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Journal Article
Cultural Politics (1 July 2015) 11 (2): 222–233.
Published: 01 July 2015
...Sophie Fuggle The pixel and the technique of pixelating faces belong to a politics of fear and a digital aesthetics of truth that shapes public perceptions of criminality and the threat of otherness. This article draws on Paul Virilio’s account of the pixel in The Lost Dimension to analyze its...
Journal Article
Cultural Politics (1 March 2017) 13 (1): 19–33.
Published: 01 March 2017
...Sean Cubitt Glitches, formally artifacts of errors in electronic transmission like CD stutters or dead pixels, interrupt communication and distract audiences without wrecking the systems they occur in. Permanent irritants, they operate as irruptions of difference into the indifferent flux of...
Image
Published: 01 March 2013
Figure 3   Claudia Hart, The Seasons: Video Object , 2009. QuickTime video, 720 × 1280 pixels, with stereo sound by Claudia Hart, 10 min. Courtesy the artist and bitforms gallery, New York Figure 3 . Claudia Hart, The Seasons: Video Object, 2009. QuickTime video, 720 × 1280 pixels, with stereo More
Image
Published: 01 March 2013
Figure 1   Claudia Hart, The Swing , 2006. Three-channel animation, one of three channels, each 720 ×  1280 pixels, with stereo sound by Kurt Hentschläger, 10 min. Courtesy the artist and bitforms gallery, New York Figure 1 . Claudia Hart, The Swing, 2006. Three-channel animation, one of three More
Journal Article
Cultural Politics (1 March 2013) 9 (1): 86–94.
Published: 01 March 2013
...Figure 3   Claudia Hart, The Seasons: Video Object , 2009. QuickTime video, 720 × 1280 pixels, with stereo sound by Claudia Hart, 10 min. Courtesy the artist and bitforms gallery, New York Figure 3 . Claudia Hart, The Seasons: Video Object, 2009. QuickTime video, 720 × 1280 pixels, with stereo...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 201–209.
Published: 01 July 2015
... speed” of weapons and communication systems over the movement of “relative speed” of mechanized forces: “The perspective from the battlefield is no longer so much that of the point of departure as the simultaneous departure of all points, the pixels of the image of targets to be acquired in order to...
Journal Article
Cultural Politics (1 November 2018) 14 (3): 289–303.
Published: 01 November 2018
... the effect that what we long for in Minecraft is not a lost connection to a particular time and place in history but a connection to earlier consumer products (especially Lego and the pixelated aesthetic of 8-bit video games) and their attendant play modes. And it is important to note that digitally...
Journal Article
Cultural Politics (1 November 2008) 4 (3): 269–288.
Published: 01 November 2008
... midline of a twenty-foot-wide bridge. Another threaded the chimney of a suspected command-and-control center … Babylon became a bitmap. Pilots took its sand grains apart, pixel by pixel, their soldier bodies tied to weapons systems by electron umbilical, their every joystick twitch duplicating moves...
Journal Article
Cultural Politics (1 March 2017) 13 (1): 1–18.
Published: 01 March 2017
... precalculated, still remain within perceptible frequency ranges. Today’s television images, by contrast, are composed of 625 lines of 4,000 pixels each that are written onto the screen at a rate of fifty times per second. It is flat-out impossible to see individual pixels. Which is why today’s color TV—with the...
Journal Article
Cultural Politics (1 March 2017) 13 (1): 81–100.
Published: 01 March 2017
... common emojis in their Unicode Emoji Chart Index format Figure 2. A small collection of some of our most common emojis in their Unicode Emoji Chart Index format By creating a complete set of 176 twelve-pixel by twelve-pixel characters that were to cover the “entire breadth of human emotion...
Journal Article
Cultural Politics (1 July 2006) 2 (2): 213–224.
Published: 01 July 2006
... have nothing to do with thinking the game. Nor might it be the ability to dismiss the game as unreal in the name of some supposedly more solidly grounded outside. What? These luminous pixels are not real, you say? Then neither is your world. If anything, The Cave™ seems to be where the forms, the...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 234–245.
Published: 01 July 2015
..., pixelated image of the Stars and Stripes. Novak soon becomes RoboCop/Murphy’s chief apologist on the satellite news networks, and RoboCop/ Murphy features in Novak’s reports. In this respect, RoboCop/Murphy becomes a munition deployed against America’s politicians who want to keep OmniCorp’s drones off...
Journal Article
Cultural Politics (1 March 2011) 7 (1): 133–156.
Published: 01 March 2011
.... He writes, “We must require public companies and all financial firms to report more granular data online – and in real time, not just quarterly – uniformly tagged and exportable into any spreadsheet, database, widget, or Web page. The era of sunlight has to give way to the era of pixelization” (2009...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 260–274.
Published: 01 July 2015
... essentially concerned with the question of the relationship between enlightenment and truth when electromagnetic light has become the primary condition of possibility for a new dromological process of photo/pixelization, when its wavelike properties of electronic transmission seem to defy any simple...
Journal Article
Cultural Politics (1 July 2017) 13 (2): 156–176.
Published: 01 July 2017
... especially true given how the technical specificity of digital media—the fact that any image on a digital screen is made up of flickering pixels that have no real temporal continuity or spatial consistency—rarely enters into conscious sensation. This does not mean that the image is illusory. Embodied...
Journal Article
Cultural Politics (1 March 2017) 13 (1): 58–80.
Published: 01 March 2017