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Journal Article
Cultural Politics (1 July 2016) 12 (2): 217–232.
Published: 01 July 2016
... competitive conditions, and who is comfortable displaying these qualities in the context of public scrutiny, has led to the cultivation of the enterprising consumer. We also show how the technologies of government employed in the cultural production of the enterprising consumer differ, and necessarily so...
Journal Article
Cultural Politics (1 March 2013) 9 (1): 53–69.
Published: 01 March 2013
... a circuitry of value in which the performance imperative dominates transformative thought. © 2013 Duke University Press 2013 literary production ontology parrēsia Solzhenitsyn Soviet writers' unions On May16, 1967, Aleksandr Solzhenitsyn signed his name to an open letter to the Fourth Writers...
Journal Article
Cultural Politics (1 March 2017) 13 (1): 101–123.
Published: 01 March 2017
... cultural production within wider debates and scholarship on the construction of resistant praxis in cultural production; the distribution of power; culture and representation; and image circulation, translation, and reception in a colonial setting, global context, and transnational frame. Tracing the...
Journal Article
Cultural Politics (1 July 2005) 1 (2): 165–192.
Published: 01 July 2005
..., this article is equally interested in the film's production history and its reception by global audiences. While initial reactions to the film focused on its ideological commitments (e.g. racism, collusion between Hollywood and the Pentagon, post-September 11 th patriotism), these readings continually...
Journal Article
Cultural Politics (1 July 2014) 10 (2): 226–238.
Published: 01 July 2014
... selected artists, practices, and products, and nascent spectacular global capitalism (including some of spectacle’s “technical means of production,” such as perspectival representations). Drawing on elements of the well-known critique of spectacle developed by Guy Debord, the essay posits a tradition, or...
Journal Article
Cultural Politics (1 November 2009) 5 (3): 335–358.
Published: 01 November 2009
...Robert Hassan This article argues that “evolution” in the production of mass cultural forms has become stalled in our postmodern, networked, and neoliberalized society. Popular cultural forms have historically developed and evolved in dialectical relationship with capitalism. This produced forms...
Journal Article
Cultural Politics (1 November 2011) 7 (3): 445–464.
Published: 01 November 2011
... between the forms Baudrillard termed “production” and “seduction” – can nonetheless illuminate how it works and enable us to reassess how far classic nineteenth-century detective fiction adhered to the principles of scientific logic, panopticism, and positivism. The essay begins by exploring detective...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 275–286.
Published: 01 November 2014
...Sean Cubitt Ecocritical work on media has developed from a genre criticism of nature-themed films to address cinema, TV, and media arts more broadly as articulations of the human-natural relation and its mediation through technologies. Embracing the environmental impacts of product life cycles...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 389–403.
Published: 01 November 2014
... manipulate, control, and reprogram everyday spaces. The queue, formerly a symbol of democratic consent, has instead become managed: contained and controlled by tape within which people are assumed to behave as predictable pinballs. Moreover, queuing time has come to be seen as productive marketing time, an...
Journal Article
Cultural Politics (1 July 2016) 12 (2): 202–216.
Published: 01 July 2016
... situating the FBI’s “domestic security” program as product and productive of overlapping racial and sexual politics and investigating the FBI’s anti-Semitic conspiracy theory that Ellington’s early-career promoter Irving Mills (a.k.a. Isadore Minsky) was a Jewish communist intent on capitalizing on the...
Journal Article
Cultural Politics (1 March 2008) 4 (1): 47–72.
Published: 01 March 2008
... ideology also functions through the production of imaginary rather than symbolic identities. These identities serve not as means of internalized discipline but of external control. Thus I argue that a key difference between Keynesianism (the economic theory and practice of the welfare state) and...
Journal Article
Cultural Politics (1 July 2005) 1 (2): 193–214.
Published: 01 July 2005
...Sean Cubitt While production, text and audience have been extensively covered by media and cultural studies scholars, the study of distribution is in its infancy. This essay argues that the distributive moment of the media cycle – incorporating delivery to audiences, business-to-business...
Journal Article
Cultural Politics (1 March 2007) 3 (1): 35–50.
Published: 01 March 2007
... security which, while historically specific to the moment of production – the late 1960s and early 1970s – are also provocatively contemporary in their identification of the limits of resistance. Vanishing Point is read as a film that refuses the escapism of the road movie genre and instead pursues the...
Journal Article
Cultural Politics (1 March 2007) 3 (1): 5–20.
Published: 01 March 2007
... directed toward the production of hybridity. Further, and despite the continuing presence of an official policy of multiculturalism, these developments have highlighted the highly provisionalized forms of national belonging now available to Australian citizens in certain immigrant communities, particularly...
Journal Article
Cultural Politics (1 March 2007) 3 (1): 51–70.
Published: 01 March 2007
... certain circumstances, McEwan's novel may not merely evoke a traumatic encounter but may also be productive of symptoms associated with this experience in their actuality. © BERG 2007 PRINTED IN THE UK 2007 Ian McEwan Atonement speed trauma reading In a recent radio interview, the British novelist...
Journal Article
Cultural Politics (1 November 2013) 9 (3): 357–370.
Published: 01 November 2013
...Ian Waites George Shaw (1966–) is a British painter known for his meticulous depictions of Tile Hill in Coventry, a post–World War II council housing estate where Shaw lived from 1968 until the late 1980s. This article assesses Shaw's work as a product of a wider struggle between the idealistic...
Journal Article
Cultural Politics (1 July 2014) 10 (2): 194–205.
Published: 01 July 2014
...” is a combination of George Orwell’s Big Brother and Aldous Huxley’s Brave New World, as well as a product of Chinese post-totalitarianism or, in other words, of advanced totalitarianism. As such, it resembles neither a totalitarian culture of the Stalinist model nor an American-style “amusing...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 263–278.
Published: 01 November 2016
... the cinematic apparatus. By withdrawing from the production of the image, Keiller suggests that the absence of a sign always functions as the sign of an absence. © 2016 Duke University Press 2016 Patrick Keiller spatial fiction Henri Lefebvre absence cinematic space The works of Patrick Keiller...
Journal Article
Cultural Politics (1 November 2017) 13 (3): 348–369.
Published: 01 November 2017
... financialization, thus reaffirming a neoliberal trend to privatize social problems. I explore how this financial illiteracy dovetails with the production of “white ignorance” and the erasure of the racialized injustices of contemporary global capitalism. While the case study of financial literacy educational...
Journal Article
Cultural Politics (1 November 2017) 13 (3): 370–390.
Published: 01 November 2017
... nearly every market transaction and community activity—from buying shoes to wearing them to a charity gala at the local donor-funded museum. These practices activate action through vocabulary, or through a productive relationship to what Raymond Williams ([1976] 1985) described as keywords. In this...