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Published: 01 July 2008
Figure 2 Cinema screen, flight crew briefing room. Figure 2. Cinema screen, flight crew briefing room. More
Journal Article
Cultural Politics (2015) 11 (2): 234–245.
Published: 01 July 2015
...Brian Sudlow José Padilha’s new RoboCop (2014) film can be read in the light of Paul Virilio’s theoretical work, notably Desert Screen . RoboCop serves as the city’s warrior but also as a munition in the hands of global media forces. Still, even if the film presents the fallibility of robotic...
Image
Published: 01 November 2007
Carrie Moyer, “Façade Project,” 2004. Wheatpasted silk-screened posters, unique painting on plywood. 9 × 18 feet total. Installed at Triple Candie, Harlem, NY. February - August 2004. Referring to the long history of the political murals that dot the urban landscape of New York City, “Façade More
Image
Published: 01 July 2012
Figure 4   No Country for Old Men , 2007. Directors: Ethan Coen and Joel Coen. Screenshot Figure 4 . No Country for Old Men, 2007. Directors: Ethan Coen and Joel Coen. Screenshot More
Journal Article
Cultural Politics (2015) 11 (2): 210–221.
Published: 01 July 2015
...Mark Featherstone This article explores what one might call the dystopia of contemporary screen-based culture through a discussion of the work of Paul Virilio and Bernard Stiegler. Centrally, it explains that the screen might be seen as a negative abyss, where absolute surface creates the effect...
Journal Article
Cultural Politics (2020) 16 (3): 281–302.
Published: 01 November 2020
... on the part of the local Jewish community. A similar controversy sparked off by the film adaptation of the play Shadow of Angels by Daniel Schmid. During the film’s screening at the Cannes Film Festival the Israeli delegation walked out, while there was also rumor of censorship in France. Gilles Deleuze wrote...
Journal Article
Cultural Politics (2015) 11 (2): 222–233.
Published: 01 July 2015
... Virilio as key to debates around the violence of the screen. My reading of the pixel is primarily indebted to Virilio’s (1991) references to the pixel in The Lost Dimension . Virilio identifies the pixel, as a “micro-element” of the image, in terms of a point without dimension. In this respect...
Journal Article
Cultural Politics (2015) 11 (2): 246–259.
Published: 01 July 2015
... means negotiating a material field created by the speeds of the global objects of communication. This article focuses on one aspect of the dromoeconomy, the users and producers of this system, the “dromospheric generation.” It explores the generation of the 2000s, users of screen-based digital...
Journal Article
Cultural Politics (2015) 11 (2): 163–183.
Published: 01 July 2015
...Deborah Frizzell The Irish artist Richard Mosse’s The Enclave (2013), a six-screen video, photography, and sound installation made over several years in and around Goma, Democratic Republic of Congo, was featured in the Pavilion of Ireland at the Fifty-fifth Venice Biennale and at Jack Shainman...
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Published: 01 March 2014
Figure 2 Native Americans recite an English translation of Darwish’s “The Speech of the Red Indian.” Notre musique , 2004 . Screen shot Figure 2. Native Americans recite an English translation of Darwish’s “The Speech of the Red Indian.” Notre musique, 2004. Screen shot More
Image
Published: 01 March 2014
Figure 5 Godard depicts Darwish meeting with an Israeli journalist in the lobby of the Sarajevo Holiday Inn. Notre musique , 2004 . Screen shot Figure 5. Godard depicts Darwish meeting with an Israeli journalist in the lobby of the Sarajevo Holiday Inn. Notre musique, 2004. Screen shot More
Image
Published: 01 March 2014
Figures 3 and 4 Godard includes footage of Palestinian fighters as well as excerpts from Hollywood Westerns in “Enfer” (“Hell”), the first third. Notre musique , 2004 . Screen shots Figures 3 and 4. Godard includes footage of Palestinian fighters as well as excerpts from Hollywood Westerns More
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Published: 01 March 2014
Figure 1 “Une petite fille de Fatah,” according to Godard’s voice-over, recites a poem by Darwish about Palestinian resistance. Ici et ailleurs , 1976 . Directed by Jean-Luc Godard, Jean-Pierre Gorin, and Anne-Marie Miéville. Screen shot Figure 1. “Une petite fille de Fatah,” according More
Journal Article
Cultural Politics (2015) 11 (2): 201–209.
Published: 01 July 2015
...Enda McCaffrey © 2015 Duke University Press 2015 This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved. It is time to find an ecology of the media. —Paul Virilio, Desert Screen: War at the Speed of Light...
Journal Article
Cultural Politics (2006) 2 (2): 213–224.
Published: 01 July 2006
... childhood. Your eyes see only the monitor before you. Your ears hear only through the headphones that encase them. Your hands clutch only the controllers with which you blast away at the digital figures who shoot back at you on the screen. Here gamers see the images and hear the sounds and say to each other...
Journal Article
Cultural Politics (2018) 14 (1): 129–131.
Published: 01 March 2018
... the relationship between media and cities, specifically what happens to the theory and practice of urban public space as mobile, embedded media devices, urban screens, and extended digital networks become more prevalent. The text contains a historically and theoretically rich account of the entanglement of media...
Journal Article
Cultural Politics (2013) 9 (1): 22–41.
Published: 01 March 2013
... surveillance to begin with. The turn of the twentieth century brought two intertwined global developments: the rise of US empire and a global, Euro-American-led disease surveillance network. Medical screening practices installed at threshold spaces (ports, islands) were intended as an “imperial defense...
Journal Article
Cultural Politics (2014) 10 (1): 70–91.
Published: 01 March 2014
...Figure 2 Native Americans recite an English translation of Darwish’s “The Speech of the Red Indian.” Notre musique , 2004 . Screen shot Figure 2. Native Americans recite an English translation of Darwish’s “The Speech of the Red Indian.” Notre musique, 2004. Screen shot ...
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Journal Article
Cultural Politics (2020) 16 (2): 192–213.
Published: 01 July 2020
...-and-a-half-minute feature 60 Million Americans Can’t Be Wrong , in which Kulendran Thomas most fully lays out his techno-utopian manifesto for dematerialized existence “in the cloud,” and the promotional short Liquid Citizenship . 60 Million Americans is usually displayed on a flat screen embedded within...
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Journal Article
Cultural Politics (2009) 5 (3): 359–384.
Published: 01 November 2009
...” by collapsing together the two “faces” – technology/modernity; poetry/tradition – of our present situation in the monitor. It would appear that our recovered prehistory includes a sediment of televisual memories, where the TV screen is the true face of the icon in its sanctuary, as sacrosanct as it is a feature...
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