaptason and Phillip Pulsiano, eds. and trans., Bdrdar Saga, Garland Library of Medieval Litera­ ture, ser. A, vol. 8 (NewYork: Garland, 1984). The appearance of the word in a poem may suggest a metrical necessity rather than a common nomencla­...

...; It was the Plant, an d flowre o f light. In small proportions, we ju st beautie see: And in short measures, life may perfect bee. 70 The Counter-turne Call, noble Lucius, then for Wine, And let thy lookes with gladnesse shine: 75 22 English Language Notes Accept this garland, plant it on thy head, A nd thinke, nay...

... with only limited success. 16 Frances Frazier Senescu, introduction, T he Bird in a Cage: A Critical Edition, by Jam es Shirley (New York and London: Garland, 1980) lv-lvi. For a detailed treatm ent of Prynne s trial and im prisonm ent as the context for Shirley s play, particularly die play within the play...

... Acted At Court, ed. Lois Potter (Garland: New York, 1983) 57, for ano th er intriguing connection between purgatives and aphrodisiacs. O sborne s un p erfo rm ed play (c. 1655), a thoroughly defamatory dram atization of the Frances Howard scan­ dal, includes Frances s description of h e r surprise...

... Contain­ ing A nglo-Saxon; Reprinted w ith a S upplem ent (Oxford: Clarendon, 1977), Ix; see also David Dumville, "English Libraries Before 1066: Use and Abuse o f the Manuscript Evidence," in A ngloSaxon Manuscripts: Basic Readings, ed. M ary R Richards (NewYork: Garland, 1994), 169-219, esp. 216-17...

..., Edith Wharton: New Critical Essays, eds. Alfred Bendixon and A nnette Zilversmit (New York: Garland, 1992) 315. 8Edith W harton, preface, The Ghost Stories ofEdith Wharton, 9. ...

... Formerly Acted At Court, ed. Lois Potter (Garland: New York, 1983) 57, for ano th er intriguing connection between purgatives and aphrodisiacs. O sborne s un p erfo rm ed play (c. 1655), a thoroughly defamatory dram atization of the Frances Howard scan­ dal, includes Frances s description of h e r surprise...

... eeps (120.28: E 389), reas­ sumes the hum an form , and is fleetingly reu n ited with the longlost Ahania. H er brief reappearance at this p o in t is m arked by the m ost traditional images o f cyclical and transitory renewal flowers, dawn, Spring: . . . Lo like garlands in the Eastern sky W hen...

... 16A llen Locke, "E nter the New Negro," in The CriticalTem per o f A lain Locke: A selection o f His Essays on A rt and Culture, ed. Jeffrey C. Stewart (New York: Garland, 1983) 7-10. 17 A llen Locke, 5-60. 18 I bo rrow the concept o f racial m anagem ent fro m David Roediger's W orking Toward...

...), and the “fat weed / That roots itself in ease” (1.5.32–33) in this garden is Claudius, whose “offence is rank, it smells to heaven” (3.3.36). Even the sweet “rose of May” (4.5.157), Ophelia, becomes a site/sight of floral excess, bedecked with “fantastic garlands . . . / Of crowflowers, nettles, daisies...

... (NewYork: Garland, 1971), vii-viii. 3 See John Barrell, Im a g in in g th e K ing 's D ea th : F ig u ra tiv e Treason, Fantasies o f R eg icid e 1793-1796 (Oxford: Oxford U niversity Press, 2000), and M iriam L. W allace, "N arrative onTrial:Thom as Holcroft and the 1794TreasonTrials," R o m a n tic is m...

... or great Sanicle as a plant that "keeps downe m aid­ 54 E n g lis h L a n g u a g e n o t e s 4 7 .2 Fa l l / W in ter 2 0 0 9 ens paps or dugs when they be too great or flaggy it maketh them lesser or harder."28 Lupton uses the received authority o f Mizaldus to prom ote the use of the ivy garlands...

... illis-Thom as, Black Photographers, 1840-1940: A n Illustrated BioB ibliography (New York: Garland, 1985), 13-14; Deborah W illis, Reflections in Black: A H istory o f Black Photographers, 1840 to the Present (New York: N orton, 2000), 39-40; The N ew Orleans Tribune: The Way We Were, O ur Fam ily A lb...