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piano

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Journal Article
differences (1 December 2011) 22 (2-3): 54–73.
Published: 01 December 2011
...Nick Seaver The American Piano Company, in the early twentieth century, built a reenacting piano that could automatically play back performances recorded by virtuoso pianists. This article examines the production, in the company lab, of that piano’s fidelity—the terms by which an original and...
Journal Article
differences (1 December 2011) 22 (2-3): 313–314.
Published: 01 December 2011
... MP3s.” 22.2/3: 140–67. Povinelli, Elizabeth A. “Archiving the Otherwise: Postcolonial Digital Archives.” 22.1: 146–71. Seaver, Nick. “‘This Is Not a Copy’: Mechanical Fidelity and the Reenacting Piano...
Journal Article
differences (1 December 2003) 14 (3): 4–33.
Published: 01 December 2003
... of Chicago p, 2000 . Doan, Laura. Fashioning Sapphism: The Origins of a Modern English Lesbian Culture . New York: Columbia up, 2001 . Eyerman, Charlotte. “Piano Playing in Nineteenth-Century French Visual Culture.” Piano Roles: 300 Hundred Years of Life with the Piano . Ed. James Parakilas...
Journal Article
differences (1 December 2011) 22 (2-3): 235–239.
Published: 01 December 2011
... one on the piano unmistakably different and recognizable as such. Only recently have we seen the desire emerge in some quarters to give the dimension of timbre at least theoretically—in practice it has been a complete failure—the...
Journal Article
differences (1 December 2011) 22 (2-3): 240–248.
Published: 01 December 2011
... one on the piano unmistakably different and recognizable as such. Only recently have we seen the desire emerge in some quarters to give the dimension of timbre at least theoretically—in practice it has been a complete failure—the...
Journal Article
differences (1 December 2016) 27 (3): 20–44.
Published: 01 December 2016
... detected in the first chapter of Moderato cantabile , which opens at twilight in a seaside town. As Anne Desbaresdes listens to her son’s piano lesson, the sky outside is washed in bursts of pink and red. Suddenly, a cry is heard from below. As the chapter continues, an anxious crowd gathers at the street...
Journal Article
differences (1 December 2006) 17 (3): 20–36.
Published: 01 December 2006
... magazines, a carton of a hundred canned sardines, mink stoles, old rags, a birdcage, a bucket of silver dollars, thousands of books, paint- ings, quarters in tobacco cans, two pianos, glass jars of...
Journal Article
differences (1 December 2016) 27 (3): 45–92.
Published: 01 December 2016
Journal Article
differences (1 December 2006) 17 (3): 195–204.
Published: 01 December 2006
... Welcome, the song enjoyed popularity in the thirties after Rudy Val- lee recorded it. By the time it was featured in Casablanca (1942), however, its own time had long gone by. But as sung by Dooley Wilson, in the role of the piano...
Journal Article
differences (1 September 2005) 16 (2): 138–166.
Published: 01 September 2005
...: Serpent's Tail, 1993 . ____. The Piano Teacher . 1999. Trans. Joachim Neugroschel. London: Serpent's Tail, 1999 . Kerr, Philip. Berlin Noir . London: Penguin, 1994 . Kipnis, Laura. “Looks Good on Paper: Marxism and Feminism in a Postmodern World.” Ecstasy Unlimited: On Sex, Capital,Gender, and...
Journal Article
differences (1 May 2018) 29 (1): 102–133.
Published: 01 May 2018
Journal Article
differences (1 September 2017) 28 (2): 86–115.
Published: 01 September 2017
... scene in Michael Haneke’s film version of The Piano Teacher , where the piano student Walter Klemmer, who joins his cold mistress in the impersonal, institutional bathroom of the musical academy for what may be the strangest sex scene ever filmed, is prevented from ejaculating, and therefore...
Journal Article
differences (1 December 1999) 11 (3): 76–106.
Published: 01 December 1999
... God’s command to honor the Sabbath, Mr. Dinsmore orders her to sit at the piano without supper until she changes her mind. Though a guest calls Dinsmore “a brute” for coercing “a child into doing violence to its conscience,” he remains...
Journal Article
differences (1 May 2007) 18 (1): 128–152.
Published: 01 May 2007
Journal Article
differences (1 September 2007) 18 (2): 1–23.
Published: 01 September 2007
... border disappears: the nostalgic bordello where Quinlan finds, to the melody of a player piano, a prostitute from his own past. Marlene Dietrich’s melancholy performance recalls the effacement of a cosmopolitan desire...
Journal Article
differences (1 December 2011) 22 (2-3): 190–210.
Published: 01 December 2011
Journal Article
differences (1 May 2018) 29 (1): 33–65.
Published: 01 May 2018
.... As Lucia receives disturbing news over the telephone, for example, Sybil interrupts her dusting of the piano to move into the center of the frame. As Ewa Mazierska points out, cleaners are the exemplary capitalist precariat in that they lack their own workspace and must find ways of doing their...
Journal Article
differences (1 December 2011) 22 (2-3): 140–167.
Published: 01 December 2011
... tuning systems form a continuum, like a piano keyboard. They are symbolic in the sense that they almost always sing lyrics that convey linguistic meaning (Meredith Monk or Elizabeth Fraser notwithstanding).11 They are imaginary in...
Journal Article
differences (1 December 2011) 22 (2-3): 211–234.
Published: 01 December 2011
... descendants of Cage’s polemic is Clarence Barlow’s 1972 Stochroma, the score of which consists of hundreds of pages of computer code, written in fortran, pro- ducing random combinations of piano notes; between event 4 and event...
Journal Article
differences (1 December 2011) 22 (2-3): 249–275.
Published: 01 December 2011
... through it in the traditional manner?” Or again and more emphatically, “[W]hat does the timbre of a piano wire mean when it is attacked according to the various techniques of musique concrète” and then its “acoustic visage” is...