Search Results for epigraph

.... W HO WAS PAPINIAN?: THE MEANING(S) OF THE LYRICAL BALLADS EPIGRAPH T he two-volume Lyrical Ballads o f 1800 (and the revised edi­ tions of 1802 and 1805) bore a Latin epigraph Q uam nihil ad genium, Papiniane, tuum ! which is generally overlooked in critical discussions of the work...

.... With this in mind, A uden s epigraph for the poem takes on greater significance. The writings ofJulian of Norwich, an East Anglian visionary living roughly between 1342 and 1416, are its source. The phrase Auden borrows from Juliana (as he wrongly calls her) is the following: In the self-same point that our soul...

..., 2nd ed. 1991. W HO WAS PAPINIAN?: THE MEANING(S) OF THE LYRICAL BALLADS EPIGRAPH T he two-volume Lyrical Ballads o f 1800 (and the revised edi­ tions of 1802 and 1805) bore a Latin epigraph Q uam nihil ad genium, Papiniane, tuum ! which is generally overlooked in critical discussions of the work...

... propose that as m y first epigraph or perhaps it's more properly a section heading. Every authentic poetic project is directed toward knowledge, just as every English Language Notes 47.1 Spring / Sum m er 2009 E n g l is h L a n g u a g e N o tes 47.1 S p r in g / S u m m e r 2 0 0 9 authentic act o f...

... epigraphic texts reduce both distances and g a th e r thanks to e pigraphic in s c rip tio n s the object and its lite ra ry experience into the same visual con stru ction , m elding shape and letter, both sharing the same location and m aterial. A lthough such a gathering has d iffe re n t m odes and fun...

... in the development of hydro-criticism itself. Eliot’s poem provides epigraphs or quotations for a series of major contributions to the study of the sea and the transnational connections it facilitates. These studies form a chain of direct or indirect influence, stretching from C. L. R. James in 1962 to Peter...

... available at zia.aisri.indiana.edu/deloria_archive/index.php . 2 Ella Deloria to Franz Boas, June 28, 1938, Franz Boas Archive, American Philosophical Society, Philadelphia. 1 The epigraph is found in Ella Deloria to Virginia Dorsey Lightfoot, August 8, 1949, Dakota Indian Foundation...

.... The alternative to such a criticism of category is one o f continuity. I m ight suggest such an approach through a m ild detour t o Töpffer's prefaces, all o f which begin w ith an epigraph that describes his graphic novels, which he termed histoire en estampes ("stories in pic­ tures as books. The epigraph first...

... cetera all of which dovetail w ith the fundam ental occult objective o f "the complete spiri­ tualization of man and the cosmos, and the attainm ent o f a condition of unity."10 One o f the most im portant aspects ofTheosophical occultism probed by Lugones in his sto­ ries, as the epigraph of this essay...

... the work of Baconian cipher-hunters.The Friedmans' type­ script chapter on Arensberg begins with a dam ning epigraph from Poe's "M urders in the Rue M org ue " that put its fin g e r on the same problem that plagued Saussure: "Coincidences, in general, are the greatest stumbling-blocks in the way...

... use of epigraphs from the Purgatorio and Vita Nuova for chapters 19 and 54 respec­ tively and the subtle evocation of Inferno 5, the Paolo and Francesca episode, in C hapter 83, when D orothea and Ladislaw declare their love for each o th er and kiss for the first tim e.2 W hat has passed u n regarded...

... the first allusion to B ring Flowers, L an d o n sets the to n e and them e o f h e r stanzas in an epigraph, T he rose th e glorious rose is gone. L andon erroneously identifies its source as H em an s 1825 Lays of Many Lands, one of the few H em ans books to see only one edition. The line actually...

... by itself, but makes something else. . . . How then could the most perfect, the first Good, remain in itself as if it grudged [ phthonēsan ] to give of itself . . . ?” 26 And this, of course, in the context of our starting epigraph from Plotinus: “[The One] is good not for itself but for the others.” 27...

... verse is Alexander Pope. His "M use" inspired aesthetic, as it is presented in the epigraph, reiterates the secondari­ ness of the literary object by im posing upon it an outside "N ature" that tests the "Life, Force, and Beauty" o f the art. The divine element w ith in the poetic object removes it from...

... epigraphs, which model dueling approaches to archival know l­ edge from tw o great twentieth-century aphorists: the late Jacques Derrida, philosopher, and Rupert Giles, librarian on Buffy. On the one hand, we have Derrida's claim that democracy and archival access are correlating practices. For Derrida...

.... David Carroll, The Clarendon Edition of the Novels of George Eliot (Oxford: C larendon Press, 1992), ch. xxxiii, p. 311; ch. lxx, p. 691 (epigraph); ch. Ixxiv, p. 738; DD, xx, 208-9; The George Eliot Letters, ed. G ordon S. H aight, 9 vols. (New Haven: Yale University Press, 1954-55, 1978), VII:269...

... for, as Édouard Glissant suggests in the second epigraph of this article, the “cry of the Plantation” that continues to ring in the wake of chattel slavery, I want to explore another way of listening to Blackness. I want to use this article to think about how Black sound is instrumental in refiguring what Edwards...

... privilege the con­ nections between bodies and spirits over nations.The novel's epigraph connects José's and others violated bodies to the United States government that supported the repres­ sive Salvadoran governm ent "w ith more than $6 billion in material aid" despite knowl­ edge of El Salvador's policy...

... eorge Eliot, Middlemarch, ed. David Carroll, The Clarendon Edition of the Novels of George Eliot (Oxford: C larendon Press, 1992), ch. xxxiii, p. 311; ch. lxx, p. 691 (epigraph); ch. Ixxiv, p. 738; DD, xx, 208-9; The George Eliot Letters, ed. G ordon S. H aight, 9 vols. (New Haven: Yale University Press...

... lesson in his ow n essay that bears the u n fortu n a te ly m asculinist title, "S ocialism and Man In Cuba." His edict th a t the true re v o lu tio n a ry is guid e d by genuine feelings of love fo rm s part o f the epigraph to m y second p o e try collection, A t the Risk o f S eem ing R id icu lo u s...