Skip Nav Destination
Close Modal
Search Results for
wall art
Update search
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-20 of 118 Search Results for
wall art
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
1
Journal Article
Cultural Politics (2013) 9 (2): 158–169.
Published: 01 July 2013
... sublime Five Car Stud Perhaps nowhere in the mass of texts devoted to art and aesthetics bequeathed to us by Jean-François Lyotard are the complexities of writing about specific works of art more explicitly and imaginatively addressed than in a short text titled Pacific Wall ( Le mur du pacifique...
Journal Article
Cultural Politics (2018) 14 (1): 20–39.
Published: 01 March 2018
... emerge as a peaceful, open, and postnational community, fortress Europe increasingly relies on a process of (re)walling, evoking the legacy of the camp and redrawing colonial boundaries. Europe’s borders serve as expressions of “necropower” and contemporary biopolitical attempts at subjugating...
Journal Article
Cultural Politics (2008) 4 (2): 155–160.
Published: 01 July 2008
... to the enduring virtual structure became a paradoxical locus for nostalgia. The engineers, guards, and ground personnel are left with more prosaic forms of memory and mark-leaving. The wall art and graffiti became all that remains on site of a multibillion-pound aircraft programme. Figure 7 41 Squadron...
FIGURES
| View All (7)
Image
Published: 01 November 2013
Figure 4 Dragonfish , a painted wall mural by Indian artist Anpu Varkey, becomes a marker of India's absorption of contemporary, non-Indian art forms. It has a considered placement on the sea-facing wall of the eighteenth-century dockside store Pepper House, making the ancient fish motif
More
Image
Published: 01 November 2013
Figure 5 This hand-painted statement, artist unknown, on the exterior of a local wall in Fort Kochi was surrounded by several commissioned street art projects and acted as a potent device when you consider what the Kochi-Muziris Biennale's legacy might be for local artists. During the festival
More
Image
Published: 01 March 2016
Figure 6 Creeping Ornamentalism , 2012, detail, installation shot. Visual Arts Center of New Jersey, Summit, NJ, September–December 2012. Wall 1: Industry , 2012. Hand-painted acrylic on paper collage, mounted on foam board. 95 × 171 in. Left and right panels: the Koch brothers; center panel
More
Journal Article
Cultural Politics (2013) 9 (3): 296–312.
Published: 01 November 2013
...Figure 4 Dragonfish , a painted wall mural by Indian artist Anpu Varkey, becomes a marker of India's absorption of contemporary, non-Indian art forms. It has a considered placement on the sea-facing wall of the eighteenth-century dockside store Pepper House, making the ancient fish motif...
FIGURES
| View All (14)
Journal Article
Cultural Politics (2012) 8 (1): 61–72.
Published: 01 March 2012
... of the acceleration we've been speaking about. If proof be needed, we have it in the concrete of all the walls built after the Maginot Line or the Siegfried Line, which were the very basis for World War II. Walls fifteen hundred kilometers long are being built on the US-Mexico border, built around Israel...
Journal Article
Cultural Politics (2016) 12 (3): 310–331.
Published: 01 November 2016
...Shannon Mattern For millennia, mud and its geologic analogues have bound together our media, urban, architectural, and environmental histories. Some of the first writing surfaces, clay and stone, were the same materials used to construct ancient city walls and buildings, whose facades also...
Journal Article
Cultural Politics (2020) 16 (2): 192–213.
Published: 01 July 2020
... is incorporated into New Eelam : either as self-referencing gimmick or as the gesture that indicates a way out. The Platitudes art that hangs on the walls of this “postcapitalist startup” ( Lind 2016 ) distracts us away from that strange mesh, the absence of shelter, the propaganda that would be wall-to-wall...
FIGURES
| View All (4)
Journal Article
Cultural Politics (2011) 7 (1): 79–102.
Published: 01 March 2011
...John Beck The defensive systems of fortified bunkers built during the twentieth century have become, especially since the end of the Cold War, objects of troubled fascination for artists, architects, and archaeologists. Images of bunkers proliferate in contemporary art and photography...
Journal Article
Cultural Politics (2019) 15 (2): 223–243.
Published: 01 July 2019
...Uroš Čvoro; Chrisoula Lionis This article examines the use of humor in contemporary art from two nations understood as “peripheral” states within Europe: Greece and Bosnia and Herzegovina (BiH). Focusing on the concepts of “locality” and “visibility,” this article makes clear the way artists from...
FIGURES
| View All (4)
Journal Article
Cultural Politics (2016) 12 (2): 155–172.
Published: 01 July 2016
... it might risk narrowing the scope of the arts. A controversial, and probably extreme, work that could be used to illustrate the tension is Richard Serra’s Titled Arc (1979), a gigantic steel wall blocking and bisecting the plaza in front of the Jacob K. Javits Federal Building in New York City...
FIGURES
| View All (7)
Journal Article
Cultural Politics (2010) 6 (1): 85–92.
Published: 01 March 2010
... the opposition and swarm its walls. And there is the awful taste of complicity in acknowledging that it will be thrown away, and of trying to game that : at the website Actortips.com you can order special envelopes with a glassine window, to ensure that casting agents will see your face even as they're...
FIGURES
| View All (5)
Image
Published: 01 November 2013
Figure 6 LOOKHERE , charcoal wall portraits of local Keralans by Australian artist Daniel Connell on the exterior of a local tea shop. During the Kochi-Muziris Biennale, the artwork was defaced by burnt coconut husks, an attack that was accorded some significance as a particularly localized
More
Journal Article
Cultural Politics (2016) 12 (1): 98–109.
Published: 01 March 2016
...Figure 6 Creeping Ornamentalism , 2012, detail, installation shot. Visual Arts Center of New Jersey, Summit, NJ, September–December 2012. Wall 1: Industry , 2012. Hand-painted acrylic on paper collage, mounted on foam board. 95 × 171 in. Left and right panels: the Koch brothers; center panel...
FIGURES
| View All (10)
Journal Article
Cultural Politics (2013) 9 (2): 107–116.
Published: 01 July 2013
... Stud offers an alternative to the work on the sublime as a model for writing and thinking about art. We return in this text to the themes of the “foundations” or “limits” of thought, considered now in terms of the limits of Western knowledge (pressed up against the “Pacific wall”). Lyotard uses...
Journal Article
Cultural Politics (2018) 14 (1): 40–50.
Published: 01 March 2018
...Beverly Fishman © 2018 Duke University Press 2018 My art examines the relationship between color, form, and human identity while synthesizing subjective and mechanical processes. Throughout my career, I have been interested in exploring abstraction and juxtaposing formal and material...
FIGURES
| View All (6)
Journal Article
Cultural Politics (2022) 18 (3): 407–417.
Published: 01 November 2022
... (Breton 1996a ). The waiting room where the writer was seated awaiting the opening of the double door leading to the consulting room and the arrival of the professor contained armchairs of different styles. Allegorical prints, diplomas, and photographs hung from the walls—decoration that was as humdrum...
FIGURES
Journal Article
Cultural Politics (2013) 9 (2): 212–218.
Published: 01 July 2013
...Jean-François Lyotard In this interview, originally given in 1988, Jean-François Lyotard discusses his then recently published book, Que Peindre? Adami, Arakawa, Buren ( What to Paint?: Adami, Arakawa, Buren ), situating it in the context of his broader interest in art and in terms of his...
1
