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Journal Article

“The Scene Came Alive”: Autobiography and Anger

Neil Hertz
differences (1997) 9 (1): 36–48.
DOI: https://doi.org/10.1215/10407391-9-1-36
Published: 01 April 1997
... and Repetition: Marx/Hugo/Balzac . Berkeley : U of California P : 1977 . Revenge of the Nerds . Dir. Kanew Jeff . Twentieth Century-Fox , 1984 . NEIL HERTZ "The Scene Came Alive": Autobiography and Anger I should like to consider some of the difficulties involved in discussing anger and, more...
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Journal Article

Piqued: Compounded Interest and the Intersubjective Scene

Candace Moore
differences (2024) 35 (1): 74–96.
DOI: https://doi.org/10.1215/10407391-11101335
Published: 01 May 2024
...Candace Moore In conversation with Silvan Tomkins, William James, Sianne Ngai, and others, “Piqued: Compounded Interest and the Intersubjective Scene” further theorizes one of the most taken-for-granted of the classic affects: interest. This essay argues that the piquing of interest is essential...
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Journal Article

Renarratable Bonds: Queer Relationality in the Scene of Redress

Teagan Bradway
differences (2024) 35 (3): 150–177.
DOI: https://doi.org/10.1215/10407391-11525348
Published: 01 December 2024
... for an event to be renarrated, to Butler’s theory. Renarration engenders recursive inconsistencies rife with queer potential. Through renarration, one can compose a scene of redress that revises the violent and otherwise life-denying contours of narratability itself. As an example, the essay turns to Danez...
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Journal Article

Policing (as) the Paradigmatic Scene of Rape

Michael Dango
differences (2021) 32 (3): 25–52.
DOI: https://doi.org/10.1215/10407391-9479688
Published: 01 December 2021
...Michael Dango A queer renovation of “rape” requires beginning not with actors, but with acts, which brings into view the central role of the state as a perpetrator of sexual violence. Radical feminists moved the “paradigmatic scene” of rape from the stranger in the alley to the acquaintance...
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Image
Figure 1. First encounter two-shot/redoubled mirror scene from Killing Eve.

First encounter two-shot/redoubled mirror scene from Killing Eve .

in Piqued: Compounded Interest and the Intersubjective Scene > differences
Published: 01 May 2024
Figure 1 First encounter two-shot/redoubled mirror scene from Killing Eve . More
Image
Figure 5. “Now we walk and never look back”: bridge scene from Killing Eve.

“Now we walk and never look back”: bridge scene from Killing Eve .

in Piqued: Compounded Interest and the Intersubjective Scene > differences
Published: 01 May 2024
Figure 5 “Now we walk and never look back”: bridge scene from Killing Eve . More
Image
Figure 5. Frame from the opening torture scene of The Battle of Algiers (1966) featuring the gégène in the bottom left-hand corner

Frame from the opening torture scene of The Battle of Algiers (1966) feat...

in Policing (as) the Paradigmatic Scene of Rape > differences
Published: 01 December 2021
Figure 5 Frame from the opening torture scene of The Battle of Algiers (1966) featuring the gégène in the bottom left-hand corner More
Image
Figures 27–28. The framing of the shot in the sacristy is mirrored in the scene of Ignacio’s death. / Bad Education, Pedro Almodóvar, 2004

The framing of the shot in the sacristy is mirrored in the scene of Ignacio...

in Learning Nothing: Bad Education > differences
Published: 01 May 2017
Figures 27–28 The framing of the shot in the sacristy is mirrored in the scene of Ignacio’s death. Bad Education , Pedro Almodóvar, 2004 More
Image
Figures 27–28. The framing of the shot in the sacristy is mirrored in the scene of Ignacio’s death. / Bad Education, Pedro Almodóvar, 2004

The framing of the shot in the sacristy is mirrored in the scene of Ignacio...

in Learning Nothing: Bad Education > differences
Published: 01 May 2017
Figures 27–28 The framing of the shot in the sacristy is mirrored in the scene of Ignacio’s death. Bad Education , Pedro Almodóvar, 2004 More
Journal Article

The Coup: Behind the Scenes of the Act with Philippe Petit

Steven Miller
differences (2017) 28 (2): 116–133.
DOI: https://doi.org/10.1215/10407391-4151797
Published: 01 September 2017
... by considering Petit’s walk in terms of the aesthetic differentiation among qualities of feeling. I subtitle this paper “Behind the Scenes of the Act with Philippe Petit” in order to stress that I would seek the act through its effects—in particular, its effect upon his entourage and those who happened...
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Journal Article

The Native Performant: Linguistic Authority in the Text of Romantic Orientalism

Zak Sitter
differences (2010) 21 (2): 109–141.
DOI: https://doi.org/10.1215/10407391-2010-005
Published: 01 September 2010
... language. Examining scenes from Robert Southey's The Curse of Kehama , Lord Byron's Lara , and Thomas De Quincey's Confessions of an English Opium-Eater , the author argues that European power is staged by subjecting a figure of the East to a kind of language that functions as a conduit of pure force...
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Journal Article

Fisting

Peter Rehberg
differences (2023) 34 (1): 119–125.
DOI: https://doi.org/10.1215/10407391-10435646
Published: 01 May 2023
..., Bersani embraces this instability of identification that may ultimately cause the subject to collapse. Gay sex practices provide the occasion for this scene of vertigo, which, in Bersani’s work, opens a space that exists after the fall of the ego and that is often further explored through a turn to art...
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Journal Article

On Receiving Accounts from Others

Sara Ahmed
differences (2024) 35 (3): 14–33.
DOI: https://doi.org/10.1215/10407391-11525257
Published: 01 December 2024
...Sara Ahmed This essay takes up Judith Butler’s invitation to consider accounts of oneself as scenes of address by asking what follows when those accounts are complaints. Drawing on an empirical study of complaints made in universities, it examines how receiving complaints from others involves...
FIGURES
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Journal Article

Transgender Subjectivity and the Logic of Sexual Difference

Shanna T. Carlson
differences (2010) 21 (2): 46–72.
DOI: https://doi.org/10.1215/10407391-2010-003
Published: 01 September 2010
... in the integration of Lacanian psychoanalytic and queer/feminist concerns: Judith Butler's Antigone's Claim and Tim Dean's Beyond Sexuality . Dean's project to ``de-gender'' desire offers a reply to Butler's concerns about the compulsory heterosexuality of the Oedipal scene; however, both texts...
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Journal Article

Giving an Account: When, Where, for Whom, and Why?

Judith Butler
differences (2024) 35 (3): 224–236.
DOI: https://doi.org/10.1215/10407391-11525387
Published: 01 December 2024
... Cultural Studies 2024 address discourse intelligibility power recognition scene self It was difficult to write Giving an Account of Oneself , since I included very little autobiographical detail. The decision was in some sense deliberate since I set out to understand the opacity of any...
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Journal Article

Toward an S/M Theory of MacKinnon

Samia Vasa
differences (2019) 30 (1): 100–118.
DOI: https://doi.org/10.1215/10407391-7481274
Published: 01 May 2019
...: the sadomasochistic blur of sexuality and violence. In effect, she sets up an s/m scene of and for feminism. The self-flagellating reading pleasures of MacKinnon unsettle the relation between her dismissal of lesbian sadomasochism and her own s/m textuality. This is not to say that her argument is flawed...
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Journal Article

Black Sex in the Quiet

Shoniqua Roach
differences (2019) 30 (1): 126–147.
DOI: https://doi.org/10.1215/10407391-7481302
Published: 01 May 2019
... ways that black subjects carve out alternative imaginaries of black intimacy in the space of the public. Black sex in the quiet is used to read neo-soul artist Erykah Badu’s music video “Other Side of the Game,” an ostensible scene of black cis heteronormative domesticity, for quiet articulations...
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Journal Article

2002: A Reading Appeal

Samia Vasa
differences (2019) 30 (3): 34–62.
DOI: https://doi.org/10.1215/10407391-7973988
Published: 01 December 2019
... the violence of 2002. My account demonstrates the value—and the terrifying consequences—of learning to read the multiple scenes of pleasure in 2002 for feminist politics against sexual violence. 1 It is widely acknowledged that 2002 was extremely destructive: “The numbers killed [were] among the highest...
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Journal Article

Unbearable Speech

Lynne Huffer
differences (2024) 35 (3): 34–62.
DOI: https://doi.org/10.1215/10407391-11525270
Published: 01 December 2024
... they engage, specifically, a famous Foucauldian line from 1968: “Discourse is not life; its time is not yours.” How might we read, today, the political stakes of Butler’s ethical uptake of Foucault against the backdrop of the anti-authoritarian, anticolonial 1960s Tunisian scene that gave rise to Foucault’s...
FIGURES
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Journal Article

Limited Accounts: Thinking Race and Recognition

Amber Jamilla Musser
differences (2024) 35 (3): 63–89.
DOI: https://doi.org/10.1215/10407391-11525283
Published: 01 December 2024
... of Oneself. Analyzing end , which offers a meditation on representation, racial capitalism, and intimacy, reveals how visual art can be both the scene and mode of address. This duality has important implications for Black studies’ effort to work around recognition. It does so by muddying firm distinctions...
FIGURES
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