Figure 9 Ravi Agarwal, Na'dar Landscapes Series—1 , Na'dar/Prakriti series (2018). Lithograph. More

Figure 10 Ravi Agarwal, Na'dar Landscapes Series—7 , Na'dar/Prakriti series (2018). Lithograph. More

Figure 1 Fallen Mortal, series 2, 1993. More

Figure 5 Self-Censorship (2020). From the drawing series Chemical Hysterical (2006–). Charcoal on paper, 44 × 30 in. Photograph by Jeanette May. Courtesy of the artist. More

Figure 6 “Truth to Nature.” One of a series of ten archive specimens from the collections of the NHM, that featured in the film, showing moths of various species that have recently arrived or departed from Holland because of climate change and biodiversity loss. An image created in the open More

Figures 3 and 4 Janet Laurence, Fabled , from the After Eden series (2011). Altered camera trap images, ink on archival paper. From the Flora and Fauna International Residency, Acheh, Sumatra, Indonesia. More

Figure 11 Ravi Agarwal, Salt Pan , Else All Will Be Still series (2015). Photographic inkjet print. More

Figure 12 Ravi Agarwal, Power Nature I , Na'dar/Prakriti series (2018). Photographic inkjet print. More

Figure 1 Karen Finley, untitled from Condoleeza Rice series, 2006 (photograph courtesy of Karen Finley). More

Fuck You: from the Liz Taylor Series (Cleopatra) . Acrylic, composition leaf on canvas. 72 × 48 inches, 1984. More

Gash: from the Liz Taylor Series (Ash Wednesday) . Acrylic, gauze, paper on canvas. 90 × 60 inches, 2004. More

Cockteaser: from the Liz Taylor Series (Giant) . Acrylic, rope, digital inkjet print, composition leaf, rope, sandpaper, decorative paper on canvas. 102 × 78 inches, 2006. More

Figure 2 Mayflower series: October 21, 1620 , 2010, ink and pencil on paper (detail) More

Figure 3 Mayflower series: Dorothy May Bradford , 2010, pen, ink, and pencil on paper, 22 × 30 inches More

Figure 5 Mayflower series: November 9, 1620 , 2010, ink and pencil on paper, 22 × 30 inches More

Figure 2 Spice Route Series , August 2016, installation of digital prints on silk, each 54 × 54 in. These silk prints depict the social history of plants, while borrowing from the aesthetics and history of mantones de Manila, which were silk shawls introduced as Asian luxury goods More

Figure 3 Spice Route Series , August 2016, installation of digital prints on silk, each 54 × 54 in. These silk prints depict the social history of plants, while borrowing from the aesthetics and history of mantones de Manila, which were silk shawls introduced as Asian luxury goods More

Figure 2 Eternal War Series #6 On Message (2016). Oil on eleven gesso panels, 12 × 12 in. each. Photograph by Jeanette May. Courtesy of the artist. More

Figure 7 Ravi Agarwal, Ambient Seas Diary , Else All Will Be Still series (2015). Photo collage. More