Skip Nav Destination
Close Modal
Search Results for
bazin
Update search
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-14 of 14 Search Results for
bazin
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Sort by
Journal Article
differences (2017) 28 (3): 67–92.
Published: 01 December 2017
... pays close attention to Deleuze’s engagement with Italian neorealist cinema and especially to his interpretations of Luchino Visconti’s Ossessione and Vittorio De Sica’s Umberto D . (including André Bazin’s analysis of the latter). domestic labor Wages for Housework movement Italian neorealism...
FIGURES
| View All (15)
Journal Article
differences (2007) 18 (1): 29–52.
Published: 01 May 2007
..., Jean-Louis. “The Apparatus: Metapsychological Approaches to the Impression of Reality in the Cinema.” Narrative, Apparatus, Ideology . Ed. Philip Rosen. New York: Columbia up, 1986 . 690 -707. Bazin, Andre. “Evolution.” What Is 1 : 23 -41. ____. Jean Renoir . New York: Da Capo, 1992...
Journal Article
differences (2010) 21 (3): 1–33.
Published: 01 December 2010
... of Texas p, 1981 . Bazin, André. “The Ontology of the Photographic Image.” What Is Cinema? Vol. 1 . Trans. Hugh Gray. Berkeley: u of California p, 1967 . 9 -16. Benjamin, Walter. “Little History of Photography.” Trans. Edmund Jephcott and Kingsley Shorter. Selected Writings Vol. 2: 1927–1934...
Journal Article
differences (2007) 18 (1): 128–152.
Published: 01 May 2007
..., Text . Trans. Stephen Heath. New York: Hill and Wang, 1977 . 32 -51. Bazin, André. What Is Cinema? . Vol. 1 . Trans. Hugh Gray. Berkeley:u of California p, 1967 . Benjamin, Walter. “A Small History of Photography.” One-Way Street and Other Writings . Trans. Edmund Jephcott and Kingsley...
Journal Article
differences (2007) 18 (1): 87–127.
Published: 01 May 2007
... . ____. Art in Paris 1845-1862 . Trans. Jonathan Mayne. London: Phaidon, 1965 . Bazin, André. What Is Cinema? Vols. 1 and 2. Berkeley: u of California p, 1967 . ____. Qu'est-ce que le cinéma? Vol. 1 . Paris: Cerf, 1958 . Benjamin, Andrew. “Time and Task: Benjamin and Heidegger Showing...
Journal Article
differences (2007) 18 (1): 7–28.
Published: 01 May 2007
... and Wang, 1981 . Bazin, André. “Ontology of the Photographic Image.” What Is Cinema? Trans. Hugh Gray. Berkeley: u of California p, 1967 . 9 -16. Belting, Hans. Bild-Anthropologie. Entwürfe für eine Bildwissenschaft . München: Fink, 2001 . Böhm, Gottfried. “Die Bilderfrage.” Was ist...
Journal Article
differences (2005) 16 (1): 63–102.
Published: 01 May 2005
... on the Understanding of Evil . Trans. Peter Hallward. London: Verso, 2001 . Bacon, Jon Lance. Flannery O'Connor and Cold War Culture . Cambridge: Cambridge up, 1993 . Bailey, Paul. Introduction. The Violent Bear It Away . By Flannery O'Connor. London: Faber, 1980 . vii-x. Bazin, André. “The Ontology...
Journal Article
differences (2007) 18 (1): 1–6.
Published: 01 May 2007
... (intimately linked to indexicality
and the trace) in photographic representation? Why is the index so insis-
tently associated with death (e.g., in André Bazin’s discussion of the death
mask, Roland Barthes’s discussion of photography...
Journal Article
differences (2023) 34 (1): 191–199.
Published: 01 May 2023
... of an “affectless mastery of the world.” Paraphrasing standard accounts—they reference André Bazin and Siegfried Kracauer—of film epistemology and psychology, they go on to attack a notion of film according to which “objects are deployed within a field from which the viewing subject—safely outside—has been removed...
Journal Article
differences (1994) 6 (2-3): 212–248.
Published: 01 July 1994
... of a Nineteenth-Century French Hermaphrodite . 1978 . Trans. McDougall Richard . Introd. Foucault Michel . New York : Pantheon , 1980 . Barthes Roland . Camera Lucida: Reflections on Photography . Trans. Howard Richard . New York : Hill and Wang , 1981 . Bazin Andre...
Journal Article
differences (2018) 29 (3): 107–136.
Published: 01 December 2018
... that embodies a particular tension suffusing Tamil films, and perhaps narrative cinema more generally. This tension has been variously captioned in film theory with binaries like narrative/spectacle (Mulvey, “Visual”), language/ontology (Bazin), and classical/primitive (Gunning; Hansen 24), among others...
Journal Article
differences (2018) 29 (1): 33–65.
Published: 01 May 2018
... of his films: his images are all highly controlled and constructed. His is not a realism that overtly opens up a space in the image (or editing suite) for contingency, the accidental, random generation, or what André Bazin would identify as the essential and critical “ambiguity” of the cinematic image...
FIGURES
| View All (5)
Journal Article
differences (1997) 9 (2): 25–68.
Published: 01 July 1997
... to His Time . Cambridge : Harvard UP , 1952 . Annan Noel G. Leslie Stephen: The Godless Victorian . New York : Random House , 1984 . Baudrillard Jean . For a Critique of the Political Economy of the Sign . Trans. Levin Charles . St. Louis : Telos , 1981 . Bazin...
Journal Article
differences (2024) 35 (1): 1–42.
Published: 01 May 2024
... spots” in André Bazin’s and Gilles Deleuze’s epoch-making works on neorealist film, Fabbri proceeds to offer a rejoinder to these French critics (183). He argues, taking on several generations’ worth of film scholarship, that “[n]eorealism is not a theory in film or new wave in cinema history...
FIGURES
| View All (17)