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Image
Published: 01 March 2019
Figure 1 Hunting Season (Mother & Daughter) , 2016. Charcoal, pastel, and pencil on paper, 59 × 70½ in. © Toyin Ojih Odutola. Courtesy the artist and Jack Shainman Gallery, New York.
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Image
Published: 01 March 2019
Figure 2 The Marchioness , 2016. Charcoal, pastel, and pencil on paper, 77½ × 50½ in. © Toyin Ojih Odutola. Courtesy of the artist and Jack Shainman Gallery, New York.
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Image
Published: 01 March 2019
Figure 3 First Night at the Boarding School , 2017. Charcoal, pastel, and pencil on paper, 63¾ × 41½ in. © Toyin Ojih Odutola. Courtesy the artist and Jack Shainman Gallery, New York.
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Image
Published: 01 March 2019
Figure 4 Pregnant , 2017. Charcoal, pastel, and pencil on paper, 74½ × 42 in. © Toyin Ojih Odutola. Courtesy the artist and Jack Shainman Gallery, New York.
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Image
Published: 01 March 2019
Figure 5 The Adventuress Club, est 1922 , 2016. Charcoal, pastel, and pencil on paper, 67½ × 49½ in. © Toyin Ojih Odutola. Courtesy the artist and Jack Shainman Gallery, New York.
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Image
Published: 01 March 2019
Figure 6 A Grand Inheritance , 2016. Charcoal, pastel, and pencil on paper, 89 × 60 in. © Toyin Ojih Odutola. Courtesy of the artist and Jack Shainman Gallery, New York.
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Image
Published: 01 March 2019
Figure 7 A Misunderstanding with the Mistress , 2016. Charcoal, pastel, and pencil on paper, 79½ × 60 in. © Toyin Ojih Odutola. Courtesy the artist and Jack Shainman Gallery, New York.
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Journal Article
Cultural Politics (2019) 15 (1): 65–71.
Published: 01 March 2019
...Figure 1 Hunting Season (Mother & Daughter) , 2016. Charcoal, pastel, and pencil on paper, 59 × 70½ in. © Toyin Ojih Odutola. Courtesy the artist and Jack Shainman Gallery, New York. ...
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Journal Article
Cultural Politics (2005) 1 (3): 317–328.
Published: 01 November 2005
... decided not to employ image-manipulation techniques such as sepia or pastel hand-tinted coloring, choosing rather to reproduce the images as full-color prints, as a further means of locating colonial imagery and representational conventions within a contemporary framework. The Victorian sensibility often...
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Journal Article
Cultural Politics (2022) 18 (3): 407–417.
Published: 01 November 2022
..., of revealing what was destined to remain hidden, Engelman's camera captured a similarly revealing scene that must have caught Breton's attention—a pastel painting of the temples of Abu Simbel hanging over the divan. Placing it in that position was Freud's way of associating archaeology as a study of the human...
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