...Samuel Lyndon Gladden Copyright © 2005 Regents of the University of Colorado 2005 62 English Language Notes 7 Spoto 153, 173. 8 Spoto 154. 9 Spoto 156-57. 10 Cium 170, 172. Spoto 165. DRACULA S EARNESTNESS: STOKER S DEBT TO WILDE Bram Stoker s relationship with and to his fellow Irish­...

.... Richard Dalby, Stefan Dziemianowicz, and S. T. Joshi (Mineóla, NY: Dover, 1997) 4 5. DRACULA S BAND OF THE HAND: SUPPRESSED MALE ONANISM Mare even than sadomasochism, autoeroticism appears to be the last Western taboo . . . at least in terms of literary representation. Harold Bloom I f...

... containing a section on Dracula and the Germans includes no m ention of E. T. A. H offm ann.1 Neither is he cited as a source in any annotated edition o r study of the backgrounds of Stoker s novel. While there is no reason to suppose that Stoker read Hoffmann in the original, internal evi­ dence shows...

... writers, femmes fatales are given equally superficial treatm ent in an over­ view including the Sphinx (264), Medusa (268), and Aphro­ dite/Venus (276). Again, the them e returns to using the past to illustrate what fears were at the time. Dracula serves as a springboard example of fin-de-siècle fiction...

.... A new wave of super anti-heroes, monsters, and vigilantes evoked an acci­ dental and almost nihilistic sense of individual heroism. Protagonists like the unthinking Man-Thing, the savage W erew olf by Night, and even Marvel's incarnation o f Count Dracula vanquished evil not out of any sense of altruism...

...Kevin A. Morrison Copyright © 2005 Regents of the University of Colorado 2005 Decem ber 2005 159 12 Ibid. is Ibid. 14 Stoker 130. 15 C hristopher Bentley, T he M onster in the Bedroom: Sexual Symbolism in Brani Stoker s Dracula. Literature and Psychology 22.1. 1972. 16 Stoker 156. 17 Stoker...

... of the City University of NewYork. His most recent article, "Unnatural Predators: Queer Theory Meets Environmental Studies in Bram Stoker's Dracula is forthcoming in the volume Queering the Non/Human. Eileen B arrett is a professor of English at California State University, East Bay. She is the coeditor...

...-57. 10 Cium 170, 172. Spoto 165. DRACULA S EARNESTNESS: STOKER S DEBT TO WILDE Bram Stoker s relationship with and to his fellow Irish­ man and author, Oscar Wilde, has attracted the examination of a num ber of scholars, most of whom point to the m en s connec­ tions and commonalities...

... in publishing includes a healthy dose o f Mexican American writers. Among my favorites is Marta Acosta's Happy Hour at Casa Dracula.23 Although there exists plenty of grayness and overlap between the three periods of the archive, each one is com pelling in its own term s, and w hile it m ight not be necessary...

... both desired and reviled by Victorian London into the ultim ate shape-shifter (Dracula) w ho both invests his capital and m akes strong "N e w W o m en " out o f the supposedly "w e a ker sex." These are all irreconcilables that readers of those texts' eras (and m ore recent tim es too) really sense...

..., and dealing with rural communities called “hinterlands.” I find it a fitting addition that adds still more realism to the game. 10 Games like Dungeons and Dragons, HeroQuest, Scotland Yard, and Fury of Dracula still required at least one individual to work against (or as a supplement...

... images through dismissive rationalizations such as “that’s just the actions of a crazy Vietnam vet” or “that’s just the actions of an imaginary Count Dracula,” or even “that’s just the risk a woman runs when traveling alone.” Instead, the real and the imaginary collide in ways that invite us to redraw...

... een the tw o pieces. Rem em ber, the p u rp o se o f Laurey's dre a m is to show her her ow n m ind and to tell her w hat she really wants. That she should end up dancing w ith a fig u re w h o can im agine his ow n death, a figure w ho, like the undead Dracula, w ill be able to w ithstand the bullets...

.... Spanos, The Errant Art of Moby-Dick, (Durham & London: Duke UP, 1995) 155. CRYSTAL MUSIC IN HOFFMANN AND STOKER A volume of critical essays containing a section on Dracula and the Germans includes no m ention of E. T. A. H offm ann.1 Neither is he cited as a source in any annotated edition o r study...

..., 1993). 5Thomas Elsaesser, "Specularity and engulfment: Francis Ford Coppola and Bram Stoker's Dracula" in Contemporary Hollywood Cinema, eds. Steve Neale and Murray White (NewYork and London: Rout- F red B otting 18 9 ledge, 1998), 191-208; Dana Polan, "Brief encounters: mass culture and the evacuation...

.... Kittier's book represents on ly the tip of the ice­ berg o f literary scholarship on m odernism and the typew riter. For an early instance, see Jennifer Wicke, "V am piricTypew riting: Dracula and Its Media." English Literary H istory 59 (1992): 467-93. 17 K ittler quotes several pages o f Heidegger...