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Journal Article
Exhausted Montage: Radical Cinema Post ’68
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Cultural Politics (2019) 15 (3): 358–371.
Published: 01 November 2019
.... At its core, then, contemporary political cinema, through its (re)invention of a people, needs to resist the logic of capitalist realism and return to its audience a sense of revolutionary transformative possibility from the Left. My aim in this essay has been to illustrate how the major shifts...
Journal Article
Sons of a Beach: The Politics of Bastardy in the Cinema of Nouri Bouzid
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Cultural Politics (2017) 13 (2): 177–193.
Published: 01 July 2017
... for revolutionary purposes but also to remind Tunisians of the disturbing legacy of bastardy (instituted by a long history of colonial rape from the Romans to the French) to which they had been and continue to be heirs, and with which they have to reckon. Studying the rhetoric of bastardy in Bouzid’s cinema leaves...
FIGURES
Journal Article
Cultural Politics (2019) 15 (3): 263–272.
Published: 01 November 2019
... that the narrative of failure cast its shadow over 1968 almost as soon as the decade ended, critics and scholars have found themselves in the position of fighting to reclaim the revolutionary aims and transformative energies of the long 1960s. Perhaps the first major attempt to reassert the radicalism of the period...
Journal Article
Mahmoud Darwish in Film: Politics, Representation, and Translation in Jean-Luc Godard’s Ici Et Ailleurs and Notre Musique
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Cultural Politics (2014) 10 (1): 70–91.
Published: 01 March 2014
... Godard’s representations of Palestinians as well as the most famous poet from the region are significant because they demonstrate Godard’s continuing commitment to political cinema and to challenging what he sees as one of the last vestiges of colonialism on the planet. 3 Godard’s use of Darwish’s...
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Journal Article
A People of Seers: The Political Aesthetics of Postwar Cinema Revisited
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Cultural Politics (2011) 7 (2): 219–238.
Published: 01 July 2011
... that the cinema, as art of the masses, could be the supreme revolutionary or democratic art, which makes the masses a true subject” ( Deleuze 1989: 216 ). In modern cinema, which he dates as beginning with the end of World War II, by way of contrast, “the people no longer exist … the people are missing...
Journal Article
Che and the Pre-Eminence of Culture in Revolutionary Cuba: The Pursuit of a Spontaneous, Inseparable Integrity
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Cultural Politics (2011) 7 (2): 189–218.
Published: 01 July 2011
...Clive W. Kronenberg The triumphs and continuity of the Cuban revolution in large measure can be attributed to the close bond that exists between political and cultural practice on the island. Emblematic of Cuban politics, key aspects of Ernesto Che Guevara's revolutionary thought find expression...
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Journal Article
Herculean Unproductivity in Pasolini's La ricotta and Teorema
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Cultural Politics (2022) 18 (2): 208–226.
Published: 01 July 2022
... modified January 11 , 2019 . https://plato.stanford.edu/entries/arendt/ . Durafour Jean-Michel . 2017 . “ Cinema Lyotard: An Introduction .” In Jones and Woodward 2017: 17 – 30 . Jones Graham , and Woodward Ashley , eds. 2017 . Acinemas: Lyotard's Philosophy of Film...
Journal Article
A Pharmacology of Cinema: Stiegler beyond the Frankfurt School?
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Cultural Politics (2021) 17 (2): 212–227.
Published: 01 July 2021
...Amelie Berger Soraruff Abstract French philosopher Bernard Stiegler inscribes himself in the tradition of critical theory. In this respect, the influence of Adorno and Horkheimer has been crucial to the development of his own understanding of cinema. Yet Stiegler reproaches his predecessors...
Journal Article
Wrong Place, Right Time: ’68 and the Impasses of Periodization
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Cultural Politics (2019) 15 (3): 273–288.
Published: 01 November 2019
... . 9 See also Lotta continua 1970b, for the letters by migrant Southern workers in Northern factories, under the heading “One Struggle.” For more on the articulation of these dynamics in Italian militant cinema more generally in these years, see Williams 2016 . References Asor Rosa...
Journal Article
“To Believe in an Image (Again)”: The Politics of the Index, André Bazin's Ontology of Sense, and the Antidote to Digital Skepticism
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Cultural Politics (2021) 17 (3): 314–332.
Published: 01 November 2021
... in historicity, negativity, and presence, and flag its potentially authoritarian impulses, this essay seeks to reframe Bazin's ontological project as a question of cinema's sense (rather than its essence) to mobilize a different set of conclusions that may in fact prove to restore faith in the digital image...
View articletitled, “To Believe in an Image (Again)”: The Politics of the Index, André Bazin's Ontology of Sense, and the Antidote to Digital Skepticism
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for article titled, “To Believe in an Image (Again)”: The Politics of the Index, André Bazin's Ontology of Sense, and the Antidote to Digital Skepticism
Journal Article
The Hurt Locker : Cinematic Addiction, “Critique,” And the War on Terror
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Cultural Politics (2011) 7 (2): 165–188.
Published: 01 July 2011
.... Following this discussion at the level of the narrative, we discuss the film in the context of what Deleuze conceptualized as “time-images.” Our point here is that with the The Hurt Locker we are within “the cinema of the seer,” within a nihilistic portrayal of nihilism from inside, on the basis of highly...
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Journal Article
Eco-Aesthetics and the Politics of Mediation
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Cultural Politics (2018) 14 (2): 275–280.
Published: 01 July 2018
... always threaten to subtract the possibility of aesthetic experience. When film stock begins to deteriorate, the spectacle of cinema is reduced to the archive of its historical enunciation. When technical malfunctions occur in data centers, a flash crash ensues, social media lives are disabled...
Journal Article
Resistance Becomes Ballistic: Vanishing Point and the End of the Road
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Cultural Politics (2007) 3 (1): 35–50.
Published: 01 March 2007
... American foreign policy. Combined with the ongoing canonization of much of the output of the so-called New Hollywood of the 1970s, the critical cinema of the period is perhaps more visible and more acclaimed than it has ever been. In light of George W. Bush's headlong rush into another US-led military...
Journal Article
Do You Hear the People's Nonsense?: Performing Resistance in Pandemic-Era China
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Cultural Politics (2024) 20 (3): 396–412.
Published: 01 November 2024
... Postsocialism . Milton Park, UK : Taylor and Francis . Chan Kin Man . 2023 . “ Unwritten Endings: Revolutionary Potential of China's A4 Protest .” Sociologica 17 , no. 1 : 57 – 66 . Chang Agnes , and Che Chang . 2022 . “ What China's Protestors Are Calling For .” New York...
Journal Article
Militant Ethics: Daniel Schmid’s Film Adaptation of Fassbinder’s Garbage, the City, and Death
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Cultural Politics (2020) 16 (3): 281–302.
Published: 01 November 2020
... rationally and emotionally. Yet cognitivist ethics dictates the conversation on cinema and ethics in very narrow parameters aiming to produce a sense of apolitical consensus. Some cognitivist scholars go so far as to suggest that characters in films can function as “moral examples” that can inspire audiences...
Journal Article
Not / A: Fragments of History, Memories, and (Geo)Politics in the Works of Green Zeng
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Cultural Politics (2022) 18 (3): 418–429.
Published: 01 November 2022
... the episodic journey that appears in between as one that seeks to recover an authentic ethos (starting from the replica and ending at the original archway), or one that laments the diminishing importance of a once-revolutionary ideal (by traversing in the reverse direction). Figures 17–19 An Exile...
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Journal Article
The New Face of Global Hollywood: Black Hawk Down and the Politics of Meta-Sovereignty
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Cultural Politics (2005) 1 (2): 165–192.
Published: 01 July 2005
... Relations. ” Millennium: Journal of International Studies , 31 ( 1 ): 109 – 27 . Bart P. 2003 . “ Roth's Revolutionary rites. ” Variety, 5 May. Bloom D. 2002 . “ Soph focus at revolution. ” Variety, 18 January. Bowden M. 2002 . “ Forward. ” In Ken Nolan (ed...
Journal Article
Hardt and Negri’s Information Empire: A Critical Response
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Cultural Politics (2005) 1 (1): 101–118.
Published: 01 March 2005
... of the absence of “major organizing sites of confinement” ( Deleuze 1995: 177 ), control societies are, in this text, maddeningly undefined. Deleuze discusses the control society again in “Having an Idea in Cinema” ( Deleuze 1998 ), but is again both brief and vague only adding to his previous discussion...
Journal Article
Dromospheric Generation: The Things That We Have Learned Are No Longer Enough
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Cultural Politics (2015) 11 (2): 246–259.
Published: 01 July 2015
... , create a world condition that is so fast in its demands for instantaneity that the extremities produced result in bodies formed through degrees of inertia. This thesis continues the position Virilio put forward in War and Cinema: The Logistics of Perception (1989), where he explores how the adaptation...
Journal Article
Force and Vulnerability in Philosophy and Science: Husserl, Derrida, Stiegler
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Cultural Politics (2015) 11 (2): 145–161.
Published: 01 July 2015
...: recording, photography, cinema). Marxist thinkers, from Marx himself to Pierre Bourdieu, fail to acknowledge the force of the culture industries in their increasingly “mechanological” implementation of new tertiary retentions. The implication is that consciousness itself is now subject to a revolutionary...
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