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in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 1 Surati (2019), detail. Natural rubber, 250 × 150 cm / 210 × 100 cm. Exhibition view, Dhaka Art Summit, Dhaka, 2020. Photo by Randhir Singh.
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Image
in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 2 Mei (2019). Natural rubber and food coloring, 240 × 60 cm each. Exhibition view at the solo show Clara and Other Specimens , Salzburg Stadgalerie, Salzburg, 2021.
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Image
in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 4 Dismembered Rafflesia and Seeds (2019). Silkscreens on cotton and rubber strips, 700 × 160 cm / 700 × 150 cm (textiles). Exhibition view at solo show new work , Kunstinstituut Melly, 2019–20. Photo by Kristien Daem.
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in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 5 Seeds (2019), detail. Silkscreen on cotton and natural rubber strips, 700 × 150 cm (textile). Exhibition view at solo show new work , Kunstinstituut Melly, 2019–20. Photo by Kristien Daem.
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Image
in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 6 Sanikem Nyai Ontosoroh Madame Le Boucq (2019), detail. Natural rubber and food coloring, 305 × 108 cm and 210 × 100 cm. Exhibition view at solo show new work , Kunstinstituut Melly, 2019–20. Photo by Jeroen Laven.
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Image
in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 7 Dismembered Rafflesia (2019). Silkscreen on cotton and rubber strips. Artist studio at CCA Singapore, 2020. Photo by Kee Ya Ting.
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Image
in From Buru to Giudecca: Embodiment and Escape in the Ecological Art of Rossella Biscotti
> Cultural Politics
Published: 01 July 2022
Figure 9 Live Feed (2019). Silkscreen on cotton and rubber strips, 4000 × 160 cm (textile). Exhibition view at solo show new work , Kunstinstituut Melly, 2019–20. Photo by Kristien Daem.
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Image
Over one hundred thousand life vests and rubber boats lie in a ten-meter-hi...
Available to Purchase
in The “Politics of the Faceless”: Proliferated Drone's-Eye Views of Forced Migration
> Cultural Politics
Published: 01 March 2024
Figure 1 Over one hundred thousand life vests and rubber boats lie in a ten-meter-high pile on the island of Lesbos, Greece. Rasmus Degnbol, Europe's New Borders (2015).
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Journal Article
Cultural Politics (2022) 18 (2): 194–207.
Published: 01 July 2022
...Figure 1 Surati (2019), detail. Natural rubber, 250 × 150 cm / 210 × 100 cm. Exhibition view, Dhaka Art Summit, Dhaka, 2020. Photo by Randhir Singh. ...
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Graphic interpretation of Charles Eastman's cube diagram, from a 1975 issue...
Available to PurchasePublished: 01 November 2022
of an eight-foot piece of 2x4 dimensional lumber, a door, a rubber motor mount, and a concrete column. Produced by Amelyn Ng.
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Journal Article
Take a Good Lamp
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Cultural Politics (2016) 12 (3): 332–338.
Published: 01 November 2016
.... It was almost too good to be true. . . . Whenever there was an acute demand for a certain material on the international market—ivory in Victorian times, rubber after the invention of the inflatable tire, copper in the full industrial and military expansion, uranium during the Cold War, coltan in times of mobile...
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Journal Article
“DO NOT LEAVE YOUR Homes”: CONTAINMENT CULTURE AND ITS FALLOUT IN JUDITH MERRIL’S SHADOW ON THE HEARTH
Available to Purchase
Cultural Politics (2008) 4 (3): 337–350.
Published: 01 November 2008
... fragility. At one point she ends up “crouched, shivering, in front of the radio,” in an attitude that frightens her daughter: “‘Mom, are you all right? Mom, you’re not –’ Barbie was terrified about something. Her voice sounded pulled out tight, like a rubber band about to snap. ‘You’re not … sick...
Journal Article
From Models to Mirror Worlds
Available to Purchase
Cultural Politics (2022) 18 (3): 297–311.
Published: 01 November 2022
... of an eight-foot piece of 2x4 dimensional lumber, a door, a rubber motor mount, and a concrete column. Produced by Amelyn Ng. ...
FIGURES
Journal Article
The “Politics of the Faceless”: Proliferated Drone's-Eye Views of Forced Migration
Available to Purchase
Cultural Politics (2024) 20 (1): 112–135.
Published: 01 March 2024
...Figure 1 Over one hundred thousand life vests and rubber boats lie in a ten-meter-high pile on the island of Lesbos, Greece. Rasmus Degnbol, Europe's New Borders (2015). ...
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Journal Article
Technofossils of the Anthropocene: Media, Geology, and Plastics
Available to Purchase
Cultural Politics (2016) 12 (3): 355–375.
Published: 01 November 2016
... that plastics were crucial for numerous popular media technologies. While the earliest records were made of rubber and then shellac, the vinyl LP record introduced in 1948 by Columbia Records greatly increased both the storage time and fidelity of recordings and remains the standard format for records. Magnetic...
Journal Article
Meditations on Writing Hell
Available to Purchase
Cultural Politics (2023) 19 (1): 148–158.
Published: 01 March 2023
... unspeakable things: an extreme pressure inside her body, a wind tunnel blowing through her organs. Her legs were rubber. They were dream legs. She needed to move these dream legs to convince the surgeons that she could feel what was going on down below. Speaking of her trauma requires dwelling...
Journal Article
Remembering Paul Virilio
Available to Purchase
Cultural Politics (2019) 15 (2): 121–135.
Published: 01 July 2019
... and as guides to political action. No mechanical-technological or rubber stamp facsimile, Virilio’s decorative gesture and signature are made by a signatory with cultural authority and political direction. With its elaborate V and exclamation mark embellishment, Virilio’s distinctive “Vive la Vie!” on his...
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Journal Article
Art Before the Sublime: The Libidinal Economy up against the Pacific Wall
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Cultural Politics (2013) 9 (2): 158–169.
Published: 01 July 2013
..., and a white woman. The scene is framed by a number of cars whose headlights illuminate the central figures. The six white men, cloaked in rubber joke-store masks, have wrestled the black man to the ground and are in the process of castrating him. The white woman, with whom the black man is said to have...
Journal Article
Cultural Politics (2015) 11 (2): 163–183.
Published: 01 July 2015
... was a British consul in the nineteenth century. Casement became radicalized when he saw the reality of colonialism in operation in the Congo and in Peru. He led investigations into atrocities in the Congo and on South American rubber plantations, and he became an Irish nationalist and activist. Before...
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Journal Article
in/Visibility and the Securitization of Migration: Shaping Publics through Border Enforcement on Islands
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Cultural Politics (2015) 11 (2): 184–200.
Published: 01 July 2015
... by an eighteen-year-old Afghan male asylum seeker in Sicily. Here he recounts two attempts to enter the EU: From Afghanistan I went to Pakistan; from Pakistan, to Iran; from Iran, to Turkey, Greece and then Italy. Part by car, part on foot, part on a rubber dinghy, at sea…. Then, inside a truck…. I...
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