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Published: 01 December 2018
Figure 6 Tony Hertz, Gnarled Wave , 2014 Courtesy of the artist
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Image
Published: 01 September 2019
Figure 10 Peggy Shaw and Clod Ensemble, Must (2008), artist book-cover Photo by and courtesy of Eva Weiss
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Published: 01 December 2020
Figure 1 Miron Tee, Untitled (“Shame”), 2013. Courtesy of the artist.
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Journal Article
differences (2012) 23 (2): 71–112.
Published: 01 September 2012
...Julia Bryan-Wilson From 1974 to 1976, artists in a range of contexts produced works that drew connections between performance and prostitution. This article examines how these projects, by artists such as Carlos Ginzburg and Suzanne Lacy, speak to the wider political discourses and feminist...
Journal Article
differences (2013) 24 (1): 104–136.
Published: 01 May 2013
...” inquiries into the animal condition depart from and partake of interventionist logics, the essay contrasts humane-itarian artworks with those of contemporary artists Sam Easterson, Lisa Jevbratt, Beatriz da Costa, and Simon Starling, who surrender their media (ranging from video cameras, iPhones, and GPS...
Journal Article
differences (2014) 25 (2): 101–115.
Published: 01 September 2014
... and the nonhuman world; and from the contestation of gendered and racist violence of abstract formalism. Consequently, feminist aesthetics has to approach any artistic practice in nonindividualist, and even not entirely anthropocentric, terms. Only such a relational feminist approach to the impossibility...
Journal Article
differences (2021) 32 (3): 25–52.
Published: 01 December 2021
... in three passes: history (the discourse around Michel Foucault’s treatment of the Charles Jouy case), aesthetics (the conflation of state and domestic violence in the installations of Palestinian artist Mona Hatoum), and activism (the convergence of abolitionist and antirape movements in the 1970s writings...
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Journal Article
differences (2018) 29 (2): 154–188.
Published: 01 September 2018
... of gendernonconforming bodies in Beyoncé’s visual album to interrogate how both artists reconceptualize family. The essay employs the couple’s union to expose the persistence of entrenched race/gender ideologies that pathologize the black family. The duet also raised eyebrows in more liberal circles. Beyoncé’s...
Journal Article
differences (2019) 30 (1): 126–147.
Published: 01 May 2019
... ways that black subjects carve out alternative imaginaries of black intimacy in the space of the public. Black sex in the quiet is used to read neo-soul artist Erykah Badu’s music video “Other Side of the Game,” an ostensible scene of black cis heteronormative domesticity, for quiet articulations...
Journal Article
differences (2020) 31 (1): 64–97.
Published: 01 May 2020
... consecutive summers in New York City: Simone Leigh’s The Waiting Room at the New Museum (2016), and the group exhibit We Wanted a Revolution at the Brooklyn Museum (2017). While both exhibitions promote the work of black women artists at the center of their institutional program-building initiatives, each...
Journal Article
differences (2008) 19 (3): 1–27.
Published: 01 December 2008
... political and artistic subjectivities, and the creation of new forms of political life. This study focuses primarily on the militant stage of the British suffrage campaign (1903–1914) because it was the experience and justification of female militancy that propelled suffragettes to redefine the right...
Journal Article
differences (2010) 21 (2): 142–172.
Published: 01 September 2010
... oppressio or continual subjection to it. These opposing views of postmodern repetitions have collided in an especially contentious way in the reception of the work of visual artist Kara Walker, whose cut-paper silhouettes of antebellum racial stereotypes are seen as either parodically resignifying racist...
Journal Article
differences (2013) 24 (3): 36–62.
Published: 01 December 2013
... established queer artists and described as a unique and radical queer archival activism that scorns the traditional archive for excluding (queer) feelings. Following Edelman, this article reaches a different conclusion, wherein the traditional archive may be seen in a new light—or rather, in a new darkness...
Journal Article
differences (2011) 22 (2-3): 249–275.
Published: 01 December 2011
... to heterogeneity and attenuation. The second part of the article examines how noise has been practiced as a musical—or perhaps antimusical—form in Japan and considers the possibility of extending Chion’s arguments about language, sound, and culture to the Japanese context. The article considers the noise artist...
Journal Article
differences (2014) 25 (1): 189–215.
Published: 01 May 2014
... as a key organizational technique for the humanities; and 4) the changing relationship between the humanities and sciences. While games are no panacea for the digital humanities, they are a key cultural form and critical site of negotiation in which humanists, artists, designers, technologists, scientists...
Journal Article
differences (2021) 32 (1): 54–73.
Published: 01 May 2021
... of language, the author connects Tihanov’s notion of “regimes of relevance” with the concept of “regime” developed by Jacques Rancière. The intersection of these two theorizations of “regime” pinpoint the paradox at the heart of literary theory: the attempt to pose the question of artistic autonomy...
Journal Article
differences (2021) 32 (1): 97–125.
Published: 01 May 2021
... a considerable role in both Lem’s polemic and in his fictional response, raising questions of genre (and its dependence on the market and the entertainment industry), of subjective agency (and its philosophical and political implications), and of artistic ingenuity vis-à-vis despotic power. Although Lem’s...
Journal Article
differences (2023) 34 (1): 209–216.
Published: 01 May 2023
... of his artistic medium. Bersani and Dutoit’s concept of renunciation undermines modernist medium specificity and points to a form of pseudomorphosis that reveals the fundamental homo-ness between the arts. This speculative essay builds on their argument that such renunciative gestures produce aesthetic...
Journal Article
differences (2020) 31 (1): 36–63.
Published: 01 May 2020
... through the political and intellectual potential of the improper, queer, and conflictual juxtapositions their artistic practice enacts. © 2020 by Brown University and differences : A Journal of Feminist Cultural Studies 2020 abjection defaced library books Foucault genealogy Joe Orton Kenneth...
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Journal Article
differences (2024) 35 (1): 97–133.
Published: 01 May 2024
... of racist desires, it can also function as the basis for feminist revenge. The author contemplates racial fetishism through twenty-first-century feminist cultural production, namely the work of mixed-race artists Chanel Matsunami Govreau and Maya Mackrandilal, showing how neoliberal multiculturalism has...
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