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Journal Article
Cultural Politics (2015) 11 (2): 201–209.
Published: 01 July 2015
... that of the electromagnetic domain, this dromosphere of waves that are propagated at the speed of elementary particles and permit an instant perception beyond the visible domain.” Virilio’s idea of the “squared horizon” was developed against the backdrop of military intervention in Iraq in 1991 (during the first Gulf War...
Journal Article
Cultural Politics (2015) 11 (2): 275–292.
Published: 01 July 2015
...-writing Modernity” and “Argumentation and Presentation: The Foundation Crisis,” it enlists topology as a horizontal spatial structure that enables us to rethink space, time, and modernity outside the limits of the “squared horizon,” where the “squared horizon” is viewed as a spatial and textual metaphor...
Journal Article
Cultural Politics (2015) 11 (2): 210–221.
Published: 01 July 2015
... of infinite depth and a sense of absolute freedom obscures the truth of solipsistic self-reflection and enclosure. It explores this idea through reference to Virilio’s concept of the “squared horizon” and a short history of screen culture that commences with Plato’s myth of the cave, where perceptions...
Journal Article
Cultural Politics (2016) 12 (3): 310–331.
Published: 01 November 2016
.... Aggregating these often separate historical lineages has the potential to enrich the disparate disciplinary knowledges that are bound together here, but there’s more at stake than historiography. These public squares, city walls, building facades, urban archives, and sandy stores where earthen materials...
Image
Published: 01 July 2010
Song of Russia #27, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York. and Galerie Blue Square, Paris. Song of Russia #27, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York. and Galerie Blue Square, Paris. More
Image
Published: 01 July 2010
Song of Russia #26, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. Song of Russia #26, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. More
Image
Published: 01 July 2010
Song of Russia #15, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. Song of Russia #15, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. More
Image
Published: 01 July 2010
Song of Russia #25 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. Song of Russia #25 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. More
Image
Published: 01 July 2010
Song of Russia #22, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. Song of Russia #22, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York and Galerie Blue Square, Paris. More
Journal Article
Cultural Politics (2010) 6 (2): 200–206.
Published: 01 July 2010
...Song of Russia #27, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York. and Galerie Blue Square, Paris. Song of Russia #27, 2005, oil on canvas. Courtesy of Winkleman Gallery, New York. and Galerie Blue Square, Paris. ...
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Journal Article
Cultural Politics (2018) 14 (1): 55–62.
Published: 01 March 2018
.... The Plaza de Armas is very big, a central fountain, trees, benches, and always people crossing or resting, with the cathedral on one side and the Jesuit church on the other. One- or two-story buildings surround the square and continue down the city streets; their stucco walls are painted in cream and ochre...
FIGURES
Journal Article
Cultural Politics (2014) 10 (3): 420–423.
Published: 01 November 2014
... (2012) , who tells us that the first decade of the twenty-first century has put history back on track, Douzinas explains that politics has reemerged in Greece in the streets and in the squares of the city, and particularly in Athens. The home of Western culture, civilization, and democracy is, thus...
Journal Article
Cultural Politics (2019) 15 (1): 72–87.
Published: 01 March 2019
... of Inequality .” American Journal of Sociology 117 , no. 6 : 1723 – 85 . Wilkins Kathryn . 2013 . “ A Study of the Dominance of the Super-Wealthy in London’s West End during the Nineteenth Century .” In Hay 2013 : 110 – 22 . My street — my beautiful square, never used to be like...
Journal Article
Cultural Politics (2015) 11 (2): 234–245.
Published: 01 July 2015
... will consider how RoboCop/Murphy, a participant in and an instrument of the Virilian “squared horizon” ( Virilio 2007) , is subject to the law of original accident. Indeed, here is the film’s key dilemma in Virilian terms: what is the cost of RoboCop/Murphy to the human subject he incarnates? RoboCop/Murphy...
Journal Article
Cultural Politics (2007) 3 (1): 133–136.
Published: 01 March 2007
... is not at all clearly presented. It seems to be a call for complete authenticity of every item that can bring “intensity and feeling” (p. 155). Schofield gets side tracked into a discussion of the site of the 1944 Nazi massacre in Oradour-sur-Glane (France) – is the car that was left in the square the real car...
Journal Article
Cultural Politics (2014) 10 (3): 389–403.
Published: 01 November 2014
... books The Social Logic of Space ( Hillier and Hanson 1989 ) and Space Is the Machine ( Hillier 1996 ), Space Syntax employs complex computer models to demonstrate how crowds will move through public places, ranging from airports and city squares to museums and galleries. The highly graphic diagrams...
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Journal Article
Cultural Politics (2015) 11 (2): 222–233.
Published: 01 July 2015
..., the pixel is implicated in the flattening of the image both literally and symbolically. At the same time, the pixel, as the smallest square unit of space on a digital image, can be zoomed into or out of as required. Hence the pixel does not simply flatten the image but does away with human experiences...
Journal Article
Cultural Politics (2016) 12 (2): 155–172.
Published: 01 July 2016
... stairway outside the Central Government Complex. The number of notes quickly mushroomed, and layers of little colorful squares filled the wall, making a uniquely diagonal presence in the nearby architectural environment ( fig. 2 ). Their transient nature meant that they could be removed in a split second...
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Journal Article
Cultural Politics (2019) 15 (2): 137–138.
Published: 01 July 2019
.... If I could, I’d install a bow window, a windscreen suspended above the Square de Châtillon, on the fifth floor—an altitude conducive to travel, to long- haul theoretical journeys. Similarly, as soon as I go away or take time off, my destination is the sea. Or, rather, the coast...
FIGURES
Journal Article
Cultural Politics (2007) 3 (1): 123–132.
Published: 01 March 2007
... correlation to the ideas we had been discussing with our interview subjects. At the center of the city in Martyr's Square, there is a looming, unfinished concrete structure, slated to become a shopping center with a large attached mosque. Begun in 1982, the structure remains unfinished to this day...