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Volume 44, Issue 2
September 1, 2006
Issue Cover
Issue Editors
Karen Jacobs
Karen Jacobs
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ISSN 0013-8282
EISSN 2573-3575
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Photography and Literature

Introduction

Visual Developments and Narrative Exposures
Karen Jacobs
View articletitled, Visual Developments and Narrative Exposures
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I. Critical Notes and Interventions

The Cut: Instantaneity and the Limits of Photography
Elena Gualtieri
View articletitled, The Cut: Instantaneity and the Limits of Photography
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“Already the past”: The Backward Glance of Victorian Photography
Jennifer Green-Lewis
View articletitled, “Already the past”: The Backward Glance of Victorian Photography
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“Cannon and Camera”—Photography and Colonialism in the Américas
Esther Gabara
View articletitled, “Cannon and Camera”—Photography and Colonialism in the Américas
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The Photograph as History: Richard Wright, Black Power, and Narratives of the Nation
Sara Blair
View articletitled, The Photograph as History: Richard Wright, <em>Black Power</em>, and Narratives of the Nation
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The Art of Fixing a Shadow: Talbot's Polar Epistemology of Early Photography
Laura Saltz
View articletitled, <em>The Art of Fixing a Shadow</em>: Talbot's Polar Epistemology of Early Photography
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The Cameraless Optic: Anna Atkins and Virginia Woolf
Louise E. J. Hornby
View articletitled, The Cameraless Optic: Anna Atkins and Virginia Woolf
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Photo-negativity: The Visual Rhetoric of James's and Coburn's New York Edition Frontispieces
David McWhirter
View articletitled, Photo-negativity: The Visual Rhetoric of James's and Coburn's New York Edition Frontispieces
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Visual Memory and Ekphrasis in W. G. Sebald's The Rings of Saturn
Silke Horstkotte
View articletitled, Visual Memory and Ekphrasis in W. G. Sebald's <em>The Rings of Saturn</em>
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II. Photo-Text Collaborations

Artist Statements
Marco Breuer; Matt Siber; Jim Goldberg
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Notes, Queries on Marco Breuer's Notes, Queries
Jeffrey DeShell; Marco Breuer; Matt Siber; Jim Goldberg; Mark Amerika
View articletitled, Notes, Queries on Marco Breuer's <em>Notes, Queries</em>
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III. A Conversation on Digital Photography with Mark Amerika

A Conversation with Mark Amerika
Karen Jacobs
View articletitled, A Conversation with Mark Amerika
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VI. ELN Forums

Cluster 1: Photography and Race
Introduction: Photography and Race
Elizabeth Abel; Leigh Raiford
View articletitled, Introduction: Photography and Race
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Reflecting on Daguerrotypes in the Digital Age
Zeynep Devrim Gürsel
View articletitled, Reflecting on Daguerrotypes in the Digital Age
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“How a Man Was Made a Slave”: Contraband, Chiasmus, and the Failure of Visual Abolitionism
Maurice Wallace
View articletitled, “How a Man Was Made a Slave”: Contraband, Chiasmus, and the Failure of Visual Abolitionism
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“Laughing Ben” on “The Old Plantation”
Laura Wexler
View articletitled, “Laughing Ben” on “The Old Plantation”
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The Half of Whiteness
Shawn Michelle Smith
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Jars and Stripes: The National Capacity of the Ladies Room
Elizabeth Abel
View articletitled, Jars and Stripes: The National Capacity of the Ladies Room
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Suturing the Mother: Race, Death, and the Maternal in Barthes' Camera Lucida
Ruby C. Tapia
View articletitled, Suturing the Mother: Race, Death, and the Maternal in <em>Barthes' Camera Lucida</em>
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Notes toward a Photographic Practice of Diaspora
Leigh Raiford
View articletitled, Notes toward a Photographic Practice of Diaspora
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From the Deluge: Traumatic Iconography and Emergent Visions of Nation in Katrina's Wake
Maurice E. Stevens
View articletitled, From the Deluge: Traumatic Iconography and Emergent Visions of Nation in Katrina's Wake
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Photography and Race Forum Works Cited
View articletitled, Photography and Race Forum Works Cited
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Cluster 2: Photography Narrating Trauma
On “Psycho-Photography”: the “Case” of Abu Ghraib
Elissa Marder
View articletitled, On “Psycho-Photography”: the “Case” of Abu Ghraib
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The Female Body as Atrocity Text: The Feminization of the Holocaust at Auschwitz
Janet Jacobs
View articletitled, The Female Body as Atrocity Text: The Feminization of the Holocaust at Auschwitz
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Artist Statement, Photographs from “Written in Memory”
Jeffrey Wolin
View articletitled, Artist Statement, Photographs from “Written in Memory”
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Decoys: Barrett Watten's Bad History and Michal Rovner
Bill Freind
View articletitled, Decoys: Barrett Watten's <em>Bad History</em> and Michal Rovner
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Cluster 3: Toward a Photo-Poetics
Introduction
Elizabeth Robinson
View articletitled, Introduction
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Poems with Photographs
Martha Ronk
View articletitled, Poems with Photographs
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Marianne Moore, Photography, and the Self-in-Flux
Emily Setina
View articletitled, Marianne Moore, Photography, and the Self-in-Flux
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Episodes in the History of Photography
Jean Gallagher
View articletitled, Episodes in the History of Photography
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“Become What You Must”: Trethewey's Poems and Bellocq's Photographs
Debora Rindge; Anna Leahy
View articletitled, “Become What You Must”: Trethewey's Poems and Bellocq's Photographs
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Two Poems
Gretchen E. Henderson
View articletitled, Two Poems
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Cluster 2: Photography Narrating Trauma

Introduction
Karen Jacobs
View articletitled, Introduction
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V. Review Essay

Alchemy of the Word and the lmage: Towards a New “Iconographics” of Postmodern Culture
Laurence Petit
View articletitled, Alchemy of the Word and the lmage: Towards a New “Iconographics” of Postmodern Culture
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Contributors

Contributors
View articletitled, Contributors
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