Search Results for ance

... describes the dram atic increase in women readers during the Elizabethan period and points out w om en s particular affinity for romances. N oting that scholars such as Caroline Lucas and Tina Krontiris have used W right s claim as the basis for their discussions o f rom ance and its female audience...

... of invited essays focused on Shakespeare s text and perform ance and the relation between them . Stanley Wells ex­ horts us to consider anew the ways in which the First Folio s editorial procedures have shaped our image of Shakespeare. He asks us to im agine what if Hem inges and Condell had om it­ ted from...

... recognize in a text could n o t be transm itted to anyone else. With those principles in place, he then turns to his own contribution to the history of Shakespeare s 84 English Language Notes words and his intentions in writing them by arguing that the cast of m ind b ehind the late rom ances...

... over an allusion in Q uarto lines 945-948 (2.5.24-27)1 to a musical perform ance not represented in an earlier scene that is otherwise filled with details of a n ig h t s rev­ eling. In the reference in question, which occurs on the m orn­ ing after the revels, King Simonides declares to his guest...

... room as a stage set for a perform ance. 7 M organ points out that Clarissa places herself and h e r guests ju st so, as if she were a director blocking out their movements, that Clarissa and her Decem ber 2002 59 guests wear costumes, and that, like perform ance art, Clarissa s party is an art...

..., in the public th eater of 1595, the gentlem en seated upon the stage during a perform ance o f A Midsummer Night s Dream would have registered palpable terro r as the play drew toward its close.1In fact, if they did n o t register fear at the faeries en­ trance, they had not com m on sense enough to serve...

... acLean s lists and maps of perform ances throughout England from 1583 to 1603 reveal a simply aston­ ishing num ber and geographical range and temporal continu­ ity o f Q u een s Men perform ances, and p u t to rest forever the old m isconception th at when the com pany b roke an d left L ondon...

... models. T he rest of the essays are concerned with perform ance study. Jo h n Russell Brown, the doyen of perfor­ mance criticism, distills a lifetime of experience into advice about what to do and not do in such criticism. Michael Hattaway re­ fers to form er productions incidentally in his essay...

..." or "p o e t & perform ance artist."There's been "p oe t and perform ance writer," "w rite r and text-based artist," "w rite r & perform ance artist," "w rite r and p erform ­ ance poet," "m ixe d m edia writer," "w rite r, poet, and critic," "conceptual w rite r and critic," " w rite r based In London...

... speculation by Shakespeare scholars. The bear can be understood, however, w hen read in the context o f the play s concerns with maternity and child rearing. Bears were com m on elem ents in pastoral rom ances such as The Winter s Tale, especially those rom ances w hich in cluded foundlings, precisely because...

..., and com ing from a m ore m ulti-disciplinary back­ g round (music, art, w ritin g , perform ance), I jum ped right into the deep end and began the A lt - X n e tw o rk < h ttp w w w .a ltx .c o m >. A lt-X w a s a conceptual w o rk space fo r w h a t I am n o w c a llin g h yb rid art.T he te rm h yb rid...

... elem ent of the textual community Durfey constructs in A New Collection of Songs and Poems. Behn an d Scot very likely took the nam es Astrea and C eladon from virginal lovers nam ed Astrea and Celadon who are separated at the be­ ginning o f H onorée d U rfé s popular pastoral rom ance, LAstrée...

... to believe . . . that the specific form, the form of the whole species, is n earer being a true Self than the indi­ vidual. 6In addition, the generic groups of m aterial objects play an im portant role in H opkins s writings. In his The Disappear­ ance of GodJ. Hillis Miller has noted that Hopkins often...

...Lisa Shaw Copyright © 2011 Regents of the University of Colorado 2011 W h a t does t h e baiana h ave? Josephine Baker and the perform ance of A fro -B r a z ilia n Female S u b je c tiv ity on Stage L isa S h a w Introduction O n M a y 10, 1939, in th e e lite v e n u e o f th e U rea C...

... of the English Arabian Nights at this earlier date. I suggest instead that the Restoration author Delariviere M anley s Almyna; Or, the Arabian Vow can certainly serve as evi­ dence that the English Nights m ust have appeared at least by the date o f Almyna's first perform ance in 1706, and very possibly earlier...

...Jeremy Wood Copyright © 2014 Regents of the University of Colorado 2014 E n g l is h La n g u a g e N o t e s 52.1 S p r in g / S u m m e r 2 0 1 4 PORTFOLIO: MAP ARTISTS 123 JEREMY WOOD Nine Years of Mowing Tending the lawn is a part of the great suburban perform ance. The lawn provides...

..., can a single medieval text have generated such a varied reception sequence: saga, translation, verse paraphrase, popular retellings, school text edition, libretto, published cantata, performance, publica­ tion of individual cantata items arranged for voice and solo in­ strum ent, perform ance...

... bit o f chaff, W hy all I'm going to do is ju st to end it w ith a laugh . .. And then I laughed . . . (Laughs to the music). Johnson's perform ance o f this song, w rite sT im Brooks in Lost Sounds: Blacks a n d the Birth o f the Recording Industry, 1890-1919, "sounded authentic, ju st like the black...

..., to dark-haired Orla, destroyer of heroes! Equal were their swords in battle. 8 Critics have discussed the im portance of male com panion­ ship and love amongst comrades in Medieval rom ance, a genre of particular relevance here, given its im portance as an influ­ ence on The Defence of Guenevere...

... calisthenics, w hich led to perform ances at the local nursing hom e and tow n hall,The Shaggs are nothing but a bad band. A very bad band. I d o n 't care about the lin e r notes, I te llT ra vis. Please tu rn it off! W hen o p e n in g a n e w CD, the firs t th in g I do is th ro w aw ay its je w e l case...