... the Life of Hildegard von Bingen . Zeitgeist Films , 2009 . © 2015 by Brown University and differences : A Journal of Feminist Cultural Studies 2015 Rosa Luxemburg Hildegard von Bingen Hannah Arendt cinematic biography The following is the text of a talk originally given in German...

... © 2015 by Brown University and differences : A Journal of Feminist Cultural Studies 2015 Azoulay Ariella . “ Arendt’s Guidelines for a Fictionalized Cinematic Portrait .” 26 . 2 : 121 – 31 . Balibar Étienne . “ Althusser’s Dramaturgy and the Critique of Ideology .” 26...

...Adi Ophir Margarethe von Trotta’s Hannah Arendt offers a brilliant cinematic interpretation of one of the most pivotal chapters in Hannah Arendt’s life and work, the Eichmann trial. The author argues that the film correctly assumes that Arendt’s thinking on evil underwent an important change during...

... . Peake, Tony. Derek Jarman: A Biography . New York: Overlook, 1999 . Peraino, Judith Ann. Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig . Berkeley: u of California p, 2005 . Ricco, John Paul. The Logic of the Lure . Chicago: Chicago up, 2002 . Rimbaud...

... as a theorist of visual culture, and the subsequent English language publication of a sampling of his Weimar-era feuilletons, the broad outlines of his biography are finally coming into focus for American readers: the long friendship...

... those who were shifting from cosmopolitanism to cultural nationalism in the years before the Second World War. In this essay I consider the source of Tanizaki’s cinematic disappointment from a different angle, arguing...

... for the rebellion. Such a narrative move makes the new film a true double for the original Birth of a Nation cinematic adaptation of Thomas Dixon’s 1905 novel, The Clansman: A Historical Romance of the Ku Klux Klan , in which the Klan avenges the honor and death of white ingénue Flora, who in an infamous scene...

...). Despite Brinkema’s claim that the “problematic of grief is a particularly cinematic one” (94), I think the enforced pauses of serial fiction figure grief with unique power. Brinkema’s argument is persuasive because of its insistence on the absence of personal relationality and its attention...

..." - an interest that is coded as "pathological" because in Hollywood narrative cinema it is associated with the female, not the male, body (72). As Laura Mulvey famously points out, the cinematic apparatus (along with a masculinized spectatorial gaze) "play[s] on [the audience's] voyeuristic phantasy" by turning...

... the factory assembly line and even, it has been argued, the stopwatch time of Taylorist projects aimed at improv- ing human efficiency.20 To give another example of how cinematic modes register and reiterate the bodily impact...

..., theatrical, cinematic, musical, or visual arts? There is such a perspective, the perspective of a young art maturing. But then, possibly, there is something about the purely technical aspects of video games that summons the lures of fantasy and mythic repetition. Playing is oriented toward the unpredictable...

... with Bowlby’s famous axiom, “no therapy without research and no research without therapy,” Spitz set out to document his findings on film, using the close-up to capture emergent mental states as they crossed an infant’s face. Rachel Weitzenkorn argues that Spitz’s cinematic documentation (hot, according...

... or an idealized role model by doing what we think he wants.5 In his best-selling biography of Dr. Paul Farmer, Mountains beyond Mountains, Tracy Kidder offers an extraordinary portrait not only of the man and his unwavering...