Search Results for clarissa

...? NELL. O h plenty! Som etim es I m Modesty. Som etim es I m Poetry. Som etim es I m Chastity. Som etim es, generally before breakfast, I m merely Nell.1 Clarissa Dalloway experiences the same identity loss b u t with­ out the hum or; she finds herself being Mrs. Dalloway; n o t even Clarissa any m...

...Eric Bulson Copyright © 2014 Regents of the University of Colorado 2014 M rs. Dallow ay here, THERE, EVERYWHERE E ric B u l s o n It was her street, this, Clarissa's. V irginia W o o lf W HERE IS MRS. DALLOW AY? It's the question an anxious Peter Walsh asks to ­ wards the end of the novel...

... t you got another? NELL. O h plenty! Som etim es I m Modesty. Som etim es I m Poetry. Som etim es I m Chastity. Som etim es, generally before breakfast, I m merely Nell.1 Clarissa Dalloway experiences the same identity loss b u t with­ out the hum or; she finds herself being Mrs. Dalloway; n o...

... development of such characters as Septimus Smith and Clarissa Dalloway in the new novel. Septimus also shared im por­ tant features with Forster s Leonard Bast, qualities that must have secredy delighted the elder novelist when he realized their incor­ poration into the highly developed character of W oolfs...

... singular in what her story says, or anything that distances it from the reader’s. As Clarissa says at the height of the conflict, “All shall fade” and, “Curl’d or uncurl’d,” such “Locks will turn to grey” ( R , 5.26–27). Disability now figures as natural to the human condition, and this shared embodied...

..., the graveyard poem. Familiar to Austen also, from h er knowledge of Clarissa and Elegant Extracts, would have been Eliza C arter s prototypical N ight Piece and O de to W isdom, both of which develop ro u n d a clear-cut opposition between n ight an d day, darkness bringing mentalSight and a quiet elation...

..., for the n ex t m orn­ ing, Mr. B. looks a little heavy (254). Having received his beloved s textual body from h e r father, he has spent the better part of the night gaining knowledge of her. In W ritten in the H eart : Clarissa and Scripture, R obert Erickson notes th at Richardson read the Bible...

.... Louisiana Tech University Jam es R. Simmons Jr. NOTES 1 Richard Snow, An A uthor I d Walk the Plank For, New York Times Book Revirn. January 6, 1991: BR38. 2 Richard Ollard, The Jack Aubrey Novels: An Editorial R eport. In Clarissa Oakes by Patrick O Brian. (London: H arper Collins, 2003) 271. 3Jo h n...

... apparent, and they did so in ways th at deflected novelistic discussion away from fem inist concerns (42), a p o in t a de­ tailed com parison between Clarissa and M adame de Lafayette s Princess de Cleves dem onstrates. Betty Rizzo s R enegotiating the G othic starts o u t with the fam iliar argum...

... resemble each other in this respect, Musset takes care to distin­ guish them as roués of a different feather. Hassan straddles the two types of libertine distinguished earlier in the poem, the first exemplified by Clarissa Harlowe s seducer and the second by da Ponte s hero (as the poet has redacted him...

..., M ax Bernstein, Sarah Jane Biagini, Adán de la Garza,Taylor Dunne, Paul Echeverría, Ryan Everson, Jenna M aurice M ontazeri, Nich­ olas O'Brien, Clarissa Rose Peppers, Julie Rooney, and Laura Shill. 12 Allan Sekula, "D ism antling M odernism , Reinventing Docum entary (Notes on the Politics...

... about which Austen was only able to hint. Louisiana Tech University Jam es R. Simmons Jr. NOTES 1 Richard Snow, An A uthor I d Walk the Plank For, New York Times Book Revirn. January 6, 1991: BR38. 2 Richard Ollard, The Jack Aubrey Novels: An Editorial R eport. In Clarissa Oakes by Patrick O Brian...

... to you, that I shall never be able to think of any body in the World but him ! (214). In Pam ela s persuading R obin to give h e r the le tte r a day early, we even have a pale echo o f Mr. B. s illicitly breaking into h e r text. 15R obert A. Erickson, W ritten in th e H e a rt : Clarissa an d S...

... shibboleth, and his Rise o f the Novel made it very clear that the novel was the form of modern moral sensibility. Epitomized by Samuel Richardson's character Clarissa, the novel, according to Watt's cele­ bration o f it, "looks forward to the new and inward ethical sanction which an individualist society...

...-level bodies anchor our perspective "from below," the city's im aginative influence over the direc­ tion of a given character's thoughts, memories, and desires com plicates and disorients their positions. Thus, Bulson concludes, "Clarissa manages the impossible: she crosses the city of London w hile...

... socialization: Septimus Warren Sm ith, Peter Walsh, Clarissa Dalloway, Lilly Bris­ coe, W illiam Banks, and many others. These characters are valued by W oolf and preferred R e b e c c a L. Wa l k o w i t z 43 to the social insiders because they cultivate sympathies that operate at a scale much sm all­ er than...