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Journal Article
Cultural Politics (1 November 2005) 1 (3): 331–338.
Published: 01 November 2005
...John Armitage © BERG 2005 PRINTED IN THE UK 2005 Private cities, protected by their electronic fences, surveillance cameras and guards … ghettoes … even called FORTRESS AMERICA … Those on the subcontinent, such as the five ALPHAVILLES that now ring Sao Paulo in Brazil, don't bear mentioning. Paul...
Journal Article
Cultural Politics (1 November 2005) 1 (3): 353–364.
Published: 01 November 2005
...Nigel Thrift This article is a synoptic review of the recent work of Paul Virilio, conducted through the book, City of Panic . I point to the problems with the increasingly apocalyptic content and tone of Virilio's work on modernity by referring to recent social science research on the city that...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 234–245.
Published: 01 July 2015
...Brian Sudlow José Padilha’s new RoboCop (2014) film can be read in the light of Paul Virilio’s theoretical work, notably Desert Screen . RoboCop serves as the city’s warrior but also as a munition in the hands of global media forces. Still, even if the film presents the fallibility of robotic...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 260–274.
Published: 01 July 2015
...Neil Turnbull In contemporary philosophical and theoretical debates, Paul Virilio is relegated to a minor figure, often to a kind of “lesser Baudrillard” or a “diminutive Foucault.” This article contests this view and repositions Virilio as a leading intellectual of the so-called theological turn...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 275–292.
Published: 01 July 2015
...Enda McCaffrey This article rereads Paul Virilio, drawing on the distinction between topography and topology to argue a case for Virilio as a rewriter of modernity. Invoking Jean-François Lyotard’s notion of rewriting modernity as an unbroken process of accumulation founded on affective life in “Re...
Journal Article
Cultural Politics (1 November 2013) 9 (3): 280–295.
Published: 01 November 2013
...Steve Matthewman This article surveys the work of one of the most prominent theorists of accidents today, Paul Virilio. Particular focus is given to the May 6, 2010, Flash Crash. This event is used to measure the worth of Virilio's accidentology, as it is viewed as a harbinger of the integral...
Journal Article
Cultural Politics (1 March 2012) 8 (1): 61–72.
Published: 01 March 2012
...Paul Virilio; Sacha Goldman Originally published in English by ZKM. Revised material © 2012 Cultural Politics 2012 Sacha Goldman: The current times are increasingly illegible. We need to establish a new reading matrix. Paul Virilio: We are entering unpredictable times. Twenty years ago, I...
Journal Article
Cultural Politics (1 July 2012) 8 (2): 193–206.
Published: 01 July 2012
...Rob Wilson This essay aims to think through the worldly presence of two important and culturally influential American writers in the cultural contact zones of Tangier and North Africa: Paul Bowles and Jack Kerouac. It contrasts their differing attitudes toward “conversion” and toward the implicit...
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Published: 01 November 2009
Photo courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photo courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
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Published: 01 November 2009
Photographs: Tuyen Nguyen. Courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photographs: Tuyen Nguyen. Courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Paul Chan, “Initial drawing for what it might look like” (2006). Pencil and charcoal on paper, 9 × 11 inches. Courtesy of the artist and Greene Naftali Gallery, New York. Paul Chan, “Initial drawing for what it might look like” (2006). Pencil and charcoal on paper, 9 × 11 inches. Courtesy of the More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Image
Published: 01 November 2009
Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. Photograph courtesy of Paul Chan, Creative Time and Green Naftali Gallery, New York. More
Journal Article
Cultural Politics (1 March 2007) 3 (1): 51–70.
Published: 01 March 2007
...Paul Crosthwaite Through an analysis of Ian McEwan's novel Atonement (2001) , this essay considers the potentialities and limitations of narrative, and of representation more generally, as means of capturing and conveying the accelerated and intensely traumatic character of mechanized warfare. I...
Journal Article
Cultural Politics (1 November 2014) 10 (3): 333–353.
Published: 01 November 2014
... transformations. Taken together, these arguments point toward a broader transformation in the history of thought that is developed across Deleuze’s work, but also raise a number of problems. This essay will critique and rearticulate the terms of Deleuze’s media philosophy in relation to work by Paul Virilio on...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 210–221.
Published: 01 July 2015
...Mark Featherstone This article explores what one might call the dystopia of contemporary screen-based culture through a discussion of the work of Paul Virilio and Bernard Stiegler. Centrally, it explains that the screen might be seen as a negative abyss, where absolute surface creates the effect of...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 222–233.
Published: 01 July 2015
...Sophie Fuggle The pixel and the technique of pixelating faces belong to a politics of fear and a digital aesthetics of truth that shapes public perceptions of criminality and the threat of otherness. This article draws on Paul Virilio’s account of the pixel in The Lost Dimension to analyze its...
Journal Article
Cultural Politics (1 July 2015) 11 (2): 246–259.
Published: 01 July 2015
...Felicity J. Colman Paul Virilio’s work on dromology provides a model of a political economy. Called the “dromoeconomic” system, it incorporates aspects of temporality, consumption, and technology, arguably three of the core factors for consideration of the future organization of human societies...