Interrogating the politics of memory in contemporary German and Austrian representations of the “German Autumn” and its conclusion in late 1977, marked by the murder/suicide of the Red Army Faction’s early leadership in the Stammheim prison in Stuttgart, this essay highlights the RAF’s early (nonviolent) actions against the German institution of the Kinderheim (“children’s home”), which for many decades until the late 1980s had committed atrocities against children. The author analyzes the work of Michael Haneke, Elfriede Jelinek, Christian Petzold, and Gerhard Richter to understand the complicated entanglements of successive generations in the German postwar period. Still today, these entanglements continue to be haunted by postwar generations’ relationships to the so-called “Auschwitz generation,” feeding a highly complex and explosive German historical memory.

Baader-Meinhof, Kinderheim, “Auschwitz generation”, postwar Germany, historical memory, aesthetics, state violence
© 2018 by Brown University and differences : A Journal of Feminist Cultural Studies
2018
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