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Image
Published: 01 March 2015
Figure 6 Women in the fields of Khouzaa, east of Khan Younis, where they work under the fire of Israeli snipers. Many peasants have been injured or killed working their land. During Operation Protective Edge (summer 2014), this entire area was obliterated by Israeli tanks, and tens of civilians
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Image
Published: 01 March 2021
Figure 2 Scientist during work with scanning electron microscope. commons.wikimedia.org/wiki/File:Scientist_during_work_with_Scanning_Electron_Microscope.jpg (accessed October 25, 2020).
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Image
Published: 01 July 2008
Figure 6 Digital still from “simulator/realtime” video work by Gair Dunlop. Footage made in the simulator was paired with its nonvirtual equivalent and projected in a cinematic space.
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Journal Article
Cultural Politics (2019) 15 (2): 162–183.
Published: 01 July 2019
...Eric Drott This article interrogates music’s role in the work of social reproduction by bringing into dialogue two seemingly antithetical approaches to thinking music’s relation to the social. One is historical materialism; the other is work informed by the “practice turn” in music sociology...
Journal Article
Cultural Politics (2020) 16 (3): 322–339.
Published: 01 November 2020
... talking about the Armenian genocide or taking the Kurdish side in criticizing Turkish nationality, the situation is easier. In my case, my works are not related to politics directly. But outside of Iran, I was faced with a new question relating to the Western expectation that Iranian artists create...
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Image
Published: 01 November 2014
Figure 1 Mira Schor, The work has to be … , 2013. Oil on linen, 18 × 30 in.
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Journal Article
Cultural Politics (2009) 5 (3): 359–384.
Published: 01 November 2009
...Tania Roy This paper examines the installation work of Vivan Sundaram, one of India's foremost contemporary artists, as an aesthetic response to the rapid political and cultural transformations that marked the 1990s. At this time, Sundaram turned definitively from an established body of figurative...
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Image
Published: 01 November 2024
Figure 12 Design of work assembly for room, modeling, and lighting, 2023. Photograph by Víctor Mazón Gardoqui.
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Journal Article
Cultural Politics (2009) 5 (2): 237–264.
Published: 01 July 2009
... as “institution-building work with global scope that can come from localities and networks of localities with limited resources and from informal social actors” (2006: 375). It makes sense to think about “the political” today by way of browsing this transdisciplinary, transcultural archive as bricoleurs rather...
Image
Published: 01 July 2017
Figure 5 Mannahatta VR (work in progress), November 2016, screenshot of virtual reality experience in the HTC Vive headset. This is a virtual reality experience created with Highway 101, ETC, to bring together the past and present of one block of Broadway, developed through consultation
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Image
Published: 01 November 2016
Figure 1 Unknown Fields at work in the London Sculpture Workshop. The mud taken from a radioactive tailings lake in Inner Mongolia contains a cocktail of acids, heavy metals, carcinogens, and radioactive material.
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Image
in Following the Fish: An Exhibition, a Collection of Conversations, a Call to Action
> Cultural Politics
Published: 01 March 2024
Figure 5 Architecture students’ work, the results that have emerged from the encounter between them and the Top Manta community. Courtesy of Flavio Coddou / IRL.
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Journal Article
Cultural Politics (2020) 16 (2): 192–213.
Published: 01 July 2020
... of dematerialized existence in the work of the artist Christopher Kulendran Thomas. Mapping the dematerialization of the art object onto the dematerializations of cloud computing and minimalist lifestyles, this article addresses two ongoing series: When Platitudes Become Form (2012–) and New Eelam (2016–). First...
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in When Attitudes Become Platitudes, Live in the Cloud: Dematerialization in the Work of Christopher Kulendran Thomas
> Cultural Politics
Published: 01 July 2020
Figure 4 Christopher Kulendran Thomas, from the ongoing work New Eelam , 2016, in collaboration with Annika Kuhlmann. Courtesy the artist. Photograph by Laura Fiorio.
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Journal Article
Cultural Politics (2012) 8 (2): 345–357.
Published: 01 July 2012
...Nicholas Gamso This essay considers the political efficacy of hip-hop, as genre and as lifestyle, three decades after it emerged from the South Bronx and as its artists and cultural critics variously mourn, endure, and embrace its institutionalization. I look at three recent critical works on hip...
Journal Article
Cultural Politics (2014) 10 (3): 300–319.
Published: 01 November 2014
...Anna-Verena Nosthoff This essay explores the works of German artist Gustav Metzger as a potential response to Theodor W. Adorno’s dictum “Nach Auschwitz ein Gedicht zu schreiben, ist barbarisch” (“To write poetry after Auschwitz is barbaric”). It argues that culture, as understood in the Adornian...
FIGURES
Journal Article
Cultural Politics (2011) 7 (3): 465–476.
Published: 01 November 2011
...Mark Featherstone In this review essay I explore three of Baudrillard's late works, Why Hasn't everything Already disappeared?, The Agony of Power , and Carnival and Cannibal , and explain how they represent his final word on the notion of integral reality and the intelligence of evil. Expanding...
Journal Article
Cultural Politics (2022) 18 (3): 418–429.
Published: 01 November 2022
... reading, another text, another horizon, another future . . . We would like to thank Tania Roy for her lively sharing of ideas, insightful comments, and generous help in realizing this work. 1. The Substation was Singapore's first independent contemporary arts center. Located...
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Image
in Following the Fish: An Exhibition, a Collection of Conversations, a Call to Action
> Cultural Politics
Published: 01 March 2024
Figure 18 Yellow box unloaded on a dock in Venice; all the students’ works, exhibition blankets, ropes, spring hooks, and pulleys were contained in the yellow box. Courtesy of Leve.
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