...Lisa Shaw Copyright © 2011 Regents of the University of Colorado 2011 W h a t does t h e baiana h ave? Josephine Baker and the perform ance of A fro -B r a z ilia n Female S u b je c tiv ity on Stage L isa S h a w Introduction O n M a y 10, 1939, in th e e lite v e n u e o f th e U rea C...

... call "fo rc e d m ig ra tio n .1 Bee (a.k.a. L ittle Bee, a.k.a. L o n d o n S u n sh in e , a.k.a. U d o ) is a re fu g e e fro m N ig e ria w h o e n d u re s a lo n g p e rio d o f d e te n tio n in an Im m ig ra tio n R em oval C enter o r "IRC," the so rt o f place th a t C leave, in an a u th o...

... m phasis m ine). Even as he m arks a shared national id e n tity w ith his "fello w -citize n s" o f color, Riis sim u ltan e o u sly distinguishes his position fro m th e irs by d e e m in g h im s e lf part o f a "w h ite -s k in n e d " A m e rican "w e." Riis d ra w s his o w n co lo r line...

..., in which h u m a n ity rather than d iv in ity becom es the unique subject o f art. Driven by the need fo r "em pathetic re-enactm ent" Caravaggio's paintings are articulated fo r Jeffrey th ro u g h "an inventory o f gestures . . . a fro w n , the set o f an upper lip, the placing o f a hand on the dish...

..., as in A risto tle 's Poetics, is clearly one p rim a ry reaction fro m such characters and read­ ers, p a rtic u la rly in th e face o f the "stup e n d o u s," b u t it m ust be te m p e re d fo rW a lp o le a cco rd ­ ing to the standard o f Shakespeare, w h o se H a m le t is O tranto's m ain m od e l, fo r...

... Eve d re w tre m en dous a tte n tio n fro m the Germ an and in te rn a tio n a l p u blic. O ver one tho usan d m en re p o rte d ly d e sce n d e d on th e c e n tra l tra in s ta tio n , in a c o n v e rg e n c e in itia lly th o u g h t to be sp u rred by socia l m edia calls. W idespread th e ft...

... a race r io t is m ade fro m .1T his voice, th is Bhanu, sh o w s us, sh o w s me, a sky o v e r London g o n e in d ig o , a box o f daikon, tilte d , as a g irl m ig h t have seen daikon in a t ilt ­ ed box one day on a street in a n e ig h b o rh o o d o u tsid e o f London, A p ril 1979. You and I...

... ilin g idea ls o f g ro u p id e n tity and n a tio n a lis m s u r ro u n d in g W o rld W a r I, T h e s e f ig u r e s fro m c itie s as d is p a ra te as Paris, Zagreb, Bucharest, and N ew York recognized tha t w ith exchange com es re conte xtualiza­ tio n , w h ich th e y e m ployed on m a ny...

... oetic process. A 1909 letter hom e fro m Bryn M a w r narrates w ith characteristic gusto her chance m eeting w ith a niece o f photographer Paul Haviland, an "o ut and out artist" w o rk in g in "a stu d io on Fifth Ave. near 33rd S t w ith an A lfre d S tie g litz " (Letter to M ary W arner M oore...

... dimensions of the coming out story, demonstrating how the struggle for self-expression, fu lfillm ent, and the escape fro m stigma is also a kind of class aspiration, a desire to escape w h a t Eribon repeatedly characterizes as a social fate. Rather than replace the sto ry of sexual identity form ation...

... to in te g ra te the child s o ld ie r into society. In co n tra st to the b ild u n g s ro ­ m an, these na rra tive s te n d to fo llo w a picaresque fo rm a t by the end o f the war, S o zaboy s M ene is exile d fro m his v illa g e w h e n the people liv in g there insist th a t he's a lrea d y dead...

... r is th e ir e m p ire all a dream . T h e ir w o rd s fly ove r land and m ain, T h eir w a rb lin g s m ake the distance glad. T h eir voices heard hereafter add A g lo ry to a g lo rio u s reign. A lfre d , L o rd T e n n y s o n , fro m "To th e Q u e e n " (1851 )1 I. Geographies of Empire...

... th rough digital techniques. Yet w h a t struck me was the elaborate act o f staging and the m anner in w hich this im age m ust have been im agined before M onsieur M eurice came to sit in the photographer's studio. M o n s ie u r M eurice, w h o lived fro m 1782 to 1887, w as a liberal p a in ter-d...

... a t a fte r th e procedure, th e roo m in w hich w e sat, the doctor's eastern European accent, the fall o f his hair, and his careful d e scrip tio n o f h o w the b lo o d in m y heart passing fro m a triu m to ve n tricle h it an o cclu d in g m em brane and so tum bled and sw irled...

... portraits fro m w hich carefully cultivated im ages of in te g rity and resp e cta b ility em e rg e d ; th e a tte n tio n to careful detailand A frica n aesthetics in the portraits o f M alian Seydou Keita; n o n -d o m in an t groups te n ding to thearrangem ent of photographs in album s and in hom es...

... le o n e o f th e m o st p o p u la r inde pen den t LGBT (lesbian, gay, bisexual, tra nsge nde r) co m m u n ity w e b ­ casts based in B eijing, changed its E nglish nam e fro m "Q u e e r as Folk B e ijin g " to "Q u e e r C om rades."1 "W e changed th e title not o n ly to avo id possible c o p y...

...Louise E. J. Hornby Copyright © 2006 Regents of the University of Colorado 2006 The C a m e r a l e s s O p t ic : A n n a A t k in s a n d V ir g in ia W o o l f L o u i s e E. J. H o r n b y a passage fro m her a u tob io g ra p hica l w o rk, "A Sketch o f th e Past," V irg in ia W o o...

... germ inal w ork from which I borrow that phrase: T h o u g h th e capacity to experience physical pain is as p rim a l a fa ct a b o ut the hum an being as is the capacity to hear, to touch, to desire, to fear, to hunger, it d iffe rs fro m these events, and fro m every o th e r b o d ily and psychic...

...Leigh Raiford Copyright © 2006 Regents of the University of Colorado 2006 N otes t o w a rd a P h o t o g r a p h ic P r a c t ic e o f D ia s p o r a L e ig h R a if o r d Form is hen cefo rth d iv o rc e d fro m m atter. In fact, m a tte r as a v is ib le ob je ct is o f no g reat use any...