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village

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Journal Article
Cultural Politics (2006) 2 (1): 29–48.
Published: 01 March 2006
...Nick Cullather In the 1950s and 1960s, the term village served as a cardinal construct in modernization theory and counterinsurgency doctrine, signifying local resistance to the global power of the United States. Nation builders devised two strategies – community development and strategic hamlets...
Journal Article
Cultural Politics (2010) 6 (3): 320–329.
Published: 01 November 2010
... “Footpath, Olympic Village.” 2006–2009. Light jet C-print 24½ × 64½ inches. Courtesy of Catriona Jeffries Gallery, Vancouver, BC. Figure 8. “Footpath, Olympic Village.” 2006–2009. Light jet C-print 24½ × 64½ inches. Courtesy of Catriona Jeffries Gallery, Vancouver, BC. The individual underclass...
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Journal Article
Cultural Politics (2010) 6 (3): 357–382.
Published: 01 November 2010
...-bedouin villages is a contested issue, enacting multiple and contradictory realities. The tents and shacks of el-Shams, for instance, have been demolished nearly ten times in one year by the Israeli police, but each time they have been reconstructed with the help of human rights activists. Surprisingly...
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Published: 01 November 2010
Figure 5 “Squatters Tent, Olympic Village” (detail). 2007–2009. Light jet photo C-print. 48 × 60 inches. Courtesy of Catriona Jeffries Gallery, Vancouver, BC. Figure 5. “Squatters Tent, Olympic Village” (detail). 2007–2009. Light jet photo C-print. 48 × 60 inches. Courtesy of Catriona Jeffries More
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Published: 01 November 2010
Figure 8 “Footpath, Olympic Village.” 2006–2009. Light jet C-print 24½ × 64½ inches. Courtesy of Catriona Jeffries Gallery, Vancouver, BC. Figure 8. “Footpath, Olympic Village.” 2006–2009. Light jet C-print 24½ × 64½ inches. Courtesy of Catriona Jeffries Gallery, Vancouver, BC. More
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Published: 01 November 2010
Figure 4 An emergency tent at the demolished ghost village of el-Shams. February 6, 2007 (Photograph: A. Koensler). Figure 4. An emergency tent at the demolished ghost village of el-Shams. February 6, 2007 (Photograph: A. Koensler). More
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Published: 01 July 2011
Ngar Ball Traditional Masquerade Dance, Eshinjok Village, Nigeria 2004. Courtesy of Phyllis Galembo/ Steven Kasher Gallery, New York Ngar Ball Traditional Masquerade Dance, Eshinjok Village, Nigeria 2004. Courtesy of Phyllis Galembo/ Steven Kasher Gallery, New York More
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Published: 01 July 2011
Agot Masquerade, Etikpe Village, Nigeria 2004. Courtesy of Phyllis Galembo/Steven Kasher Gallery, New York. Agot Masquerade, Etikpe Village, Nigeria 2004. Courtesy of Phyllis Galembo/Steven Kasher Gallery, New York. More
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Published: 01 March 2013
Figure 7   Village elementary schools and the so-called substitute teachers, who have no official qualification and receive meager payment, were once the pillars of the basic education in rural areas. In the 1990s, there were more than 3 million rural substitute teachers. However, toward the end More
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Published: 01 March 2009
Studio of Nancy Spero and Leon Golub, Greenwich Village, New York, 2007, with mock-up for Spero’s Maypole/Take No Prisoners , courtesy of Galerie Lelong, New York, and Golub’s Gigantomachy II (1965), courtesy of Ronald Feldman Fine Arts. Photograph by Samm Kunce. Studio of Nancy Spero and Leon More
Journal Article
Cultural Politics (2016) 12 (1): 110–129.
Published: 01 March 2016
...-in-hand with paradoxical luxuries facilitated by fatalist attitudes, points to what such an anthropology of luxury might look like. In a village near Lucknow, women embroider luxury pieces for fashion ramps and celebrities, while being fed meritocratic dreams of individual progress and success by fashion...
Journal Article
Cultural Politics (2013) 9 (1): 42–52.
Published: 01 March 2013
...Figure 7   Village elementary schools and the so-called substitute teachers, who have no official qualification and receive meager payment, were once the pillars of the basic education in rural areas. In the 1990s, there were more than 3 million rural substitute teachers. However, toward the end...
FIGURES | View All (10)
Journal Article
Cultural Politics (2011) 7 (2): 239–248.
Published: 01 July 2011
...Ngar Ball Traditional Masquerade Dance, Eshinjok Village, Nigeria 2004. Courtesy of Phyllis Galembo/ Steven Kasher Gallery, New York Ngar Ball Traditional Masquerade Dance, Eshinjok Village, Nigeria 2004. Courtesy of Phyllis Galembo/ Steven Kasher Gallery, New York ...
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Published: 01 March 2013
with friends to sing along with a music video using a microphone for entertainment purpose). The often unappealing planning and architecture of county seats does not stop villagers from migrating to them in search of a better life. (Photo: Hunan Province) Figure 2 . County seats are the closest and most More
Journal Article
Cultural Politics (2022) 18 (1): 12–27.
Published: 01 March 2022
... opened.” The women were recruited as a group, and their work consisted of regular field visits to the various villages in which the NGO operated, besides participating in outreach activities like theatrical performances to raise awareness around women's oppression and rights. Their financial situation...
Journal Article
Cultural Politics (2006) 2 (1): 5–28.
Published: 01 March 2006
... and repairmen (and the occasional poet). It's telling that imageries of The Village cluster about cyberspace. The information superhighway may be only the latest infrastructure of urban abandonment. So what can the politics of The City be in the early twenty-first century, when states, communities...
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Published: 01 March 2013
gatherings. In the late 1950s, however, traditional rural lifestyles and cultures began to be suppressed in the name of Communist ideology. During the “Smash the Four Olds” campaign (1966), the government banned traditional forms of entertainment, but since the 1980s villagers all over China have taken More
Journal Article
Cultural Politics (2009) 5 (1): 118–132.
Published: 01 March 2009
...Studio of Nancy Spero and Leon Golub, Greenwich Village, New York, 2007, with mock-up for Spero’s Maypole/Take No Prisoners , courtesy of Galerie Lelong, New York, and Golub’s Gigantomachy II (1965), courtesy of Ronald Feldman Fine Arts. Photograph by Samm Kunce. Studio of Nancy Spero and Leon...
FIGURES | View All (8)
Journal Article
Cultural Politics (2016) 12 (3): 310–331.
Published: 01 November 2016
... (and continue to this day) to use the ancient medium of the khipu , or knot-cord, to monitor taxes and military operations and to track census records, genealogies, and agricultural calendars, and many villages developed vibrant (and remarkably exhaustive) local cultures of handwritten record-keeping. 12...
Journal Article
Cultural Politics (2015) 11 (1): 70–88.
Published: 01 March 2015
... but is not definitive. Even this script, for example, contained multiple versions of the My Lai sequence, the single most important scene in the play. On March 16, 1968, American soldiers attacked the South Vietnamese village of My Lai, killing anywhere between 350 to 500 unarmed residents, all of them noncombatants...