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piano

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Journal Article
differences (1 December 2011) 22 (2-3): 54–73.
Published: 01 December 2011
...Nick Seaver The American Piano Company, in the early twentieth century, built a reenacting piano that could automatically play back performances recorded by virtuoso pianists. This article examines the production, in the company lab, of that piano’s fidelity—the terms by which an original and...
Journal Article
differences (1 December 2011) 22 (2-3): 313–314.
Published: 01 December 2011
... MP3s.” 22.2/3: 140–67. Povinelli, Elizabeth A. “Archiving the Otherwise: Postcolonial Digital Archives.” 22.1: 146–71. Seaver, Nick. “‘This Is Not a Copy’: Mechanical Fidelity and the Reenacting Piano...
Journal Article
differences (1 December 2003) 14 (3): 4–33.
Published: 01 December 2003
... Chicago p, 2000 . Doan, Laura. Fashioning Sapphism: The Origins of a Modern English Lesbian Culture . New York: Columbia up, 2001 . Eyerman, Charlotte. “Piano Playing in Nineteenth-Century French Visual Culture.” Piano Roles: 300 Hundred Years of Life with the Piano . Ed. James Parakilas. New...
Journal Article
differences (1 December 2011) 22 (2-3): 235–239.
Published: 01 December 2011
... the other dimensions did not capture—everything that makes the sound of an oboe played at the same pitch, intensity, and duration as one on the piano unmistakably different and recognizable as such. Only recently have we seen the...
Journal Article
differences (1 December 2011) 22 (2-3): 240–248.
Published: 01 December 2011
... dimensions did not capture—everything that makes the sound of an oboe played at the same pitch, intensity, and duration as one on the piano unmistakably different and recognizable as such. Only recently have we seen the desire emerge in...
Journal Article
differences (1 December 2016) 27 (3): 20–44.
Published: 01 December 2016
... the first chapter of Moderato cantabile , which opens at twilight in a seaside town. As Anne Desbaresdes listens to her son’s piano lesson, the sky outside is washed in bursts of pink and red. Suddenly, a cry is heard from below. As the chapter continues, an anxious crowd gathers at the street café...
Journal Article
differences (1 December 2006) 17 (3): 20–36.
Published: 01 December 2006
... magazines, a carton of a hundred canned sardines, mink stoles, old rags, a birdcage, a bucket of silver dollars, thousands of books, paint- ings, quarters in tobacco cans, two pianos, glass jars of...
Journal Article
differences (1 December 2016) 27 (3): 45–92.
Published: 01 December 2016
Journal Article
differences (1 December 2006) 17 (3): 195–204.
Published: 01 December 2006
... featured in Casablanca (1942), however, its own time had long gone by. But as sung by Dooley Wilson, in the role of the piano player, Sam, and as woven into Max Steiner’s multilayered score, it would live to be honored as a...
Journal Article
differences (1 September 2005) 16 (2): 138–166.
Published: 01 September 2005
...: Serpent's Tail, 1993 . ____. The Piano Teacher . 1999. Trans. Joachim Neugroschel. London: Serpent's Tail, 1999 . Kerr, Philip. Berlin Noir . London: Penguin, 1994 . Kipnis, Laura. “Looks Good on Paper: Marxism and Feminism in a Postmodern World.” Ecstasy Unlimited: On Sex, Capital,Gender, and...
Journal Article
differences (1 September 2017) 28 (2): 86–115.
Published: 01 September 2017
... this second attitude, recall the climactic scene in Michael Haneke’s film version of The Piano Teacher , where the piano student Walter Klemmer, who joins his cold mistress in the impersonal, institutional bathroom of the musical academy for what may be the strangest sex scene ever filmed, is...
Journal Article
differences (1 December 1999) 11 (3): 76–106.
Published: 01 December 1999
... for his guests on a Sunday. When Elsie tells her father that she cannot comply with his command because it conflicts with God’s command to honor the Sabbath, Mr. Dinsmore orders her to sit at the piano without supper until she...
Journal Article
differences (1 May 2018) 29 (1): 102–133.
Published: 01 May 2018
Journal Article
differences (1 September 2007) 18 (2): 1–23.
Published: 01 September 2007
... the melody of a player piano, a prostitute from his own past. Marlene Dietrich’s melancholy performance recalls the effacement of a cosmopolitan desire. It is clear here that if the border is the site of violence par...
Journal Article
differences (1 December 2011) 22 (2-3): 190–210.
Published: 01 December 2011
Journal Article
differences (1 May 2007) 18 (1): 128–152.
Published: 01 May 2007
Journal Article
differences (1 September 1999) 11 (2): 76–105.
Published: 01 September 1999
... quite dazzled with its magnifi- cence. The things that chiefly took her notice were a large library, a piano, and several music books. “Well,” she said to herself, “I see that time will not hang heavy...
Journal Article
differences (1 September 1999) 11 (2): 153–176.
Published: 01 September 1999
Journal Article
differences (1 September 2006) 17 (2): 33–63.
Published: 01 September 2006
Journal Article
differences (1 May 2018) 29 (1): 33–65.
Published: 01 May 2018
... marginalize Sybil and her labor with quite the same rigor as other Hollywood films. Sybil is often found at the center of shots. As Lucia receives disturbing news over the telephone, for example, Sybil interrupts her dusting of the piano to move into the center of the frame. As Ewa Mazierska points out...