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Journal Article
The View from the Border Crossing
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Cultural Politics (2020) 16 (1): 132–134.
Published: 01 March 2020
... neighbors remain overshadowed by this history. As these relationships are challenged by the PRC’s growing economic and political power, the Chinese periphery has become an excellent location from which to observe the past’s continued influence on the present. But the view from the margins also decenters...
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Published: 01 July 2023
Figure 3 Installation view of Wang Da Hong's signature moon gate and reproduction of NASA propaganda posters in the Asia-Pacific.
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Published: 01 July 2023
Figure 9 Installation view of artworks from the Punto International Art Movement.
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Published: 01 July 2024
Figure 1 Exhibition view of section 2 (“The Salon as Academy”) of “Je suis inculte!” Photograph by Walid Rashid. Courtesy of Sursock Museum.
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Published: 01 July 2024
Figure 10 Exhibition view of section 5 (“The Salon in Protracted Crisis”) of “Je suis inculte!” Photograph by Walid Rashid. Courtesy of Sursock Museum.
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Published: 01 March 2018
Figure 4 Beverly Fishman: In Sickness and in Health , installation view, 2015–16. Chrysler Museum of Art
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Published: 01 March 2010
David Levine: HOPEFUL , installation view. Photograph: Claire Laude, Galerie Feinkost, Berlin.
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“window View, Main Street (detail)”. 2009. Light jet photo C-print. 70 × 90...
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in Beyond the Narcissistic City: Urban Nomadic Homelessness in Vancouver's Olympic Village Site
> Cultural Politics
Published: 01 November 2010
Figure 3 “window View, Main Street (detail)”. 2009. Light jet photo C-print. 70 × 90 inches. Courtesy of Catriona Jeffries Gallery, Vancouver, BC.
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Published: 01 July 2016
Figure 1 Installation view of Protest Crowd , Peer, London, November 2015. Image shows Protest Crowd, Occupy, New York, USA . Japanese ink on linen, 290 × 190 cm, 2015. Image courtesy Stephen White and Peer UK
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Published: 01 July 2016
Figure 8 Installation view of Protest Crowd , Peer, London, November 2015. Image shows Protest Crowd, Kiev, Ukraine . Japanese ink on linen, 190 × 130 cm, 2015. Image courtesy Stephen White and Peer UK
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Journal Article
The “Politics of the Faceless”: Proliferated Drone's-Eye Views of Forced Migration
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Cultural Politics (2024) 20 (1): 112–135.
Published: 01 March 2024
...Beryl Pong Abstract While practices of visibility, visuality, and visualization have long impacted migration, recently the drone's-eye view has become part of the iconology and iconography of mobility. With the European “migration crisis” of 2015, varieties of drones were used by states...
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View articletitled, The “Politics of the Faceless”: Proliferated Drone's-Eye <span class="search-highlight">Views</span> of Forced Migration
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for article titled, The “Politics of the Faceless”: Proliferated Drone's-Eye <span class="search-highlight">Views</span> of Forced Migration
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Screenshots from a suicide show. Front and back views expose the illusory n...
Available to PurchasePublished: 01 July 2020
Figures 2 and 3 Screenshots from a suicide show. Front and back views expose the illusory nature of the consumer dream as wage protestors dangle from the signage at a large provincial shopping mall.
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Screenshots from a suicide show. Front and back views expose the illusory n...
Available to PurchasePublished: 01 July 2020
Figures 2 and 3 Screenshots from a suicide show. Front and back views expose the illusory nature of the consumer dream as wage protestors dangle from the signage at a large provincial shopping mall.
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Published: 01 July 2015
Figures 4–6 Installation views, The Enclave , 2012–13. 16 mm infrared film transferred to HD video. 39 minutes, 25 seconds. Produced in eastern Democratic Republic of Congo. Director and producer, Richard Mosse; cinematographer and editor, Trevor Tweeten; composer and sound designer, Ben Frost
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Published: 01 March 2023
Figure 1 Janet Laurence, Birdsong (2006). Assembly of taxidermy bird specimens, suspended acrylic ring. Installation view, Object Gallery, Sydney. Photograph by Keith Saunders.
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Daniel Cid, drawing of Freud's consulting room in Vienna, inspired by Engel...
Available to PurchasePublished: 01 November 2022
Figure 1 Daniel Cid, drawing of Freud's consulting room in Vienna, inspired by Engelman's photograph taken in 1938. View of the consulting room as you enter from the waiting room.
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in When Attitudes Become Platitudes, Live in the Cloud: Dematerialization in the Work of Christopher Kulendran Thomas
> Cultural Politics
Published: 01 July 2020
Figure 3 Christopher Kulendran Thomas, New Eelam , 2018, in collaboration with Annika Kuhlmann; installation view: “I Was Raised on the Internet,” Museum of Contemporary Art, Chicago. Courtesy the artist.
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