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Luchino Visconti

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Published: 01 December 2017
Figures 1–3 Ossessione , Luchino-Visconti, 1942 More
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Published: 01 December 2017
Figure 4 Ossessione , Luchino-Visconti, 1942 More
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Published: 01 December 2017
Figure 5 Ossessione , Luchino-Visconti, 1942 More
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Published: 01 December 2017
Figure 6 Ossessione , Luchino-Visconti, 1942 More
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Published: 01 December 2017
Figures 1–3 Ossessione , Luchino-Visconti, 1942 More
Image
Published: 01 December 2017
Figures 1–3 Ossessione , Luchino-Visconti, 1942 More
Journal Article
differences (2017) 28 (3): 67–92.
Published: 01 December 2017
...Figures 1–3 Ossessione , Luchino-Visconti, 1942 ...
FIGURES | View All (15)
Journal Article
differences (2023) 34 (1): 283–293.
Published: 01 May 2023
... the cinemascopic” (48) remains, as formal operation, the cinematic’s very condition of possibility. In a final redoubling, I am reminded of the penultimate shot of Luchino Visconti’s Death in Venice , in which Tadzio—also a Classical figure of sorts, embodying an ideal youth and beauty—points toward a horizon...
FIGURES
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Published: 01 May 2023
Figure 3 The “horizon line separating sea from sky” Death in Venice , Luchino Visconti, 1971 More
Journal Article
differences (2019) 30 (3): 1–33.
Published: 01 December 2019
... in focus. This is so in Maylis de Kerangal’s short meditation of a book À ce stade de la nuit (2015) , where the narrator, hearing a radio report of three hundred migrants drowned off the coast of Lampedusa, is sent (by the island’s name) into a reverie that takes her back to scenes from Luchino...
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Journal Article
differences (2020) 31 (2): 30–57.
Published: 01 September 2020
... overdetermined by Benjamin Brit-ten’s opera based on Mann’s story, as well as by Luchino Visconti’s filmic adaptation of it. Visconti’s film even refigures Aschenbach as a composer resembling Gustav Mahler, who had been a partial influence on Mann’s Aschenbach and whose own Kindertotenlieder dealt with themes...