In “But She’s a Thinker,” Pamela Katz discusses the process by which she and director Margarethe von Trotta chose the Eichmann years as the frame for their dramatic film about Hannah Arendt. After years of research and a great deal of thought, they believed this was the best way to portray a woman whose life was defined and derailed by exile.
© 2015 by Brown University and differences : A Journal of Feminist Cultural Studies
2015
You do not currently have access to this content.