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time-image

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Journal Article
Cultural Politics (2011) 7 (2): 165–188.
Published: 01 July 2011
.... Following this discussion at the level of the narrative, we discuss the film in the context of what Deleuze conceptualized as “time-images.” Our point here is that with the The Hurt Locker we are within “the cinema of the seer,” within a nihilistic portrayal of nihilism from inside, on the basis of highly...
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Journal Article
Cultural Politics (2014) 10 (3): 333–353.
Published: 01 November 2014
... Texts (1953–1974) , 35 – 42 . New York : Semiotext(e) . Deleuze Gilles . 2005a . Cinema 1: The Movement-Image . Translated by Tomlinson Hugh Habberjam Barbera . New York : Continuum . Deleuze Gilles . 2005b . Cinema 2: The Time-Image . Translated by Tomlinson...
Journal Article
Cultural Politics (2014) 10 (3): 404–414.
Published: 01 November 2014
... the team that, as possibly “the only token of Earth the universe would have,” it was best not to send “the worst in us … across the galaxy” (76). At the same time, a desire to avoid charges of ideological bias meant that any visible sign of violence, such as an image of Hiroshima or My Lai, or even...
Journal Article
Cultural Politics (2015) 11 (2): 210–221.
Published: 01 July 2015
... the future. On the horizon where there is no distance, the screen, the negative abyss, comes back into focus: the screen is the surface that is absolutely self-identical, is absolutely without depth, but at the same time creates the image of endless depth and the bottomless abyss. Fast forwarding...
Journal Article
Cultural Politics (2016) 12 (3): 293–309.
Published: 01 November 2016
... were likewise affected by their thermal environments. In the absence of technologies for temperature control, achieving consistency across texts and images required a great deal of time and money. Allan Turck (1914 : 221) recounts that “the United States Government has a standing offer of a large...
Journal Article
Cultural Politics (2017) 13 (1): 81–100.
Published: 01 March 2017
.... The authors focus on the linguistic contours of graphical representation and display by providing a brief media archaeology of contemporary Internet language, upsetting its separation into generational stages, and therefore a linear progression of its history. At the same time, the authors argue...
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Journal Article
Cultural Politics (2020) 16 (1): 111–122.
Published: 01 March 2020
...Deborah Frizzell This article is an analysis of artist-activist Nancy Spero’s War Series paintings, 1966–70. The author analyzes her paintings from this crucial time period within the context of significant historical events that impacted her artistic development of themes, formal devices...
Journal Article
Cultural Politics (2020) 16 (1): 24–43.
Published: 01 March 2020
... of violent encounters between the French army and Algerian guerilla fighters, their narratives cover daring eye-witness accounts of war crimes, including acts of torture at times described by the perpetrators themselves while catering to the expectations of a global audience. Florent Emilio Siri’s L’ennemi...
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Journal Article
Cultural Politics (2021) 17 (3): 279–301.
Published: 01 November 2021
..., there is a locally distinctive aspect that merits attention. Istanbul is a city that was conquered by the Ottomans in 1453, and the discourse of conquest has remained significant within the urban imaginary. And at the present time, it is being mobilized by the state and its cultural ministry, in the cause...
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Journal Article
Cultural Politics (2018) 14 (2): 153–173.
Published: 01 July 2018
... and of thinking. The process of cybernetization initiated around 1900—and the process of computerization since 1950 in particular—culminating in the becoming-environmental of computation, is to be understood as a time of environmentalization, that forces us into the new power/knowledge complex of Environmentality...
Journal Article
Cultural Politics (2021) 17 (3): 314–332.
Published: 01 November 2021
... in the following section, this skepticism has characterized much of the debate around the politics of the digital image, which, repeatedly reapproached for its loss of historicity, negativity, and presence, has been charged with what might be described as an impoverishment of sense. Given the timing...
Journal Article
Cultural Politics (2015) 11 (3): 426–429.
Published: 01 November 2015
... in and of the film are bound into making political sense. Still other contributors look for a via media between realism and allegory, exploring the possibility of whether there could be a politics of or within the informe . Firoza Elavia defines Denis’s L’Intrus as a film of Deleuzian “time-images” in which...
Journal Article
Cultural Politics (2011) 7 (2): 219–238.
Published: 01 July 2011
... .” In Buchanan Ian MacCormack Patricia (eds), Deleuze and the Schizoanalysis of Cinema . London and New York : Continuum . Deleuze G. 1989 . Cinema 2: The Time-Image . London : Athlone Press . Deleuze G. 1991 . Bergsonism . Trans. Tomlinson Hugh Habberjam Barbara...
Journal Article
Cultural Politics (2019) 15 (3): 358–371.
Published: 01 November 2019
... , no. 1 : 14 – 23 . Deleuze Gilles . 1989 . Cinema 2: The Time Image . Translated by Tomlinson Hugh Galeta Robert . Minneapolis : University of Minnesota Press . Espinosa Julio García . ( 1979 ) 2005 . “ For an Imperfect Cinema .” Jump Cut: A Review of Contemporary Media...
Journal Article
Cultural Politics (2021) 17 (1): 55–68.
Published: 01 March 2021
... is limited, in comparison to the way simulations offer ways to see the coronavirus as it unfolds across time, across space, across bodies. As well as linking operational images to institutional power, we also focus on a relation between the data diagrams of curves and simulation (models) to operational...
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Journal Article
Cultural Politics (2015) 11 (2): 201–209.
Published: 01 July 2015
... of perception, in particular the reductive effects of real time, the neutralization of distance and deferred time as a measure of reflective consciousness, and the confusion generated by the fusion of object and image in the screen wars between representation and presentation. The “squared horizon” captures...
Journal Article
Cultural Politics (2005) 1 (1): 119–134.
Published: 01 March 2005
... domain where they are copied, recycled and remixed for different purposes, media images are open to a variety of appropriations, uses and recontextualizations. I tend to let my printouts sit for a while in folders. As time goes by their original context becomes difficult to remember and impossible...
Journal Article
Cultural Politics (2009) 5 (2): 229–236.
Published: 01 July 2009
.... This painting signaled a shift away from my previous work, the moment in which I began to track politically influenced, man-made marks etched on the surface of the earth. At the time, I was reading Manuel De Landa's A Thousand Years of Nonlinear History (1997) , which compares the development of history...
Journal Article
Cultural Politics (2016) 12 (2): 190–201.
Published: 01 July 2016
... of photographic images archived from media photography. Over time, the archive is refined. By the end, the images are solely composed of protest crowds. There is something about them alone—some other kind of energy—that keeps the brush in motion, which makes the marks. Ukraine. Egypt. Yemen. Occupy. The ink...
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Journal Article
Cultural Politics (2019) 15 (1): 15–28.
Published: 01 March 2019
... interest. The photograph marks the other men’s proximity to the new center of power that is President Donald Trump, proves their political proximity to him, and attempts to mediate what Trump will “be like” as president to the world. Farage wrote below the image: “It was a great honour to spend time...
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