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photography

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Journal Article
Cultural Politics (1 March 2017) 13 (1): 58–80.
Published: 01 March 2017
... exploring of the nature of work, and the nascent eroticization of working relations, under Western neoliberal regimes. © 2017 Duke University Press 2017 Terry Richardson digital photography pornography neoliberalism Antonio Negri An antique “porn chic” unifies, seemingly, the majority of photographer...
Journal Article
Cultural Politics (1 March 2010) 6 (1): 15–22.
Published: 01 March 2010
...Alec Finlay (TEXT); Alexander Maris (PHOTOGRAPHY) © BERG 2010 PRINTED IN THE UK 2010 2009 “I do set My bow in the cloud, and it shall be taken for a token of a covenant between me and the earth” (Genesis) windmill turbines are the only monumental sculptures suited to symbolize the era of...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 163–183.
Published: 01 July 2015
...Deborah Frizzell The Irish artist Richard Mosse’s The Enclave (2013), a six-screen video, photography, and sound installation made over several years in and around Goma, Democratic Republic of Congo, was featured in the Pavilion of Ireland at the Fifty-fifth Venice Biennale and at Jack Shainman...
Journal Article
Cultural Politics (1 July 2006) 2 (2): 245–254.
Published: 01 July 2006
...Elin O’Hara Slavick Protesting Cartography: Places the United States has Bombed is a series of protest drawings of US military interventions. Utilizing surveillance imagery, military websites such as the US Department of Defense battle plans, aerial photography, mass media, and maps, each drawing...
Journal Article
Cultural Politics (1 July 2008) 4 (2): 201–220.
Published: 01 July 2008
... importance not only of Baudrillard’s work, but also crucially and in particular to the sign “Jean Baudrillard 1929–2007.” It is not accidental, then, that all the photographs contained in this article are of signs in both senses noted above, and, in deference to Baudrillard’s own photography, include only...
Journal Article
Cultural Politics (1 July 2011) 7 (2): 239–248.
Published: 01 July 2011
... York City); the Kréyol Factory (Paris), Museum fur Völkerkunde (Vienna), Smithsonian National Museum of Natural History (Washington, DC), Tang Museum (Saratoga Springs, NY) and the Tokyo Metropolitan Museum of Photography. Her work has been collected by institutions including the US Library of Congress...
Journal Article
Cultural Politics (1 March 2011) 7 (1): 79–102.
Published: 01 March 2011
...John Beck The defensive systems of fortified bunkers built during the twentieth century have become, especially since the end of the Cold War, objects of troubled fascination for artists, architects, and archaeologists. Images of bunkers proliferate in contemporary art and photography, and the...
Journal Article
Cultural Politics (1 July 2017) 13 (2): 156–176.
Published: 01 July 2017
... and background. Copyright © 2017 Duke University Press 2017 photography phenomenology digital culture aesthetics narcissism The default setting of contemporary media studies is empiricism—an empiricism deferred through theory necessarily supported by “practice,” or theory grounded in data that...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 404–414.
Published: 01 November 2014
.... © 2014 Duke University Press 2014 Anthropocene time capsule history photography archive Telling the time is not merely an announcement of the hour but also a calculation, a reckoning. Telling involves counting, recounting, and accounting; it requires a measure, a narrative, and an inventory. The...
Image
Published: 01 March 2012
Ceca, Sydney, 2010. Photo courtesy of Dragana Marinković—One Love Photography Ceca, Sydney, 2010. Photo courtesy of Dragana Marinković—One Love Photography More
Image
Published: 01 November 2017
Figure 1 Discussions between students at the University of Capetown prior to the burning of artworks on February 16, 2016. Photography by Ashleigh Furlong/GroundUp (CC BY-ND 4.0) Figure 1. Discussions between students at the University of Capetown prior to the burning of artworks on February 16 More
Image
Published: 01 November 2017
Figure 3 Artworks set alight by student protesters at the University of Capetown on February 16, 2016 . Photography by Ashleigh Furlong/GroundUp (CC BY-ND 4.0) Figure 3. Artworks set alight by student protesters at the University of Capetown on February 16, 2016 . Photography by Ashleigh More
Image
Published: 01 November 2017
Figure 2 A student protester throws a painting by Keresemose Baholo on a burning pile of other artworks at the University of Capetown on February 16, 2016. Photography by Ashleigh Furlong/GroundUp (CC BY-ND 4.0) Figure 2. A student protester throws a painting by Keresemose Baholo on a burning More
Journal Article
Cultural Politics (1 November 2016) 12 (3): 376–379.
Published: 01 November 2016
... the Victoria and Albert Museum. Film and photography in collaboration with Toby Smith. Ceramics work in collaboration with the London Sculpture Workshop. Animation assistance from Christina Varvia. Photography: Toby Smith/Unknown Fields ...
Journal Article
Cultural Politics (1 November 2016) 12 (3): 391–393.
Published: 01 November 2016
... “our attempts to read the face are always open to failure” (35). Two issues emerge from the analysis. The first is that photography is not a finished object; it is an event that registers ambiguous traces from an “encounter between photographer, camera and photographed person” (35). Photography, at the...
Journal Article
Cultural Politics (1 November 2018) 14 (3): 395–399.
Published: 01 November 2018
... politics during Chile’s contentious early 1970s. Camilo Trumper relies on an impressive array of unconventional sources, such as graffiti, documentary films, street photography, architecture and design plans, and material products, to demonstrate the contested nature of public expression and visual...
Journal Article
Cultural Politics (1 March 2011) 7 (1): 59–78.
Published: 01 March 2011
..., Northumbria University, United Kingdom. Garnett has served as Arts Editor at Cultural Politics since 2005. John Armitage: Since your parents were intensely engaged with photography, each in their own way, what was it that made you choose painting as your primary medium? Joy Garnett: I wanted to make...
Journal Article
Cultural Politics (1 March 2006) 2 (1): 97–114.
Published: 01 March 2006
... photographing the world from above, in a balloon, photographing a world of buildings on which the word “photographie” is marked across each of them. Besides Nadar in the hot-air balloon, there are no (more) humans in that world. According to the lithograph's caption, it has been made to pay homage to Nadar's...
Journal Article
Cultural Politics (1 July 2016) 12 (2): 190–201.
Published: 01 July 2016
... photographic images archived from media photography. Over time, the archive is refined. By the end, the images are solely composed of protest crowds. There is something about them alone—some other kind of energy—that keeps the brush in motion, which makes the marks. Ukraine. Egypt. Yemen. Occupy. The ink on...
Journal Article
Cultural Politics (1 July 2012) 8 (2): 254–271.
Published: 01 July 2012
... how the reality principle of photography was revised by every wartime generation and every advance in photographic media, whether in the depiction of trench warfare brought home from World War I, the corpses strewn across Nanjing and the Normandy beaches in World War II, the My Lai massacre in Vietnam...