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Journal Article
Cultural Politics (2020) 16 (1): 132–134.
Published: 01 March 2020
.... As these relationships are challenged by the PRC’s growing economic and political power, the Chinese periphery has become an excellent location from which to observe the past’s continued influence on the present. But the view from the margins also decenters the national narrative promulgated by both state and party...
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Published: 01 March 2010
David Levine: HOPEFUL , installation view. Photograph: Claire Laude, Galerie Feinkost, Berlin.
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in Beyond the Narcissistic City: Urban Nomadic Homelessness in Vancouver's Olympic Village Site
> Cultural Politics
Published: 01 November 2010
Figure 3 “window View, Main Street (detail)”. 2009. Light jet photo C-print. 70 × 90 inches. Courtesy of Catriona Jeffries Gallery, Vancouver, BC.
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Published: 01 July 2016
Figure 1 Installation view of Protest Crowd , Peer, London, November 2015. Image shows Protest Crowd, Occupy, New York, USA . Japanese ink on linen, 290 × 190 cm, 2015. Image courtesy Stephen White and Peer UK
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Published: 01 July 2016
Figure 8 Installation view of Protest Crowd , Peer, London, November 2015. Image shows Protest Crowd, Kiev, Ukraine . Japanese ink on linen, 190 × 130 cm, 2015. Image courtesy Stephen White and Peer UK
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Published: 01 March 2018
Figure 4 Beverly Fishman: In Sickness and in Health , installation view, 2015–16. Chrysler Museum of Art
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Published: 01 July 2015
Figures 4–6 Installation views, The Enclave , 2012–13. 16 mm infrared film transferred to HD video. 39 minutes, 25 seconds. Produced in eastern Democratic Republic of Congo. Director and producer, Richard Mosse; cinematographer and editor, Trevor Tweeten; composer and sound designer, Ben Frost
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Published: 01 July 2020
Figures 2 and 3 Screenshots from a suicide show. Front and back views expose the illusory nature of the consumer dream as wage protestors dangle from the signage at a large provincial shopping mall.
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Published: 01 July 2020
Figures 2 and 3 Screenshots from a suicide show. Front and back views expose the illusory nature of the consumer dream as wage protestors dangle from the signage at a large provincial shopping mall.
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Published: 01 March 2023
Figure 1 Janet Laurence, Birdsong (2006). Assembly of taxidermy bird specimens, suspended acrylic ring. Installation view, Object Gallery, Sydney. Photograph by Keith Saunders.
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in When Attitudes Become Platitudes, Live in the Cloud: Dematerialization in the Work of Christopher Kulendran Thomas
> Cultural Politics
Published: 01 July 2020
Figure 3 Christopher Kulendran Thomas, New Eelam , 2018, in collaboration with Annika Kuhlmann; installation view: “I Was Raised on the Internet,” Museum of Contemporary Art, Chicago. Courtesy the artist.
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Published: 01 November 2022
Figure 1 Daniel Cid, drawing of Freud's consulting room in Vienna, inspired by Engelman's photograph taken in 1938. View of the consulting room as you enter from the waiting room.
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in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 1 Surati (2019), detail. Natural rubber, 250 × 150 cm / 210 × 100 cm. Exhibition view, Dhaka Art Summit, Dhaka, 2020. Photo by Randhir Singh.
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in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 2 Mei (2019). Natural rubber and food coloring, 240 × 60 cm each. Exhibition view at the solo show Clara and Other Specimens , Salzburg Stadgalerie, Salzburg, 2021.
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Journal Article
Cultural Politics (2006) 2 (3): 281–298.
Published: 01 November 2006
...Tom Rockmore The aim of this article is threefold. To begin with, I sketch in outline form some main aspects of Hegel’s theory of history. Second, I will consider in some detail its relation to theology, which is an important theme for his position in general, including his view of history. Finally...
Journal Article
Cultural Politics (2010) 6 (1): 23–46.
Published: 01 March 2010
...Maja Suderland The following reflections on aspects and dimensions of social life in national Socialist concentration camps take their point of departure from the widely held view that, because the concentration camp represents an unprecedentedly extreme case of a relationship of subordination...
Journal Article
Cultural Politics (2013) 9 (3): 313–322.
Published: 01 November 2013
...Christine Berberich; Neil Campbell; Robert Hudson This essay examines, in Ben Highmore's words, the implications of “a materialist turn towards the immaterial, towards affect, towards thinglyness, the senses” and how this might be determined by “the social world that produced them.” In viewing...
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in When Attitudes Become Platitudes, Live in the Cloud: Dematerialization in the Work of Christopher Kulendran Thomas
> Cultural Politics
Published: 01 July 2020
Figure 1 Christopher Kulendran Thomas, New Eelam , 2017, in collaboration with Annika Kuhlmann; installation view: “New Eelam: Tensta,” Tensta Konsthall, Stockholm. Courtesy the artist. Photograph by Jean-Baptiste Beranger.
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in When Attitudes Become Platitudes, Live in the Cloud: Dematerialization in the Work of Christopher Kulendran Thomas
> Cultural Politics
Published: 01 July 2020
Figure 2 Christopher Kulendran Thomas, New Eelam , 2017, in collaboration with Annika Kuhlmann; installation view: “New Eelam: Tensta,” Tensta Konsthall, Stockholm. Courtesy the artist. Photograph by Jean-Baptiste Beranger.
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