...Robert L. S. Cowley [email protected] J. B. Bullen , Caroline Patey , Cynthia E. Roman , George Letissier , eds. Enduring Presence: William Hogarth's British and European Afterlives , book 1: Aesthetic, Visual, and Performative Cultures , Cultural Interactions...

...Ronald Paulson; Ashley Marshall William Hogarth and Richard Steele were in many ways part of the same intellectual and religiopolitical milieu, one that also links them both to the radical Whig cleric Benjamin Hoadly. Modern scholars have almost always connected Steele to Joseph Addison...

...Anaclara Castro This article presents a reading of William Hogarth's A Rake's Progress (1733–35) that considers the implications of Sarah Young from the perspective of eighteenth-century matrimonial practices. Historicizing the images within the context of the instability of marital conventions...

...Ronald Paulson Einberg Elizabeth , ed. William Hogarth: A Complete Catalogue of the Paintings ( New Haven : Yale Univ. , 2017 ). Pp. 432. 257 color ills. 264 figs. $150 Copyright © 2018 Duke University Press 2018 Review Essay Hogarth’s Paintings...

... of iconoclasm and aesthetic heterodoxy in a new light. The key figure in Paulson’s hermeneutic approach is William Hogarth. Robert D. Hume, in his useful and affectionate overview of Paulson’s career, observes that “Paulson owes his unorthodox angle of vision . . . ​ to his deep exposure to Hogarth...

... (Yale Center for British Art, New Haven; Royal Academy, London) catches the essence of his works: The Sharp Family is a Hogarth conversation piece with more people, more detail, meticulously rendered, heads jammed between heads, a horror vacui that foreigners regard as characteristic of English...

... Patricia Crown University of Missouri–Columbia In the 1770s, John Collet (1725–1780),1 often called “the second Hogarth,” produced a number of mildly humorous paintings and prints of fashion- ably dressed women, but of indeterminate class...

... in fiction and drama . . . and was often deployed in late seventeenth-­ and early eighteenth-­century fiction” (159). The relationship between Fielding and William Hogarth is the topic of Frédéric Ogée’s “‘O, Hogarth, Had I Thy Pencil’: Delineations of an Alleged Friendship,” though, as its title tells...

.... Imitation and Society: The Persistence of Mimesis in the Aesthetics of Burke, Hogarth, and Kant (University Park: Pennsylvania State Univ., 2004). Pp. 216. $55. ISBN 0 – 271 – 02468 – 2 Nigel Leask. Curiosity and the Aesthetics of Travel Writing, 1770 – 1840 (New York: Oxford Univ., 2002). Pp. 338...

... with cover art that is less than appealing: a leer- ing image of John Wilkes; a Hogarth plate recording the first steps of a coun- try maid down the road to corruption; a twisted modernist nude rendered in a cramped, erotically inaccessible, cubist style. No one with genuinely salacious desires would...

...Figure 7. William Hogarth, David Garrick as Richard III (ca. 1745), oil on canvas, 190.5 cm × 250.8 cm, detail, Walker Art Gallery, National Museums Liverpool, WAG 634. Courtesy Walker Art Gallery. ...

..., but, in fact, constitute one another” (191). Lubey aligns Hogarth’s The Analysis of Beauty (1753) with Cleland’s novel by observing that Hogarth’s discussion of beauty “consistently evokes the body” (192), and that the elements he associates with beauty “imply erotic fascination both because...

... 2015 by Duke University Press 2015 satirical prints pleasure gardens London Rowlandson Hogarth reception history • Thomas Rowlandson’s Vauxhall Gardens: The Lives of a Print Temma Berg...

... step in the coveted, but precarious, realm of polite society. Perhaps the best-known graphic depiction of a social upstart proac- tively training to be a member of fashionable, urban society is William Hogarth’s second plate in his 1737 series, A Rake’s Progress (figure 6). The Levée...