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Image
Published: 01 July 2011
Figure 9 Bullet time. Figure 9. Bullet time. More
Journal Article
Cultural Politics (1 March 2017) 13 (1): 1–18.
Published: 01 March 2017
...Friedrich Kittler This essay traces the advances in time axis manipulation brought about by the media switches from symbolic mediation (alphabet) to analogue recording (phonography and cinematography) and digital processing (computers). Special emphasis is on the mathematical dimension of the final...
Image
Published: 01 November 2009
Photo courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photo courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photographs: Tuyen Nguyen. Courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photographs: Tuyen Nguyen. Courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2014
Figure 10 Mira Schor, Reversible Time , 2013. Ink and oil on gesso on linen, 28 × 24 in. Figure 10. Mira Schor, Reversible Time, 2013. Ink and oil on gesso on linen, 28 × 24 in. More
Image
Published: 01 July 2018
Figure 1 Between Time , 2017. Acrylic on canvas, 84 × 84 in. Courtesy of the artist Figure 1. Between Time, 2017. Acrylic on canvas, 84 × 84 in. Courtesy of the artist More
Journal Article
Cultural Politics (1 November 2013) 9 (3): 381–384.
Published: 01 November 2013
... SalAMI. The group's members were “not anti-capitalists,” just “the usual anti-corporate types,” and they were Gandhian pacifists who preached absolute nonviolence—no swearing, no graffiti, no vandalism, no aggressive gestures whatsoever (5). The anticapitalists had little time for the SalAMI self...
Journal Article
Cultural Politics (1 July 2012) 8 (2): 254–271.
Published: 01 July 2012
... exhuming the archeology and economics of war, it is prone to textual insularity. By contrast, the existentialist reading, particularly well suited to the imagery of the aftermath of war, is given to overly metaphysical, if at times overwrought, ideological melodrama. Meanwhile, Slavick's selection of...
Journal Article
Cultural Politics (1 November 2009) 5 (3): 335–358.
Published: 01 November 2009
... that although increasingly reflecting the prime dynamics of industrialization, were also authentically “new” and “diverse” in that they could gestate in spaces and times not already colonized and commodified by capital. Since at least the late 1970s, these spaces and times have been capitalized; indeed...
Journal Article
Cultural Politics (1 November 2009) 5 (3): 391–394.
Published: 01 November 2009
...Marek Bartelik Imagining the Unimaginable: World War, Modern Art, and the Politics of Public Culture in Russia, 1914–1917 , Cohen Aaron J. , Lincoln, NE : University of Nebraska Press , 2008 , 246 pages, $45.00/£32.00, HB ISBN: 9780803215474 © BERG 2009 PRINTED IN THE UK 2009 Is it time...
Journal Article
Cultural Politics (1 July 2010) 6 (2): 207–228.
Published: 01 July 2010
...Ian James This paper examines Bernard Stiegler's thinking about technics as developed in the first two volumes of his Technics and Time trilogy. It does so against the backdrop of Francis Fukuyama's highly influential thinking about technologically driven historical progress in The End of History...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 279–292.
Published: 01 November 2016
... art. Such discussions have been instrumental in articulating the connection across time-scales and focusing on how the geological expands into issues of temporality of cultural reality: not only the intersections of issues of cultural memory and media culture but also the timespan of the Anthropocene...
Journal Article
Cultural Politics (1 March 2017) 13 (1): 34–47.
Published: 01 March 2017
... promesse du bonheur [promise of joy] which preserves the full materialistic content of freedom and rebels against all efforts to canalize this bonheur into forms compatible with the order of repression” ( [1945] 1998 : 204). That is, in dark times, love poems open a realm of bliss that is beyond the...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 389–403.
Published: 01 November 2014
... manipulate, control, and reprogram everyday spaces. The queue, formerly a symbol of democratic consent, has instead become managed: contained and controlled by tape within which people are assumed to behave as predictable pinballs. Moreover, queuing time has come to be seen as productive marketing time, an...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 404–414.
Published: 01 November 2014
... libraries and artists, microetched onto a gold-plated disc. Paglen’s project is both a continuation of, and a critical response to, the notion of the time capsule as a means of delivering, either to a terrestrial future or to some extraterrestrial destination, an abbreviated representative sample of...
Journal Article
Cultural Politics (1 March 2014) 10 (1): 21–39.
Published: 01 March 2014
...Helga Lénárt-Cheng This article seeks to contribute to the debate about the relationship between time and social identity by studying the recent trend of simultaneous, crowd-sourced visual diaries. The article focuses on the concept of simultaneity and its relation to communal identity. Crowd...