Search Results for exposure

... Iconographies, photoG raphics, phototexts, photo-narratives, photo-fictions, wordscapes, spoken images, interm ediai relations, th ird texts, third spaces, prose pictures, visual fictions, double exposures, w o rd bites . . . A t th e center o f th is special issue, P h o to g ra p h y a n d L iterature...

... Glissant, Poetics of Relation , 161 . 22 Glissant, Poetics of Relation , 190, 191, 194 . 21 McKay, A Long Way from Home , 304 . 20 Holcomb and Maxwell, introduction, xlv . 19 Gilliom, “Struggling with Surveillance,” 125–26 . 18 Ball, “Exposure,” 640 . 17...

... he links Barrett Watten's Bad H istory w ith M ichal Rovner's cover photograph fo r that vo lu m e raise questions about photographic "exposure," the stories it can tell, and how reader-view ers c o n tin u a lly re p o sitio n th e m se lve s in relatio n to it. W h o o r w h a t is exp o sin g w h...

..., th e A b u G h ra ib p h o to g ra p h s w e re firs t exposed to p u b lic v ie w on CBS's 60 M in u te s t From th e ir very firs t exposure, the photos incited an explosion o f com peting discourses (some o f which appear to be m utually exclusive) concerning the status and m eaning o f the acts...

... suffering writer as he records the hellish events. Yet our primary access point is not Shi, who was there, but Grey, a young Westerner whose own trauma was formed by her reading a history of those events at the age of nine. Her memory is formed by exposure not to the atrocity itself but to a text...

... to be disproportionate, absurd, or contradictory. When humor navigates the incongruities exposed in climate-justice narratives—among them people’s radically disproportionate contributions and exposures to the violence of sea-level rise and to precarious freshwater conditions—it runs a troubling range of cultural agency...

... The Road Not Taken as having made it into the canon of greeting card and calendar literature (196) denigrates the poem as well as two arguably valid inroads of exposure for people who might not otherwise know of Frost. How many people were first exposed to opera via the W arner s shorts W hat s Opera...

... reading. As another healthcare w orker tells Jack regarding a com plication o f his health resulting from exposure to an industrial byproduct: I d id n 't say it. The c o m p u te r d id .T h e w h o le system says it. It's w h a t w e call a m assive data-base tally. G ladney, J. A. K. I punch in the nam...

...), Phototextualities: Intersections o f Photography and N arrative (2003), and P hotography and W riting in Latin A m erica: Double Exposures (2006) all published since the beginning o f the ne w c e n tu ry take us on a te m p o ra l and spatial e x p lo ra tio n o f th e re la tio n sh ip s betw een p h o to g ra p...

..., a gauntlet of thresholds, both accepted and defied exposure. I felt inside and outside myself, revealed and concealed, in a glitchy, gelid triple-time of rest, crisis, loss. Pollen and asbestos fibers twitched in my lungs. My bell twitched. Surrounded by passersby on foot, on bike, on car, I felt...

..., on the verge of dying a lonely death from exposure. Very soon, the sightless rescuers must deal with their visitor s unexpected lust for power, for personal glory, and for the imperial subjugation of a foreign people. As he interacts further with the inhabitants of the quiet valley, Nunez commits additional...

... is innate to human beings, the Vicar claims that we have forgotten to listen to its voice, which “speaks to us in nature’s language” ( E , 454). The noisy world distracts us from sensing the place of our being in relation to the whole. The Vicar explains that exposure to the hypocrisy of religious authority...

... noted, in the United States exposure to COVID-19 and susceptibility to serious or fatal infections disproportionately impacted vulnerable populations that—due to racial, ethnic, class, and other factors—have historically been overexposed to environmental hazards and systematically underserved...

... a letter supposedly written by Dickens in praise of printers, with the goal of raising money for them, was reprinted and widely circulated despite its exposure as a hoax. In “Fake News!!! Poe’s Balloon Story and the Penny Papers!,” Lydia G. Fash uses the story of Edgar Allan Poe’s “balloon hoax” to define...

... of the exposure of some bodies to others, in ways that are conditioned in the long histories of public health, racial violence, and transpacific geopolitics. The soft aerosol and political interface between bodies thus can be approached through attempts at managing its shape, “opening up or closing down...

... Wilson saw as essential for understanding the disproportionate exposure to debility and death experienced by Black people? How might those versed in literary history help us do this work better? Felski likely did not have biomedical applications in mind when she penned the Uses of Literature...

... a post-Christian hum anist morality that Mrs. Bul­ strode, a devout Evangelical Christian, enacts in h er h u sb an d s hour of painful moral exposure and humiliation, unconsciously and spontaneously. Xavier University Ernest Fontana NOTES 1Andrew T hom pson, George Eliot and Italy (New York: St. M...

.... Nono no body be languaged sexd in this way, a crowd moves in, anuls this ovr-exposure to light.Tear down subsequent years, reorganise my orgns. I lose my one, corps déserted, first language beatn out of it. How w ill I speak. One feels the need to allegorise, then came years of sorrow, hiding, interior...

... and unflinching representation o f the corporeal effects o f death derives from Caravaggio's exposure to the scenes o f p ublic executions th a t were regularly enacted in sixteenth-century Rome, am ong w hich was, fam ously, the beheading o f Beatrice and Lucrezia Cenci in 1599.This pushes th e rep re se n ta...

... in Testimony.” 4 de Jong, Witness as Object , 248. 5 Sperling, Kreil, and Biermann, “Posttraumatic Stress Disorder,” 196 ; Ravona-Springer, Beeri, and Goldbourt, “Exposure to the Holocaust,” 709 . 6 Erickson , “Holocaust Survivors and Aging.” 7 Sacks , “Speak, Memory.” 8...