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Figure 1. Mona Hatoum, Home, 1999. Wood, galvanized steel, stainless steel, electric wire, crocodile clips, light bulbs, computerized dimmer switch, amplifier, and speakers. 76.2 × 198.1 × 73.7 cm (table). / Source: Guggenheim Bilbao Museoa. © FMGB Guggenheim Bilbao Museoa. / Photo: Erika Barahona Ede

Mona Hatoum, Home , 1999. Wood, galvanized steel, stainless steel, electri...

in Policing (as) the Paradigmatic Scene of Rape > differences
Published: 01 December 2021
Figure 1 Mona Hatoum, Home , 1999. Wood, galvanized steel, stainless steel, electric wire, crocodile clips, light bulbs, computerized dimmer switch, amplifier, and speakers. 76.2 × 198.1 × 73.7 cm (table) Source: Guggenheim Bilbao Museoa. © FMGB Guggenheim Bilbao Museoa Photo: Erika Barahona More
Image
Figure 2. Mona Hatoum, Sous Tension, 1999. Table kitchen utensils, lightbulbs, electric wire, computerized dimmer unit, amplifier, mixer, speakers. / Photo: Jean-Baptiste Béranger

Mona Hatoum, Sous Tension , 1999. Table kitchen utensils, lightbulbs, elec...

in Policing (as) the Paradigmatic Scene of Rape > differences
Published: 01 December 2021
Figure 2 Mona Hatoum, Sous Tension , 1999. Table kitchen utensils, lightbulbs, electric wire, computerized dimmer unit, amplifier, mixer, speakers Photo: Jean-Baptiste Béranger More
Image
Figure 3. Mona Hatoum, Grater Divide, 2002. Mild steel. 80 × 76 × 33 in. Installation view at Museum of Fine Arts, Boston. / Source: Leslee on Flickr

Mona Hatoum, Grater Divide , 2002. Mild steel. 80 × 76 × 33 in. Installati...

in Policing (as) the Paradigmatic Scene of Rape > differences
Published: 01 December 2021
Figure 3 Mona Hatoum, Grater Divide , 2002. Mild steel. 80 × 76 × 33 in. Installation view at Museum of Fine Arts, Boston Source: Leslee on Flickr More
Journal Article

Policing (as) the Paradigmatic Scene of Rape

Michael Dango
differences (2021) 32 (3): 25–52.
DOI: https://doi.org/10.1215/10407391-9479688
Published: 01 December 2021
...Figure 1 Mona Hatoum, Home , 1999. Wood, galvanized steel, stainless steel, electric wire, crocodile clips, light bulbs, computerized dimmer switch, amplifier, and speakers. 76.2 × 198.1 × 73.7 cm (table) Source: Guggenheim Bilbao Museoa. © FMGB Guggenheim Bilbao Museoa Photo: Erika Barahona...
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Journal Article

On the Name, Ideation, and Sexual Difference

Ranjana Khanna
differences (2016) 27 (2): 62–78.
DOI: https://doi.org/10.1215/10407391-3621709
Published: 01 September 2016
... on Algerian lighthouses to understand the technologies of borders and writing, and Mona Hatoum uses the epistolary in video art to show the letter that may not arrive. Walid Raad creates (artificial) archives of the names of those who died or disappeared in the war in Lebanon. Assia Djebar’s second film...
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Journal Article

Visions of Anatomy: Exhibitions and Dense Bodies

PETRA KUPPERS
differences (2004) 15 (3): 123–156.
DOI: https://doi.org/10.1215/10407391-15-3-123
Published: 01 December 2004
...- temporary art, see for instance nation: Renée van de Vall’s discussion of Decay is a consider- visual culture and the art of Mona able impediment...
View articletitled, Visions of Anatomy: Exhibitions and Dense Bodies View PDF for article titled, Visions of Anatomy: Exhibitions and Dense Bodies