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M. NourbeSe Philip

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Published: 01 September 2019
Figure 1 M. NourbeSe Philip, excerpt of “Sal” from Zong! (2008) Published by Wesleyan University Press and reprinted by permission More
Image
Published: 01 September 2019
Figure 2 M. NourbeSe Philip, excerpt of “Ventus” from Zong! (2008) Published by Wesleyan University Press and reprinted by permission More
Image
Published: 01 September 2019
Figure 3 M. NourbeSe Philip, excerpt of “Ratio” from Zong! (2008) Published by Wesleyan University Press and reprinted by permission More
Image
Published: 01 September 2019
Figure 4 M. NourbeSe Philip, excerpt of “Ratio” from Zong! (2008) Published by Wesleyan University Press and reprinted by permission More
Image
Published: 01 September 2019
Figure 5 M. NourbeSe Philip, excerpt of “Ferrum” from Zong! (2008) Published by Wesleyan University Press and reprinted by permission More
Image
Published: 01 September 2019
Figure 6 M. NourbeSe Philip, excerpt of “Ẹbọra” from Zong! (2008) Published by Wesleyan University Press and reprinted by permission More
Journal Article
differences (2019) 30 (2): 1–29.
Published: 01 September 2019
...Figure 1 M. NourbeSe Philip, excerpt of “Sal” from Zong! (2008) Published by Wesleyan University Press and reprinted by permission ...
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Journal Article
differences (2019) 30 (3): 92–117.
Published: 01 December 2019
..., female breath to a child’s breathing, made possible by the childbearer’s ability to breathe for two. The Caribbean Canadian poet M. NourbeSe Philip borrows the term “circular breathing” from jazz, where it labels a technique used by wind instrument players to produce a continuous tone, to designate...