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Journal Article

The Supreme Sacrifice? TV, “TV,” and the Renée Richards Story

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Carole-Anne Tyler
differences (1989) 1 (3): 160–186.
DOI: https://doi.org/10.1215/10407391-1-3-160
Published: 01 November 1989
... and Meaning in Advertising . New York : Boyars , 1978 . Zavitzianos George . “ The Object in Fetishism, Homeovestism and Transvestism .” International Journal of Psycho-Analysis 58 ( 1977 ): 487 - 95 . The Supreme Sacrifice? TV, "TV," and the Renee Richards Story CAROLE-ANNE TYLER...
View articletitled, The Supreme Sacrifice? TV, “TV,” and the Renée Richards <span class="search-highlight">Story</span> View PDF for article titled, The Supreme Sacrifice? TV, “TV,” and the Renée Richards <span class="search-highlight">Story</span>
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Figure 3:. Screenshot from Amanda Todd’s YouTube video, “Amanda Todd’s Story: Struggling, Bullying, Suicide, Self Harm”

Screenshot from Amanda Todd’s YouTube video, “Amanda Todd’s Story: Struggli...

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in Habits of Leaking: Of Sluts and Network Cards > differences
Published: 01 September 2015
Figure 3: Screenshot from Amanda Todd’s YouTube video, “Amanda Todd’s Story: Struggling, Bullying, Suicide, Self Harm” More
Journal Article

The End of the Story: Patriarchy

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Kimberly Juanita Brown
differences (2019) 30 (3): 152–165.
DOI: https://doi.org/10.1215/10407391-7974044
Published: 01 December 2019
... for individuality even when precisely named after one’s father. For this essay, I propose we end the story of patriarchy by attending to its insistent replications. In the space I have here, my emphasis will be on naming and the iterations of masculine identity that are enforced with very little variation. 2...
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View articletitled, The End of the <span class="search-highlight">Story</span>: Patriarchy View PDF for article titled, The End of the <span class="search-highlight">Story</span>: Patriarchy
Journal Article

What's the Story? Feminist Theory, Narrative, Address

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Ellen Rooney
differences (1996) 8 (1): 1–30.
DOI: https://doi.org/10.1215/10407391-8-1-1
Published: 01 April 1996
.... Tr. Betsy Wing . Minneapolis : U of Minnesota P , 1986 . Crenshaw Kimberle . “ Whose Story Is It Anyway? Feminist and Anti-Racist Appropriations of Anita Hill .” Morrison 402 – 40 . Culler Jonathan . “ Apostrophe .” The Pursuit of Signs: Semiotics, Deconstruction, Literature...
View articletitled, What&#x27;s the <span class="search-highlight">Story</span>? Feminist Theory, Narrative, Address View PDF for article titled, What&#x27;s the <span class="search-highlight">Story</span>? Feminist Theory, Narrative, Address
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Figures 17–19. The image of Father Manolo reading Ignacio’s story gives way to an image of Enrique reading that story’s description of Father Manolo reading it while being watched by Zahara. / Bad Education, Pedro Almodóvar, 2004

The image of Father Manolo reading Ignacio’s story gives way to an image of...

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in Learning Nothing: Bad Education > differences
Published: 01 May 2017
Figures 17–19 The image of Father Manolo reading Ignacio’s story gives way to an image of Enrique reading that story’s description of Father Manolo reading it while being watched by Zahara. Bad Education , Pedro Almodóvar, 2004 More
Image
Figures 17–19. The image of Father Manolo reading Ignacio’s story gives way to an image of Enrique reading that story’s description of Father Manolo reading it while being watched by Zahara. / Bad Education, Pedro Almodóvar, 2004

The image of Father Manolo reading Ignacio’s story gives way to an image of...

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in Learning Nothing: Bad Education > differences
Published: 01 May 2017
Figures 17–19 The image of Father Manolo reading Ignacio’s story gives way to an image of Enrique reading that story’s description of Father Manolo reading it while being watched by Zahara. Bad Education , Pedro Almodóvar, 2004 More
Image
Figures 17–19. The image of Father Manolo reading Ignacio’s story gives way to an image of Enrique reading that story’s description of Father Manolo reading it while being watched by Zahara. / Bad Education, Pedro Almodóvar, 2004

The image of Father Manolo reading Ignacio’s story gives way to an image of...

Available to Purchase
in Learning Nothing: Bad Education > differences
Published: 01 May 2017
Figures 17–19 The image of Father Manolo reading Ignacio’s story gives way to an image of Enrique reading that story’s description of Father Manolo reading it while being watched by Zahara. Bad Education , Pedro Almodóvar, 2004 More
Image
Figure 1. A Complaint Procedure (the institutional story)

A Complaint Procedure (the institutional story)

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in On Receiving Accounts from Others > differences
Published: 01 December 2024
Figure 1 A Complaint Procedure (the institutional story) More
Journal Article

Is Gender Studies Singular? Stories of Queer/Feminist Difference and Displacement

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Clare Hemmings
differences (2016) 27 (2): 79–102.
DOI: https://doi.org/10.1215/10407391-3621721
Published: 01 September 2016
... that already harness it effectively to nation, to whiteness, to heterosexuality? This essay explores institutional stories of gender and sexuality in the u . s ., the uk ., and France, with a particular emphasis on the ways they align us more conservatively than we might want to imagine. © 2016 by Brown...
View articletitled, Is Gender Studies Singular? <span class="search-highlight">Stories</span> of Queer&#x2F;Feminist Difference and Displacement View PDF for article titled, Is Gender Studies Singular? <span class="search-highlight">Stories</span> of Queer&#x2F;Feminist Difference and Displacement
Journal Article

Love Stories: Female Crimes of Passion in Fin-de-siècle Paris

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Ann-Louise Shapiro
differences (1991) 3 (3): 45–68.
DOI: https://doi.org/10.1215/10407391-3-3-45
Published: 01 November 1991
... . Tarde Gabriel . “ L'Amour morbide .” Archives d'anthropologie criminelle 5 ( 1890 ): 585 - 95 . ANN-LoUISE SHAPIRO Love Stories: Female Crimes of Passion in Fin-de-siecle Paris L the 1880s, the refrain of a ballad popular in the streets of Paris linked the recent murderess Gabrielle Bompard...
View articletitled, Love <span class="search-highlight">Stories</span>: Female Crimes of Passion in Fin-de-siècle Paris View PDF for article titled, Love <span class="search-highlight">Stories</span>: Female Crimes of Passion in Fin-de-siècle Paris
Journal Article

Infinance, or Narration and Solvency

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Peter Szendy
differences (2020) 31 (3): 1–11.
DOI: https://doi.org/10.1215/10407391-8744427
Published: 01 December 2020
...Peter Szendy Narrativity and indebtedness are inextricably intertwined. Absolvere , in Latin, means both to “pay off” a debt and to “relate” a historical event that has reached its conclusion, that is complete ( absolutum ). In the Arabian Nights , Scheherazade tells many stories about debt...
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Journal Article

Bating the Lobster

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Thangam Ravindranathan
differences (2017) 28 (1): 64–93.
DOI: https://doi.org/10.1215/10407391-3821700
Published: 01 May 2017
...Thangam Ravindranathan This essay considers the lobster of Samuel Beckett’s early story “Dante and the Lobster” as what disturbs the count. Assumed to be dead, only to then be revealed alive when it is about to enter the cooking pot, the lobster here is an “incalculable factor” that unsettles...
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Journal Article

The Short Happy Life of Black Feminist Theory

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Ann duCille
differences (2010) 21 (1): 32–47.
DOI: https://doi.org/10.1215/10407391-2009-015
Published: 01 May 2010
...—Ernest Hemingway's most written-about story, “The Short Happy Life of Francis Macomber”—to attempt to expand the theoretical boundaries of black feminist literary study in the twenty-first century. Because of its gender politics, its showcasing of heroic white manhood and its manhandling of white women...
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Journal Article

A Clock-Setting Institute for the Market Age: The Politics of Importing “Competition” To Turkey

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Z. Umut Türem
differences (2011) 22 (1): 111–145.
DOI: https://doi.org/10.1215/10407391-1218265
Published: 01 May 2011
...? This article approaches these questions from an unusual angle, focusing on the passing of competition and antitrust laws and the establishment of a Competition Authority in Turkey alongside the story of a fictional institute called The Clock Setting Institute in Ahmet Hamdi Tanpınar's novel of the same name...
View articletitled, A Clock-Setting Institute for the Market Age: The Politics of Importing “Competition” To Turkey View PDF for article titled, A Clock-Setting Institute for the Market Age: The Politics of Importing “Competition” To Turkey
Journal Article

The Cosby Lament: Rape, Marital Alibis, and Black Iconicity

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Rebecca Wanzo
differences (2018) 29 (2): 96–125.
DOI: https://doi.org/10.1215/10407391-6999788
Published: 01 September 2018
.... Remedies for these injuries frequently gesture toward heteronormative or otherwise regulatory racialized sexual scripts. Stories of African American male celebrities accused of sexual harassment and assault are frequently marked by stories of marital alibis. In discussions of Bill Cosby, Michael Jackson...
View articletitled, The Cosby Lament: Rape, Marital Alibis, and Black Iconicity View PDF for article titled, The Cosby Lament: Rape, Marital Alibis, and Black Iconicity
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Figures 20–24. Almodóvar’s manipulation of aspect ratio can be seen in the movement from the image of Enrique reading La visita to the final image of the Cine Olympo as envisioned in Enrique’s film of that story. / Bad Education, Pedro Almodóvar, 2004

Almodóvar’s manipulation of aspect ratio can be seen in the movement from t...

Available to Purchase
in Learning Nothing: Bad Education > differences
Published: 01 May 2017
Figures 20–24 Almodóvar’s manipulation of aspect ratio can be seen in the movement from the image of Enrique reading La visita to the final image of the Cine Olympo as envisioned in Enrique’s film of that story. Bad Education , Pedro Almodóvar, 2004 More
Image
Figures 20–24. Almodóvar’s manipulation of aspect ratio can be seen in the movement from the image of Enrique reading La visita to the final image of the Cine Olympo as envisioned in Enrique’s film of that story. / Bad Education, Pedro Almodóvar, 2004

Almodóvar’s manipulation of aspect ratio can be seen in the movement from t...

Available to Purchase
in Learning Nothing: Bad Education > differences
Published: 01 May 2017
Figures 20–24 Almodóvar’s manipulation of aspect ratio can be seen in the movement from the image of Enrique reading La visita to the final image of the Cine Olympo as envisioned in Enrique’s film of that story. Bad Education , Pedro Almodóvar, 2004 More
Image
Figures 20–24. Almodóvar’s manipulation of aspect ratio can be seen in the movement from the image of Enrique reading La visita to the final image of the Cine Olympo as envisioned in Enrique’s film of that story. / Bad Education, Pedro Almodóvar, 2004

Almodóvar’s manipulation of aspect ratio can be seen in the movement from t...

Available to Purchase
in Learning Nothing: Bad Education > differences
Published: 01 May 2017
Figures 20–24 Almodóvar’s manipulation of aspect ratio can be seen in the movement from the image of Enrique reading La visita to the final image of the Cine Olympo as envisioned in Enrique’s film of that story. Bad Education , Pedro Almodóvar, 2004 More
Image
Figures 20–24. Almodóvar’s manipulation of aspect ratio can be seen in the movement from the image of Enrique reading La visita to the final image of the Cine Olympo as envisioned in Enrique’s film of that story. / Bad Education, Pedro Almodóvar, 2004

Almodóvar’s manipulation of aspect ratio can be seen in the movement from t...

Available to Purchase
in Learning Nothing: Bad Education > differences
Published: 01 May 2017
Figures 20–24 Almodóvar’s manipulation of aspect ratio can be seen in the movement from the image of Enrique reading La visita to the final image of the Cine Olympo as envisioned in Enrique’s film of that story. Bad Education , Pedro Almodóvar, 2004 More
Image
Figures 20–24. Almodóvar’s manipulation of aspect ratio can be seen in the movement from the image of Enrique reading La visita to the final image of the Cine Olympo as envisioned in Enrique’s film of that story. / Bad Education, Pedro Almodóvar, 2004

Almodóvar’s manipulation of aspect ratio can be seen in the movement from t...

Available to Purchase
in Learning Nothing: Bad Education > differences
Published: 01 May 2017
Figures 20–24 Almodóvar’s manipulation of aspect ratio can be seen in the movement from the image of Enrique reading La visita to the final image of the Cine Olympo as envisioned in Enrique’s film of that story. Bad Education , Pedro Almodóvar, 2004 More