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Journal Article
differences (1997) 9 (1): 36–48.
Published: 01 April 1997
... and Repetition: Marx/Hugo/Balzac . Berkeley : U of California P : 1977 . Revenge of the Nerds . Dir. Kanew Jeff . Twentieth Century-Fox , 1984 . NEIL HERTZ "The Scene Came Alive": Autobiography and Anger I should like to consider some of the difficulties involved in discussing anger and, more...
Journal Article
differences (2024) 35 (1): 74–96.
Published: 01 May 2024
...Candace Moore In conversation with Silvan Tomkins, William James, Sianne Ngai, and others, “Piqued: Compounded Interest and the Intersubjective Scene” further theorizes one of the most taken-for-granted of the classic affects: interest. This essay argues that the piquing of interest is essential...
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Journal Article
differences (2024) 35 (3): 150–177.
Published: 01 December 2024
... for an event to be renarrated, to Butler’s theory. Renarration engenders recursive inconsistencies rife with queer potential. Through renarration, one can compose a scene of redress that revises the violent and otherwise life-denying contours of narratability itself. As an example, the essay turns to Danez...
Journal Article
differences (2021) 32 (3): 25–52.
Published: 01 December 2021
...Michael Dango A queer renovation of “rape” requires beginning not with actors, but with acts, which brings into view the central role of the state as a perpetrator of sexual violence. Radical feminists moved the “paradigmatic scene” of rape from the stranger in the alley to the acquaintance...
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Image
Published: 01 May 2024
Figure 1 First encounter two-shot/redoubled mirror scene from Killing Eve .
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Image
Published: 01 May 2024
Figure 5 “Now we walk and never look back”: bridge scene from Killing Eve .
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Image
Published: 01 December 2021
Figure 5 Frame from the opening torture scene of The Battle of Algiers (1966) featuring the gégène in the bottom left-hand corner
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Image
Published: 01 May 2017
Figures 27–28 The framing of the shot in the sacristy is mirrored in the scene of Ignacio’s death. Bad Education , Pedro Almodóvar, 2004
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Image
Published: 01 May 2017
Figures 27–28 The framing of the shot in the sacristy is mirrored in the scene of Ignacio’s death. Bad Education , Pedro Almodóvar, 2004
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Journal Article
differences (2017) 28 (2): 116–133.
Published: 01 September 2017
... by considering Petit’s walk in terms of the aesthetic differentiation among qualities of feeling. I subtitle this paper “Behind the Scenes of the Act with Philippe Petit” in order to stress that I would seek the act through its effects—in particular, its effect upon his entourage and those who happened...
Journal Article
differences (2010) 21 (2): 109–141.
Published: 01 September 2010
... language. Examining scenes from Robert Southey's The Curse of Kehama , Lord Byron's Lara , and Thomas De Quincey's Confessions of an English Opium-Eater , the author argues that European power is staged by subjecting a figure of the East to a kind of language that functions as a conduit of pure force...
Journal Article
differences (2023) 34 (1): 119–125.
Published: 01 May 2023
..., Bersani embraces this instability of identification that may ultimately cause the subject to collapse. Gay sex practices provide the occasion for this scene of vertigo, which, in Bersani’s work, opens a space that exists after the fall of the ego and that is often further explored through a turn to art...
Journal Article
differences (2024) 35 (3): 14–33.
Published: 01 December 2024
...Sara Ahmed This essay takes up Judith Butler’s invitation to consider accounts of oneself as scenes of address by asking what follows when those accounts are complaints. Drawing on an empirical study of complaints made in universities, it examines how receiving complaints from others involves...
FIGURES
Journal Article
differences (2010) 21 (2): 46–72.
Published: 01 September 2010
... in the integration of Lacanian psychoanalytic and queer/feminist concerns: Judith Butler's Antigone's Claim and Tim Dean's Beyond Sexuality . Dean's project to ``de-gender'' desire offers a reply to Butler's concerns about the compulsory heterosexuality of the Oedipal scene; however, both texts...
Journal Article
differences (2024) 35 (3): 224–236.
Published: 01 December 2024
... Cultural Studies 2024 address discourse intelligibility power recognition scene self It was difficult to write Giving an Account of Oneself , since I included very little autobiographical detail. The decision was in some sense deliberate since I set out to understand the opacity of any...
Journal Article
differences (2019) 30 (1): 100–118.
Published: 01 May 2019
...: the sadomasochistic blur of sexuality and violence. In effect, she sets up an s/m scene of and for feminism. The self-flagellating reading pleasures of MacKinnon unsettle the relation between her dismissal of lesbian sadomasochism and her own s/m textuality. This is not to say that her argument is flawed...
Journal Article
differences (2019) 30 (1): 126–147.
Published: 01 May 2019
... ways that black subjects carve out alternative imaginaries of black intimacy in the space of the public. Black sex in the quiet is used to read neo-soul artist Erykah Badu’s music video “Other Side of the Game,” an ostensible scene of black cis heteronormative domesticity, for quiet articulations...
Journal Article
differences (2019) 30 (3): 34–62.
Published: 01 December 2019
... the violence of 2002. My account demonstrates the value—and the terrifying consequences—of learning to read the multiple scenes of pleasure in 2002 for feminist politics against sexual violence. 1 It is widely acknowledged that 2002 was extremely destructive: “The numbers killed [were] among the highest...
Journal Article
differences (2024) 35 (3): 34–62.
Published: 01 December 2024
... they engage, specifically, a famous Foucauldian line from 1968: “Discourse is not life; its time is not yours.” How might we read, today, the political stakes of Butler’s ethical uptake of Foucault against the backdrop of the anti-authoritarian, anticolonial 1960s Tunisian scene that gave rise to Foucault’s...
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Journal Article
differences (2024) 35 (3): 63–89.
Published: 01 December 2024
... of Oneself. Analyzing end , which offers a meditation on representation, racial capitalism, and intimacy, reveals how visual art can be both the scene and mode of address. This duality has important implications for Black studies’ effort to work around recognition. It does so by muddying firm distinctions...
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