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Published: 01 November 2016
Figure 1 Unknown Fields at work in the London Sculpture Workshop. The mud taken from a radioactive tailings lake in Inner Mongolia contains a cocktail of acids, heavy metals, carcinogens, and radioactive material. More
Image
Published: 01 November 2013
Figure 2   A painted wall mural, artist unknown, on the exterior of a local wall becomes the visible sign of a recent unbroken history of democratically elected communism in Kerala since 1957. Politics can still be seen manifested in the faded hammer-and-sickle murals of Fort Kochi, now covered More
Image
Published: 01 November 2013
Figure 5   This hand-painted statement, artist unknown, on the exterior of a local wall in Fort Kochi was surrounded by several commissioned street art projects and acted as a potent device when you consider what the Kochi-Muziris Biennale's legacy might be for local artists. During the festival More
Journal Article
Cultural Politics (2016) 12 (3): 376–379.
Published: 01 November 2016
...Figure 1 Unknown Fields at work in the London Sculpture Workshop. The mud taken from a radioactive tailings lake in Inner Mongolia contains a cocktail of acids, heavy metals, carcinogens, and radioactive material. ...
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Journal Article
Cultural Politics (2020) 16 (1): 92–110.
Published: 01 March 2020
... of slave ships in the eighteenth century, and the Black-Scholes model of option pricing from the twentieth century. Maritime insurance rendered the unknown space of the ocean knowable and therefore profitable. By collecting information at Lloyds, merchants developed a map of threat within the Atlantic...
Journal Article
Cultural Politics (2023) 19 (1): 18–38.
Published: 01 March 2023
...Astrida Neimanis Abstract How can we cultivate an underground multispecies justice with beings whose lifeworlds are unknown and unknowable? This article examines this question through a consideration of stygofauna: miniscule deep-time creatures who make their home in the watery seams of the earth...
Image
Published: 01 November 2016
Figure 4 Baotou, China, 2014: film still from Rare Earthenware (2014) showing Unknown Fields collecting radioactive mud from the tailings lake at the outflow of Baogang Iron and Steel Corporation. The mud was used to craft the set of three ceramic vessels. More
Image
Published: 01 March 2020
Figure 4 Mierle Laderman Ukeles, Touch Sanitation Performance , July 24, 1979–June 26, 1980. Citywide performance with eighty-five hundred sanitation workers across all fifty-nine New York City Sanitation districts. Landfill (location and date unknown). Photograph by Deborah Freedman. © Mierle More
Journal Article
Cultural Politics (2020) 16 (1): 123–131.
Published: 01 March 2020
..., and among different cultures and peoples. The outer zone, the sacred, a vaster and unseen reality, the future yet to be witnessed, a leap into the unknown, and the moment when we lose self-identity are among his references. The study of these outside zones or sacred moments has always been central...
Journal Article
Cultural Politics (2016) 12 (3): 279–292.
Published: 01 November 2016
... of electronic culture, whether the gold extracted from devices or mineral dust, also has a spatial logic as a vector of movement that entangles with the lives of miners, mining corporations, border procedures, maps, and memories. The second visual essay and contribution comes from Unknown Fields (Kate...
FIGURES
Journal Article
Cultural Politics (2015) 11 (2): 234–245.
Published: 01 July 2015
... on which the interweaving of perception and conflict can be played out. Nevertheless, this inclusion of the robot-citizen within the city is problematic. While apparently conferring on RoboCop/Murphy the status of citizenship, it nevertheless leaves him in some sense concealed, akin to the unknown...
Journal Article
Cultural Politics (2012) 8 (1): 61–72.
Published: 01 March 2012
... history is going to take place. On a coastline, we stand on the edge of the world, which is just where I wanted to spend my last days, at the ocean's edge. SG: We have great unknowns in the present, protecting themselves by the anonymity of their pseudonyms. They are present in their absence...
Journal Article
Cultural Politics (2010) 6 (3): 287–302.
Published: 01 November 2010
...” ( Canetti 1981: 290 ). Using the analogy of animals lying in wait for prey, Canetti describes a process of incorporation that “begins with the active and deliberate secrecy of lying in wait and ends as something unknown and involuntary in the secret recesses of the body. Only the intervening moment...
Journal Article
Cultural Politics (2019) 15 (2): 121–135.
Published: 01 July 2019
... . Virilio Paul . 2003a . Art and Fear . London : Continuum . Virilio Paul . 2003b . Unknown Quantity . London : Thames and Hudson . Virilio Paul . 2005a . City of Panic . Oxford : Berg . Virilio Paul . 2005b . “ Democracy of Emotion .” Cultural Politics 1...
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Journal Article
Cultural Politics (2020) 16 (1): 14–23.
Published: 01 March 2020
...Figure 4 Mierle Laderman Ukeles, Touch Sanitation Performance , July 24, 1979–June 26, 1980. Citywide performance with eighty-five hundred sanitation workers across all fifty-nine New York City Sanitation districts. Landfill (location and date unknown). Photograph by Deborah Freedman. © Mierle...
FIGURES | View All (5)
Journal Article
Cultural Politics (2015) 11 (2): 246–259.
Published: 01 July 2015
... . Translated by Turner Chris . London : Verso . Virilio Paul . 2002 . Unknown Quantity . London : Thames and Hudson . Virilio Paul . 2005 . Negative Horizon: An Essay in Dromoscopy . Translated by Degener Michael . London : Continuum . Virilio Paul . 2009...
Journal Article
Cultural Politics (2013) 9 (3): 296–312.
Published: 01 November 2013
...Figure 2   A painted wall mural, artist unknown, on the exterior of a local wall becomes the visible sign of a recent unbroken history of democratically elected communism in Kerala since 1957. Politics can still be seen manifested in the faded hammer-and-sickle murals of Fort Kochi, now covered...
FIGURES | View All (14)
Journal Article
Cultural Politics (2014) 10 (3): 404–414.
Published: 01 November 2014
... of producing something for future generations. This accumulation of knowledge and resources over time presupposes and constructs a continuity between past, present, and future through which the future, while unknown, can be anticipated as emerging from past efforts. What industrial modernity has delivered...
Journal Article
Cultural Politics (2007) 3 (3): 381–392.
Published: 01 November 2007
... Is In the Streets, ” 2005. Screenprint. 24 × 18 inches. Installed at the Brooklyn Academy of Music, Fall 2005. As an artist, the task for me then becomes one of using the generic to get at the specific, the personal or the unknown. For the past twenty years, my art practice has circulated between three...
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Journal Article
Cultural Politics (2014) 10 (2): 194–205.
Published: 01 July 2014
..., is an entirely different medium from that which we know” ( 1986 : 85). In these places, “most programs have as their purpose the direct furtherance of government ideology and policy,” “commercials are unknown, and ‘talking heads’ are the principal image,” and “television is mostly used as if it were radio” (85...