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Journal Article
Cultural Politics (2024) 20 (1): 75–91.
Published: 01 March 2024
...Seán Cubitt; Ben Gook Abstract The 1997 discovery of a fifty-thousand-year-old flute made from the femur of a cave bear, with its intimation of reanimating nonhumans, and the 1977 launch of the Voyager spacecraft carrying an eclectic set of sound recordings intended to be heard in the distant...
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in Collective Crafting in Post-Suharto Indonesia: A Journey with Ruangrupa from the Jakarta Institute of the Arts to Documenta Fifteen in Kassel
> Cultural Politics
Published: 01 November 2022
Figure 12 Ruangrupa, sound performance gig, National Gallery Indonesia, 2008.
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Published: 01 March 2017
Figure 2 A Brief History of Collapses , 2 channel HD video with 7.1 channel sound, RT 22:30, dimensions variable, 2011–12. Installation view at dOCUMENTA (13), Kassel, Germany (Photo: Roman März). Courtesy of the artist and Ryan Lee, New York
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Journal Article
Cultural Politics (2013) 9 (2): 188–202.
Published: 01 July 2013
...Mickey Vallee Jean-François Lyotard argued repeatedly that the biggest challenge a musician or composer faces is emancipating sound from the tyranny of grand narratives. They labor not in the service of expression but in the exploration of radical methods that constitute what Lyotard terms...
Journal Article
Cultural Politics (2017) 13 (1): 1–18.
Published: 01 March 2017
... is on the mathematical dimension of the final stage. The Fourier transform enables the conversion of sound events into periodicities with numerical values that can then be manipulated and converted back into sound events, even if there was no original source involved. The media access frequencies and operate at speeds...
Journal Article
Cultural Politics (2012) 8 (3): 375–384.
Published: 01 November 2012
...Friedrich Kittler; Christoph Weinberger The following interview with Friedrich Kittler, conducted by Christoph Weinberger in July 2007, is a passionate and instructive tour de force of pithy sound bites in which Kittler looks back on his work and criticizes alternate approaches to media. FK...
Journal Article
Cultural Politics (2015) 11 (2): 163–183.
Published: 01 July 2015
...Deborah Frizzell The Irish artist Richard Mosse’s The Enclave (2013), a six-screen video, photography, and sound installation made over several years in and around Goma, Democratic Republic of Congo, was featured in the Pavilion of Ireland at the Fifty-fifth Venice Biennale and at Jack Shainman...
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Published: 01 March 2013
Figure 3 Claudia Hart, The Seasons: Video Object , 2009. QuickTime video, 720 × 1280 pixels, with stereo sound by Claudia Hart, 10 min. Courtesy the artist and bitforms gallery, New York
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in When the Periphery Laughs: Humor and Locality in Contemporary Art from Greece and Bosnia and Herzegovina
> Cultural Politics
Published: 01 July 2019
Figure 4 Stefanos Tsivopoulos, History Zero , 2013. A film in three episodes, 2K, color, 5:1 surround sound, 34 min. Commissioned for the Greek Pavilion at the 55th Venice Biennale. Courtesy the artist.
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Published: 01 March 2017
Figure 1 A Brief History of Collapses , film still, 2 channel HD video with 7.1 channel sound, RT 22:30, dimensions variable, 2011–12. Courtesy of the artist and Ryan Lee, New York
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Published: 01 March 2017
Figure 3 A Brief History of Collapses , film still, 2 channel HD video with 7.1 channel sound, RT 22:30, dimensions variable, 2011–12. Courtesy of the artist and Ryan Lee, New York
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Published: 01 March 2013
Figure 1 Claudia Hart, The Swing , 2006. Three-channel animation, one of three channels, each 720 × 1280 pixels, with stereo sound by Kurt Hentschläger, 10 min. Courtesy the artist and bitforms gallery, New York
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Published: 01 July 2019
Figure 1 Cao Fei, My Future Is Not a Dream 05 , 2006. Inkjet print, 120 × 150 cm. Video still from Whose Utopia , 2006. Projected color video with stereo sound, 20 min. Courtesy of the artist.
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in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 10 I dreamt that you changed into a cat . . . gatto . . . ha ha ha (2013). Compost sculptures and sixty-minute sound piece. View of the installation at Encyclopedic Palace, 55th Venice Biennale, Venice, 2013. Photo by Ela Bialkowska, Okno Studio.
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Published: 01 November 2024
Figure 13 Screenshot from the Digital Audio Workstation, Ambisonic plugins from the Institute of Electronic Music and Acoustics from Gratz, Grapes 3D sound VST on a beta stage of development and a custom tool to recreate the turbulence, 2023. Photograph by Víctor Mazón Gardoqui.
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Published: 01 March 2013
Figure 4 Claudia Hart, Ophelia , 2008. Single-channel animation,10-minute 3D-animated loop, high-definition animation video-object or large-scale projected installation. Sound design by Claudia Hart. Courtesy the artist and bitforms gallery, New York
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Published: 01 July 2015
Figures 4–6 Installation views, The Enclave , 2012–13. 16 mm infrared film transferred to HD video. 39 minutes, 25 seconds. Produced in eastern Democratic Republic of Congo. Director and producer, Richard Mosse; cinematographer and editor, Trevor Tweeten; composer and sound designer, Ben Frost
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Journal Article
Cultural Politics (2024) 20 (3): 485–497.
Published: 01 November 2024
...Figure 13 Screenshot from the Digital Audio Workstation, Ambisonic plugins from the Institute of Electronic Music and Acoustics from Gratz, Grapes 3D sound VST on a beta stage of development and a custom tool to recreate the turbulence, 2023. Photograph by Víctor Mazón Gardoqui. ...
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Journal Article
Cultural Politics (2022) 18 (3): 287–296.
Published: 01 November 2022
... myself drowning in a warm sea of sound. (Wagner 1983b : 331 – 32) For the first time after a thousand years of Christianity, Wagner's Dresden notion of God and spirit was once again a technique of ecstasy. To begin with, everything was planned with technical precision to achieve a mass media...
Journal Article
Cultural Politics (2023) 19 (3): 353–373.
Published: 01 November 2023
... portable oceanic sound sensors used in anti-submarine warfare since the Second World War. To implement this plan, however, a translation was necessary to factor in the shift from water to land in the material and environmental disposition of the sonobuoy (Massey 1971 : A-1; Tambini 2007 : 5–6, 11...
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