...Nancy S. Love Politics and Voice(s): An Empowerment/Knowledge Regime NANCY S. LOVE The perfect disciplinary apparatus would make it possiblejor a single gaze to see everything constantly. (Foucault, Discipline 173) Knowing and seeing - this association begins with the word "theoria" which means...

...Gertrude Postl GERTRUDE POSTL The Silencing of a Voice: Christa Wolf, Cassandra, and the German Unification1 L the early summer of 1990, four months before the German reunification, a little book was published in Germany, initiating a heated debate not only about the political integrity of its...

...Constantine V. Nakassis; Amanda Weidman Anxieties around the appearance and audition of the female body and voice in Tamil cinema reveal a semiotic ideology of the image that does not fit neatly within the idea of cinema as representation. Instead, this ideology takes filmic images to be acts...

...Vered Lev Kenaan What does it mean to have a feminine voice in a literary world dominated by male authors? What would it mean for the contemporary reader of ancient and medieval texts to be responsive to the distinctiveness of the feminine voice? This article addresses these questions by focusing...

...George P. Cunningham GEORGE P. CUNNINGHAM "Called Into Existence": Desire, Gender, and Voice in Frederick Douglass's Narrative of 1845 11 hatever may be the ill orfavored condition of the slave in the matter of personal treatment, it is the chattel relation that robs him of his manhood...

...Dominic Pettman The “acousmatic voice”—as famously defined and deployed by Michel Chion and Kaja Silverman—has in recent years unanchored itself from its cinematic context and become a free-floating aspect of the information age. We thus find ourselves adrift in a sea of solicitous voices without...

... of information, compression, and feedback in twentieth-century communication engineering. Emerging from techniques of “the material voice” in deaf oral education, hearing gloves were increasingly applied to voice standardization and efficient transmission. Contrary to scholarship that emphasizes...

... of poverty, and they represent the poor as subjects dislocated from both voice and temporality, asserting the experience of poverty as that which cannot be given voice and offering the narrator as a figure redeemed from poverty precisely through his narration. If poverty is the end of the future, as Orwell...

... biologically in the conventional sense of the nuclear family and constructed more broadly to include a sisterhood of fictive kin—to reimagine how black marriage, sexuality, and kinship are popularly understood. The reliance on queer voices in both Lemonade and 4:44 is parsed in light of the erasure...

... and controversy aided the juxtaposition of Arendt’s vulnerability with her public voice. How does a person conduct herself when she is born into a time that she would not have chosen and into a society that forces her to behave in accordance with its rules? Will she attempt, as Hannah Arendt termed it, to think...

... oppositions: wakefulness/sleep; inside/outside; cause/disruption of causality; floating/fixation, location/dislocation; time/space; one/multiple; duration/intermittency, sound/silence; subject/Other; reality/fantasy, meaningless/meaning; sound/voice; “being and time,” “being and nothingness,” “being and event...

...David Lloyd This essay discusses a remark on the eye and the mouth in Bersani and Dutoit’s Caravaggio’s Secrets that links Caravaggio to Samuel Beckett. Exploring the idea of the gaze and the voice as “things” rather than objects that confirm the subject in its place, and connecting Bersani’s...

... and the critic Roland Barthes in order to suggest ways of thinking and writing about impersonal institutional structures. The essay has been written in the voice of Freud, as a hypothetical lost lecture from the Introductory Lectures on Psycho-analysis ; its main goal is to model how we might replace key...

... the discussion of theater as politics to the conceptualization of politics as theater . In the middle lies an enigmatic possibility of actively dislodging the voice of power from its concealed place of enunciation. Works Cited Althusser Louis . “ Cremonini, Painter of the Abstract .” Lenin 229 – 42...

... reads the Eichmann trial episode as one telling instance of a repetition pattern that spans Arendt’s intellectual life: Arendt thought and wrote provocatively, sometimes ruthlessly, exposing herself to condemnation and risk. This psychoanalytic reading opens up the possibility that by voicing her...

... for such an analysis in its tendency to dramatize the division of sound and image as in film: the image of the beautiful woman entails the use of voice through dubbing. © 2016 by Brown University and differences : A Journal of Feminist Cultural Studies 2016 synesthesia hierarchy of senses music video female...

... because commercial advertising alleges that it did, and in part because at roughly the same time a subjective claim—“I am a woman”—began to be voiced. Although registered orthographically, woman 女性 is not simply a rhetorical category or a natural fact; it is not the effect of abyssal sex difference...

... by colonial authorities and nationalists alike. It responds to Gayatri Spivak’s canonical question of whether the subaltern woman’s voice can be excavated from the historical archive by suggesting that Waddedar augurs and undermines the future narratives of her death and allegorically calls herself sati...

...Shanna T. Carlson In response to concerns voiced by Judith Butler and Joan Copjec regarding the possible incompatibility of the discourses of Lacanian psychoanalysis and gender studies, this paper argues that gender studies and Lacanian psychoanalysis can hope for a meeting ground precisely around...

... in turn corresponds to a technical nonproductivity inscribing certain constructions of the aural spectacle in philosophies and theories of film sound. Blue 's model of aural spectacularization is then linked to Michel Foucault's remarks on speakability/unspeakability, voice, and listening in The History...