Pink Film, Red Politics: Koji Wakamatsu's Revolutionary Pornography
Sarah Hamblin is an assistant professor of English and director of cinema studies at the University of Massachusetts Boston. Her research focuses on global art cinemas, political film, and graphic literatures, with particular emphasis on the relationships between aesthetics, affect, and radical politics. Her articles and reviews have appeared in Cinema Journal, Black Camera, Film and History, and Studies in Popular Culture, and she is currently completing a book manuscript on global revolutionary filmmaking in the 1960s, titled Screening the Impossible: The Politics of Form and Feeling in Global Second Wave Revolutionary Cinema.
Sarah Hamblin; Pink Film, Red Politics: Koji Wakamatsu's Revolutionary Pornography. English Language Notes 1 March 2015; 53 (1): 123–139. doi: https://doi.org/10.1215/00138282-53.1.123
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